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I've been meaning to ask Jim. I can tell you for certain that the 15's in the NV215 are running full range with the crossover/pad only affecting the 6, so I'm interested to know if the woofers in these cabs are low passed or not. I know that is a technically "better" approach, but for someone like me that hates tweeters, it would be nice to be able to turn it off and not loose the natural top end of the 12's.


HD212 being ordered today from Atlanta Bass Gallery. I have a Mesa Walkabout amp to use as a start. May go separate pre/amp, later.
I had the chance to play through one of these when I was buying my TC Classic 450. ... Its extremely balanced sounding and very clear. Note definition is just wonderful. Really nice piece of gear!
projectapollo said:HD212 being ordered today from Atlanta Bass Gallery. I have a Mesa Walkabout amp to use as a start. May go separate pre/amp, later.
Changed my order to a single 12. May add a second 112 later. The modular portability folks persuaded me.
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Anxious to hear your impressions of the 112 with a Walkabout. I was also originally interested in the 212, but am now leaning toward the 112 for the same reason.
Changed my order to a single 12. May add a second 112 later. The modular portability folks persuaded me.
I have owned a gob of Berg cabs, and they always seem to perform beyond my expectations. The GREAT news about Jim's cabs is that they don't NEED a ton of power. He has always done a great job of getting a real, useable low end that sounds big out of his cabs, but the cabs still crank with moderate power. For example, my AE212 and AE410 SING with the typical 500 watts at 4ohms.
I've also found that the HT 12" drivers (the same driver is in the new HD112) are the 'king of the hill' for being able to handle a big gob of power, and to stay defined an open at high volumes. I include his HT112ER in my definition of a 'super 12' (i.e., in the same company of the amazing cabs built around variations of the 3012LF neo driver).
Great stuff... no worries!.
+1 VERY impressive drivers in Jim's ceramic cabs! And, sounds like he is taking mechanical limits into account on his power ratings, which is not surprising given Jim's background and the overall excellence of his design. There are quite a few of his cabs that don't match up to my voicing goals, but there hasn't been one that hasn't been impressive in its own way IMO.
Well, I switched again, back to the HD212. So, I'd like to hear HD112 reviews from others, as well. The HD212 should have shipped yesterday.
I've had my HD212 for three weeks now. It took about a week and one good gig to really start to loosen up. I have noticed that the drivers are much warmer sounding at low volumes once they did break in a bit. This cab is amazing how it will punch you in the gut when my Aguilar DB751 isn't even being pushed too hard.The cab also takes EQ very well you can really get the modern tones out of it. At least as modern as my flat wound P-Bass allows. And it wil do the deep flat wound tone too. Very receptive to amp settings.
I'll put that on my list of things to do once all these other priorities get taken care of.![]()
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Bassflute said:are magical, no doubt. I've owned 4, and they've ALL been the best cabs I have ever owned, and some of the smallest. The little IP112ER stack gets unbelievably loud for a rig this size. When I think back to how LITTLE my first bass amp, the blackface Fender Bassman 50 with 2x12's put out, and then this thing....holy crap! It's like a 63 Porsche 356 vs a 2012 911 Turbo... they look similar, but holy ****!
It's like a small nuclear warhead for bass. With the Summit tube front end, it is STILL the best bass rig I have EVER heard. I still gotta find a an IP 212 or 310 one of these days...
Cheers,
Cameron
Well, I switched again, back to the HD212. So, I'd like to hear HD112 reviews from others, as well. The HD212 should have shipped yesterday.