- Oct 22, 2015
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I worked with a drummer for a few years who liked eating at gigs. Beer nuts, pretzels, chips ‘n salsa, nachos anything he could carry would end up on his upright rolling trap-case buffet.
I’d turn around to start a count and he’d be turning back towards the audience chewing and clicking his sticks.
Eccentric is an understatement with him as nothing he did was ‘normal’. Otherwise he was a decent sort and when you need a drummer, you sometimes make allowances.
Yes I have worked with a few who have been able to feign normality for weeks on end until finally they just self-destuct in a blaze of disfunctionalityInteresting breed, drummers!
And they're most often found hanging around musicians.Interesting breed, drummers!
[drummers please address replies to !@#$%^&*()_+]. <ADDENDUM> Actually, I worked with one in Miami for over 25 years who not only called the tunes, he knew what keys they were in. And Never played too loud. Great guy, sadly gone.Only days ago I heard "she looks like a bass player" and I'm still wondering about that.
I'd take that aa a comliment.
Does an Ashdown AAA 60 get me into the club? (I plan on my next amp being a combo as well)
I always enjoy my hamberder more with free comliments!
I hear Trump has some spare!
. . . . Happily my focus is on my bass, . . . . not hearing anyone talking about their Fender settings on that combo to duplicate Montgomery Ward combos? Need that Dano for the full effect?
Well, back from the VFW gig, enjoying a cold one. 67 TBird and Rumble 200c performed beautifully(I helped-a little). Love these gigs for older folks-6:30 to 9:30 instead of that 9 to 2 crap. I'm fairly certain we fooled 'em again.Would you rather hear someone waffle on endlessly about the manifold and virtuous tones from their VX50BA, instead, while wafting poetic about how light-as-a-feather it is to lift and like a small cloud to carry. If you'd prefer that I'm sure it could be arranged. Oh, but don't take that as a threat. It's just a friendly offer, actually, in case it helps, you know, like. Or not. Yeah, prob'ly not.
Ya know, ... just . . . . Well, I'm gonna go now. G'night.

Yeah, things are quite a bit different now than 48 years ago with my shiny new Gibson EB-2 and black Naugahyde tuck ‘n roll Kustom 100.Dial in my Kustom modeling software, connect my bass to my phone and Bluetooth everything to the amp and board
I loved the Kustom R & P 150 bass amp I had. Until it was time to load it. Sold it in '15 and bought a Rumble 200c.Yeah, things are quite a bit different now than 48 years ago with my shiny new Gibson EB-2 and black Naugahyde tuck ‘n roll Kustom 100.
I those days I remember thinking “if some bass is good, more bass must be better”, ‘cause I cranked the bass, but then wondered why I couldn’t turn it up more...hmmm.
Played my first gig about 2 mos after getting that gear. No way I knew what I was doing but I guess it was ok because the band kept me, hahaha.
A. I use my R200c by itself most of the time, occasionally adding the R112 cab. B.Yes, it's easier to move for the drummer but if he'd get there earlier ya wouldn't hafta move.Love my MarkBass 2x10” combo.
75% I used it on it’s own but sometimes I need more oomph so I add the 2x10” extension speaker can when there’s no PA support.
I love combos as I feel they are easier to transport, easier to set up, and you can move them around on the stage while set up (if the drummer needs more room for example).
Personally, I don’t know why more combo amp manufacturers make tilt back designs. I can always hear the clarity of my playing while in full band, 1am rocking out mode.
Benner
C. I do like the kickback feature, but I have a coupla stands that do the job, so I'm OK(sorta)