TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
don't speak for all gigging rock bassists. i have played in some super loud rock bands using a 100w ampeg v4b. full on gigging 2-6 nights a week.Dude I've been playing bass 20 years & have had 200watt amps & 1200Watt amps. I've played in front of 3 people & 2000 people in all sorts of places & their is no way a full on giging bassist in a rock band is gona do anything with 300 watts (unless its tube watts which this amp is not).
since the vt has its own distortion circuit, it's completely immaterial whether you use class ab or d.I need every bit of my 4pro's 1200 RMS pumping those speakers just to push past my 2 loud guitarist, drummer & singer. I have never even seen any real giging rock bassist use a 300watt solid state head except for practice. I owned the Landmark 600 & I gave it up because the power section was too weak. I like the idea of this head just not the power section. The head isn't little because it's not a digital power amp (class D). You cant get that tech 21 sansamp tone using digital power because it's too sterile. Thais amp is most likley class A/B. A class D amplifying stage has no distortion and no noise generation in the audible band so that would not work with their tube emulation. This is why the amp is regular size.
I have a hard time not believing any of the following from the rest of the keyboard commandos complaining about using 200-300 watts of SS power isn't "enough" for them.
1. Your cab is super inefficient.
2. You don't play out.
3. If you do actually play, you haven't the slightest clue what an effective live bass tone/volume/eq should sound like. Inexperience?
Their marketing fluff claims 300 "real world" watts, as opposed to GK watts. (Did I say that out loud?)
I agree with you but not everyone is you or I. I've never needed more than 50w and probably a 210 for a live scenario. I had a 160w head and 810 that was overkill for those shows, even playing metal and post hardcore. It also managed to cover rehearsals with spare headroom after our volume wars ended.
However, plenty of people play different music in different venues than you or I. Plenty of people also strive for different tones, especially scooped ones that'll fit into a loud environment. I can see why they want 1500 watts to keep up but I'm sure you'll agree with me that they could have a "good" (relative term) bass tone with a lot less power and with different EQ settings.
This is ignorant. Just because what works for you doesn't work for everyone else doesn't mean they're doing something wrong or don't know better.
This is ignorant. Just because what works for you doesn't work for everyone else doesn't mean they're doing something wrong or don't know better.
Very True, different strokes for different folks.
As the originator of the Tech 21 fanboy thread, I mentioned I sold my LM300 due to feeling it was underpowered. But y'know what, it kept up with a 2-guitar rock band just fine, even when I was reduced to using an 8 ohm 4x10 (after the other 8 ohm cab blew a driver).
I was concerned because I found I was running the master volume over half most of the time, and I'd always been told (mostly by TBers) that that's a sign your amp is underpowered. The amp itself never missed a beat though. My other rig at the time was the aforementioned 6RU monstrosity, and compared to that or an SVT, my LM300 was a delight to take to gigs and practices.
I don't trust these class D amps, as I've had a few issues in the past. If I'm using one, I make sure I run into a DI first.
c-
I'm on the fence with Class D myself. they can be run with analog inputs but no ones done it justice yet. I realy miss my LM600. If they made a 600W one I may look into buying it.
I have a hard time not believing any of the following from the rest of the keyboard commandos complaining about using 200-300 watts of SS power isn't "enough" for them.
1. Your cab is super inefficient.
2. You don't play out.
3. If you do actually play, you haven't the slightest clue what an effective live bass tone/volume/eq should sound like. Inexperience?
most tb'ers are alternately half full of crap, half pushing an agenda where they want everyone to do as they do and can't stand it when someone else wants to do something else, and half just making up stuff. knob position has absolutely nothing to do with whether an amp is underpowered, and half these bozos who told you that wouldn't have a clue in the world how much wattage their amp is pushing.As the originator of the Tech 21 fanboy thread, I mentioned I sold my LM300 due to feeling it was underpowered. But y'know what, it kept up with a 2-guitar rock band just fine, even when I was reduced to using an 8 ohm 4x10 (after the other 8 ohm cab blew a driver).
I was concerned because I found I was running the master volume over half most of the time, and I'd always been told (mostly by TBers) that that's a sign your amp is underpowered.
you apparently don't have enough pa, that's for sure!Well, I play this kind of gig:
![]()
Around 800.000 or 1.000.000 people in the streets altogether. Been doing this for 23 years...
300W SS is NOT enough for what I do...
Guess I don't have the slightest clue, huh?
Isn't the Genz Benz streamliner a lot like what half of the people are asking?
Massive wattage with a tube preamp section that it's hinted is SVT-like.
lol! it's funny because it's true!This thread is like a bar-room brawl or a World Wrestling Battle Royale!
Nobody can win it, but you just keep swinging and hope you connect
If anybody does come out victorious, they can have the opportunity to buy one of these units or not
Go, get 'em! This is better than what's on cable!![]()
you apparently don't have enough pa, that's for sure!