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And the answer is "honey thick and sweet".
Yep, the way the Rh treats the lows and miss is awesome and syrupy
Those 112s must really be something with the 450!
No combo jacks on the cabs, just the head!Thanks... very easy to forget those. I have 2 3' speakon cables ordered.. should be here shortly. I have 2 1/4" speaker cables. Ive already tested and the speakon connector on the RH450 is a combo, I tested it with a 1/4-1/4 cable to my old Black Widow cab and it worked. I assumed that the the RS21x cabs use the same combo jack so I can use my 1/4" cables until the speakons show up. But I'll test over lunch today. I'll test by pluggin my Peavey Bass head into both RS cabs.
The 212 cab sure is deep, and a little heavier than I expected. ( I knew the dimensions and weight, but was a little surprised when I upacked it )
Duly noted... thanks.
Now you are ready for the....
"CAN YOU CRANK YOUR GUITAR AMP UP A LITTLE? I CAN'T HEAR YOU" Club.[/QUOTE
Did you get my message today?
Brent... I'm guessing it will be a bit warmer. I don't know GK sound, but even the BG250 115 combo I am upgrading from is a bit cleaker/crisper than the RH450. The RH450 and TC cabs sound very little like the 250 combo. I've monkied around and added a switch and jack so I can use the RH450 head with the 115 combo speaker. Works fine and is really light. I'll try and compare the sounds when I get a chance. But I hope you like it.
I agree with DrPepper.. it's easy to get some horrible sounds if you monkey around with the parametric type EQ and hit some funky EQ settings.. but it didnt take too long to find 3 sounds I really like and have them set up. The fact that the gain is separate per setting is nice.. so you can either have the same volume level across all settings, or maybe have a "solo" preset to punch up your rocking solos.
Knowing the frequency range of the different knobs really made a difference for me and helped me dial in the sound better. this is from a DrPepper post
the bass starts higher up than I expected... Let us know if you need help understanding this chart.
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Very cool Scott thank you! this will certainly help!
I would describe the GK sound (or my GK sound) as quick, and gritty very hi-middy if that makes any sense. I use Jazz basses primarily but I have a really nice G&L L2000 that has a very hot output so being able to save the gain setting will be great.
Thanks again!
Brent
Which GK head are you using?
I think "gritty and hi-middy" should be doable. You can dial in grit with Tubetone, but I guess you'll have find out if it's grit that works for you, being described more as more at the wooly or hairy end of the spectrum rather than the dirty/brittle end. I can't speak to that too much, because I use very, very little. I like a cleaner sound.
Personally, getting an understanding of the frequency map didn't do it for me. My sometimes complaint with the RH was overly sensitive EQ and what I considered over-adjustability. Whatever work for someone in getting their sound is cool, but twist and hunt (even with the frequency map) was very hit-or-miss for me. The random seeming nature of having success or not is actually what colored it as "overly" sensitive and adjustable to me.
My strong suggestion, especially for someone coming in with a particular tonal goal, is to check out the semi-parametric mid/shelving point setup method laid out by a guy named Alvaro Martín Gómez A.
Again, if you have something that works for you, that's great (I see you've been around for a long time, so it's likely that you do), but I just can't help singing the praises of this methodology...I've seen where some have given up without ever really understanding the mid-point setup.
I've posted about this a number of times - you can find a summary on page 36 of this thread - http://www.talkbass.com/threads/tc-rh450-club.586323/page-36#post-15545895