I spent last weekend recording bass parts in a professional studio (Rainstorm Studios in Bellevue WA) for a female-fronted pop-country album using my VT-Bass.
I ran my Warmoth/Status G4 (dual Darkstar pickups, all passive) into a Radial J48 and sent that to the board for my "pre" sound. From the J48's "thru" into my Tech 21 VT-Bass which then went to another Radial J48 and sent that to the board for my "post" sound. Using my preferred live setting:
Low: 1 o'clock
Mid: 11 o'clock
Treble: 11 o'clock
Character: 12 o'clock
Drive: 11 o'clock
The engineer absolutely loved the signal she was getting to the board. Her comment was "That pre is really nice. It's warm but still really present and the grit blends nicely with the rest of the band."
I had her take a pre signal before it hit the VT-Bass just in case she wanted something more polite to blend back into it. After hearing the preliminary mixes, I'm not sure that she used much, if any of the pre signal. It's either predominantly or all the post sound through the VT-Bass.
I've yet to use the VT-Bass on a gig, but it performed exceptionally well in the studio. Combined with a set of Darkstar pickups, it's really the most wonderful vintage, yet still full-range type of tone I've ever been able to achieve. Great stuff. Everything is there that I want, and nothing that I don't. My main annoyance with other pres/amps is ganky/honky sounding upper-mids. The VT-Bass has tons of upper-mid content, but with my basses and my playing style, unless I get stupid with the EQ, the upper mids always sound pleasant and musical, while still being aggressive. Not quite sure how Mr. Barta made it happen, but he nailed it.
I ran my Warmoth/Status G4 (dual Darkstar pickups, all passive) into a Radial J48 and sent that to the board for my "pre" sound. From the J48's "thru" into my Tech 21 VT-Bass which then went to another Radial J48 and sent that to the board for my "post" sound. Using my preferred live setting:
Low: 1 o'clock
Mid: 11 o'clock
Treble: 11 o'clock
Character: 12 o'clock
Drive: 11 o'clock
The engineer absolutely loved the signal she was getting to the board. Her comment was "That pre is really nice. It's warm but still really present and the grit blends nicely with the rest of the band."
I had her take a pre signal before it hit the VT-Bass just in case she wanted something more polite to blend back into it. After hearing the preliminary mixes, I'm not sure that she used much, if any of the pre signal. It's either predominantly or all the post sound through the VT-Bass.
I've yet to use the VT-Bass on a gig, but it performed exceptionally well in the studio. Combined with a set of Darkstar pickups, it's really the most wonderful vintage, yet still full-range type of tone I've ever been able to achieve. Great stuff. Everything is there that I want, and nothing that I don't. My main annoyance with other pres/amps is ganky/honky sounding upper-mids. The VT-Bass has tons of upper-mid content, but with my basses and my playing style, unless I get stupid with the EQ, the upper mids always sound pleasant and musical, while still being aggressive. Not quite sure how Mr. Barta made it happen, but he nailed it.

