I've been curious about tapered strings for a while now, so I decided to try one, a Dunlop 130T NPS. The good news: it feels and sounds great on the first five frets, probably the best of any B string I've tried.
The bad news: beyond the fifth fret it sounds progressively worse the higher up the neck I go. It sounds like a ring modulator.
In the attached example, I play a scale starting on the 3rd fret and ending on the 24th fret. Not that I'd ever go that high, but I do care about the notes up to the 12th fret, and ideally, I'd like it to sound usable up to the 15th fret. I tried it yesterday with my band, and I started to notice it at the 6th fret, and it sounded outright bad beyond the 9th.
I've seen a couple of other threads discussing this. Apparently it's called inharmonicity and other people have experienced it too. I was wondering how common this is. Is this a tradeoff you have to make for having a great sounding/feeling B string on the lower frets? If I could get the benefits without the downsides, that would be great.
The taper starts 2,5 cm from the saddle, which seems quite far. Maybe that's the problem? Using washers or stringing through the body to bring the taper closer to the saddle is not an option: the bridge design isn't great for that, and the taper on the other end of the string begins only half a centimeter beyond the nut (the bass is 35 inch scale). Does anyone know of a B string where the taper begins around 5 cm from the ball end?
The bad news: beyond the fifth fret it sounds progressively worse the higher up the neck I go. It sounds like a ring modulator.
In the attached example, I play a scale starting on the 3rd fret and ending on the 24th fret. Not that I'd ever go that high, but I do care about the notes up to the 12th fret, and ideally, I'd like it to sound usable up to the 15th fret. I tried it yesterday with my band, and I started to notice it at the 6th fret, and it sounded outright bad beyond the 9th.
I've seen a couple of other threads discussing this. Apparently it's called inharmonicity and other people have experienced it too. I was wondering how common this is. Is this a tradeoff you have to make for having a great sounding/feeling B string on the lower frets? If I could get the benefits without the downsides, that would be great.
The taper starts 2,5 cm from the saddle, which seems quite far. Maybe that's the problem? Using washers or stringing through the body to bring the taper closer to the saddle is not an option: the bridge design isn't great for that, and the taper on the other end of the string begins only half a centimeter beyond the nut (the bass is 35 inch scale). Does anyone know of a B string where the taper begins around 5 cm from the ball end?