• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

THE BEST BASS FOR ROCK (with data!)

"What is the best bass for [INSERT GENRE]?" is such a common question on Talkbass that it's become a joke.

Music festivals of specific genres provide a general representation of trends within those genres. One trend that can be observed is what type(s) of basses are being used within the genre. These observations can be used to identify the most common and therefore "best bass" for that genre

One-hundred nineteen (119) artists performed at the 2015 Firefly Music Festival, which primarily features "rock" bands and was held at the Dover International Speedway in Delaware over Father's Day weekend. AXS TV televised portions of the event showing twenty-five (25) bands over three (3) days. The makes and models of basses used by these bands were identified along with additional information including body color, pickguard color, fingerboard wood where applicable, and amplifiers to aid in determining the best bass for rock.

Twenty-five (25) bands/artists were shown as part of AXS TV's coverage. Four (4) of those bands/artists (Sylvan Esso, Kygo, Empire of the Sun, and Snooop Dog) included no bass players, leaving twenty-one (21) bass players. The bass player for Foster the People used two basses for a total of twenty-two (22) bases. Data for these basses are shown below.

Best%20Bass_zpsdobx8gka.jpg


  • There were a total of eleven (11) Precision basses, making them the most common and accounting for half of all bases. Ten (10) were Fender and one (1) was Celinder.
  • There were four (4) Fender Jazz basses, the same number of hollowbody basses.
  • There were also four (4) hollowbody bases (what appeared to be two (2) Epiphone Rivolis, one (1) Fender Starcaster, and one (1) Guild), the same number of Jazz basses.
  • The remaining basses included one (1) Gibson Thunderbird, one (1) Music Man Stingray, and one (1) Skjold custom.
  • The most common colors were sunbursts (6) and whites (5). Other colors included reds (4), natural (3), greens (2), and black (2).
  • On the "Fender" basses, pickguard colors were as follows: tortoise (5), white (4), black (3), anodized (2), and pearloid (1).
  • On the "Fender" basses, there were nine (9) rosewood fretboards and six (6) maple. Four of the maple necks were blocked.
  • It was not possible to identify all amplifiers but the majority were Ampegs, Fenders, and Ashdowns.
Based on these data, the most common and therefore best bass for rock is...BIG SURPRISE! :eyebrow: ...









Sunburst Precision with a rosewood fretboard and tortoise pickguard!

You unoriginal bunch of bastards! :woot:
 
Last edited:
I recently made the opposite switch - from my dream P to a J, and it's really not "cutting" well. It sounds great, but it's a much more delicate balancing act getting the whole band to sit well in the mix & it seems flip flop between not punchy enough (when guitars are going full bore with power chords) and too punchy (when guitars are e.g. arpeggiating a line).

I'm getting the series/parallel mod switch & a vari-tone type tone control installed - just need some parts to arrive, should be done before next rehearsal on Thursday. I'm hoping the series/parallel mod will make it punchier while still keeping essentially the same character, because when it works it works well. Just when it doesn't work, ... well only the band probably notices, but still.
 
Based on these data, the most common and therefore best bass for rock is...BIG SURPRISE! :eyebrow: ...

Sunburst Precision with a rosewood fretboard and tortoise pickguard!

You unoriginal bunch of bastards! :woot:

For a better analysis for relative preference you might want to weight frequencies based on availability. Maybe everyone really wants to play a Peavey T-40 but can't find one :)
 
I recently made the opposite switch - from my dream P to a J, and it's really not "cutting" well. It sounds great, but it's a much more delicate balancing act getting the whole band to sit well in the mix & it seems flip flop between not punchy enough (when guitars are going full bore with power chords) and too punchy (when guitars are e.g. arpeggiating a line).

I'm getting the series/parallel mod switch & a vari-tone type tone control installed - just need some parts to arrive, should be done before next rehearsal on Thursday. I'm hoping the series/parallel mod will make it punchier while still keeping essentially the same character, because when it works it works well. Just when it doesn't work, ... well only the band probably notices, but still.

Have you tried running a little compression on it yet? A lot of JBs benefit from it.
 
For a better analysis for relative preference you might want to weight frequencies based on availability. Maybe everyone really wants to play a Peavey T-40 but can't find one :)

Spot on.

There are also other factors, like the fact this is a rock festival. P-basses are rock workhorses so I'd expect to see more of them at a rock show. Go to a metal festival, do most of them have P-basses? Go to a funk festival, do most of them have P-basses?

Well, I guess this thread is about rock bands so I'll shut up about that.

I wonder also if the relative success of the band has anything to do with it. I.e. maybe they buy what is readily and cheaply available because they need workhorse instruments. Smaller-time bands don't have a road crew, they don't have techs, they don't have a dedicated sound man, they can't predict what the sound system will be like, they don't have endorsement deals, they don't have a ton of money, and they want something easily replaced if stolen I'd presume. Seems like a P-bass is perfect for those conditions. Every music store has a few P-basses for sale usually.
 
Last edited:
Spot on.

There are also other factors, like the fact this is a rock festival. P-basses are rock workhorses so I'd expect to see more of them at a rock show. Go to a metal festival, do most of them have P-basses? Go to a funk festival, do most of them have P-basses?

Funny you mention that. I made similar observations for the 2015 Rock on the Range festival, which is predominantly metal. The P-bass was the most common bass there too but there was a lot more variation.
 
Funny you mention that. I made similar observations for the 2015 Rock on the Range festival, which is predominantly metal. The P-bass was the most common bass there too but there was a lot more variation.
Been looking through photos of this year's Hellfest. There seems to be a large number of P/Js with Spectors being popular.
 
I think that were we to see the basses used on the top selling rock albums since the 60s, the P-bass would be even more dominant.

I don't own one, personally. But they are ubiquitous and that's hard to deny.
 
...I wonder also if the relative success of the band has anything to do with it. I.e. maybe they buy what is readily and cheaply available because they need workhorse instruments. Smaller-time bands don't have a road crew, they don't have techs, they don't have a dedicated sound man, they can't predict what the sound system will be like, they don't have endorsement deals, they don't have a ton of money, and they want something easily replaced if stolen I'd presume. Seems like a P-bass is perfect for those conditions. Every music store has a few P-basses for sale usually.

All bands appeared to be well established. It didn't appear like any band showed up at the festival straight from practicing in the the garage.
 
  • Like
Reactions: pacojas