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If you want that clear piano like tone, get an F500.
Thanks for posting. An interesting read, and it does seem to capture what so many of us hear. I dig it.Sorry if this has been covered already, but it seems that TC Electronic has updated the Active Power Management document on their site. For all of us RH750 who wondered if our amps shared the exact same power module as the RH450, it seems it does not after all.
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Thanks for the heads-up, 4-string.
I found this graph quite interesting.
As a sort of oversimplification, the F500 gives you a Steinway type vibe... very warm and clear and organic, while the GK is more of a Yamaha type voicing... more goosed... deeper down low, more 'modern' up top, etc.... brighter and bigger, for better or worse.
Sorry if this has been covered already, but it seems that TC Electronic has updated the Active Power Management document on their site. For all of us RH750 who wondered if our amps shared the exact same power module as the RH450, it seems it does not after all.
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Here's a question for the class. The RS212's measured at 11.54 ohms per BG Mag. I "should" be able to run 3 of them with another 4 ohm head right? I think it comes to 3.84 ohms with all three connected. Would anyone sweat that?
tombowlus said:I'm going to double check those numbers, but our measured impedance is just DC resistance. If you look at the impedance curve, that cab's going to present a load that's pretty typical of an 8-ohm cab to your amp.
If you want that clear piano like tone, get an F500.
Its a step in the right direction give or take. It would be ideal for them to incorporate the information into the actual manuals which still cite the original 'erroneous' wattage numbers, even if they're still measuring in peak rather than RMS, and name checking the power unit inside vs. the actual output power of the amp, which is what the real measure is.

Wow it says minimum load is 2.66Ω. I thought the manual says 4?