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The Combo Club

Good late evening/early morning members. Seriously, this was the only posting for the entire Wednesday? No offense, M, and thanks for contributing, but not even one crazy combo entry...sheesh. Oh I know, I was AWOL too. But I had a good reason. I was doing...stuff. Offhand, I don't remember any of it, but I think there was some school junk mixed in with some musical junk, etc. Oh well, I'm here now and cranking out the first of what I hope will be dozens of great posts by the rank and file for this Thursday.

So Morrighan, are you heading to or departing from? I'm assuming you spent St. Patty's Day on the Emerald Island, correct? Or is this photo someone's fancy desktop wallpaper and you're really sitting in Schenectady, New York, waiting for the second coming of Charles Mingus? Proof you went or are there or we're calling it fishy.

As for me, a couple of days ago I hinted there was something combo-like coming to the abode and absolutely no one retorted with any interest or enthusiasm. Have you all become so jaded by my musical purchases that there's zero interest at all? Wow, what happened to me? I turned into a dud, that's what happened.

Regardless, the brown truck did pull up late in the afternoon on Wednesday and dropped off a box (see pic 1). To my surprise, it was a bass combo amp. One, three months ago, I would've never considered buying. But after one of our newer members, TheMickster, poignantly replied to an opinion I had about a certain brand, I realized he was right. The power is in the fingers and it shouldn't matter as much what you play through, though I still believe the right amp makes the player's skills shine through even more. So I thought to myself a week ago, maybe the third time is a charm (see pics 2-4).

I picked up a Markbass CMD 101, which is the smallest combo in the Marcus Miller lineup. It's one ten-inch speaker with 45 watts at 8 ohms. if paired up with another 8-ohm cabinet, then the power bumps up to a whopping 60 watts for both speakers. You also have the option of bypassing the internal speaker if you want. With XLR and headphone outs, an Aux-in, three-band EQ (big difference from my previous Micromark, which had only a VPF knob for tone), separate gain and volume controls, and a tweeter (which the 801 doesn't have either) (see pics 5-7).

How does it sound? Well, I admit I haven't had much time to really put it through its paces, but so far I love it. I know, honeymoon period and it may be, but there's way more bottom end to play with this time, the cab is larger but is still easy to schlep, the tone controls make an immediate impact upon turning left or right, and it sounds great with either the violin bass or the Precision, particularly all by their lonesome...no pedals involved. It's been so long since I plugged straight into an amp and liked what I heard. My short time with it was really fun. right now as you can see, it's sitting on top of the Rumbler 115 but I haven't tried the two together yet.

Finally, what do I plan on doing with it? Besides the PBJ, it's the only modern-sounding amp in the stable. I realized just how many combos I have that provide an old-school tone and I sought to balance the playing field a bit. I was also curious about this particular one because it's reviewed pretty decently and the MM line itself seems to be doing well. Also, GC used the power of the four-leaf clover and knocked a crisp Franklin off of the price. That didn't hurt any. I'll put some time in over the next few weeks and see how we get along, but at the outset, I'm thinking, for me, it's the best-sounding MB I've played yet and that's saying something.

Feel free to question or comment if you're around. I'll be checking in periodically over the weekend. M, hope you have safe travels wherever you're en-route to. Keep us posted if you find yourself in the middle of a gig!
It's 0200 Friday as I read this. I'm away from the home base for a day and a half, but back tonight for a gig at one of our semi-steady haunts(Ft. Pierce, FL, American Legion)for fish and shrimp Friday.
Got a call tonight(Thursday)that we picked up a 1 hour sorta concert next Thursday at a rehab center. Easy little gig, appreciative folks, and it'll be the first time all 4 of us will have been on stage together in a little over a year.
Congrats on the new toy. Let us know how it works out after the 'new' wears off.
 
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... for what in search of creeping normalcy

In combo news it's the BG-400 what might be the wearing of the green. This is the view my combo enjoyed in Ireland

20190607_154858.jpg

before rejoining me here in The States
for what appears to be a while yet
in search of creeping normalcy ...
 
... for what in search of creeping normalcy

In combo news it's the BG-400 what might be the wearing of the green. This is the view my combo enjoyed in Ireland

View attachment 4208809

before rejoining me here in The States
for what appears to be a while yet
in search of creeping normalcy ...
Ireland is beautiful! Thanks for the pic!

However, you had much courage living in a house situated at the end of the world’s shortest landing strip.

Oh yes! Continuing with normalcy news:
Me, my Markbass Minimark and upright might try a “distanced” jam outside, weather permitting, this weekend.
 
Last edited:
I guess its a combo.... my recent purchase of new headphones and Vox AP2BS amPlug 2 arrived and I tested it out. So far only with my home made single cutaway JpdB. Nice to be able to wander more than a foot or so from the Rumble 200 when using headphones. Tone is different m, certainly functional for practicing, and just getting to play with the built in rhythm section. Yesterday I was out on a 5 hr motorcycle ride through the twisties to lunch near Sant Rosa de Lima, on the way to Guanajuato. Great day for a ride, I am by far the youngest at 65 and these guys were riding briskly, almost like a track day! FUN!
 
Good late evening/early morning members. Seriously, this was the only posting for the entire Wednesday? No offense, M, and thanks for contributing, but not even one crazy combo entry...sheesh. Oh I know, I was AWOL too. But I had a good reason. I was doing...stuff. Offhand, I don't remember any of it, but I think there was some school junk mixed in with some musical junk, etc. Oh well, I'm here now and cranking out the first of what I hope will be dozens of great posts by the rank and file for this Thursday.

So Morrighan, are you heading to or departing from? I'm assuming you spent St. Patty's Day on the Emerald Island, correct? Or is this photo someone's fancy desktop wallpaper and you're really sitting in Schenectady, New York, waiting for the second coming of Charles Mingus? Proof you went or are there or we're calling it fishy.

As for me, a couple of days ago I hinted there was something combo-like coming to the abode and absolutely no one retorted with any interest or enthusiasm. Have you all become so jaded by my musical purchases that there's zero interest at all? Wow, what happened to me? I turned into a dud, that's what happened.

Regardless, the brown truck did pull up late in the afternoon on Wednesday and dropped off a box (see pic 1). To my surprise, it was a bass combo amp. One, three months ago, I would've never considered buying. But after one of our newer members, TheMickster, poignantly replied to an opinion I had about a certain brand, I realized he was right. The power is in the fingers and it shouldn't matter as much what you play through, though I still believe the right amp makes the player's skills shine through even more. So I thought to myself a week ago, maybe the third time is a charm (see pics 2-4).

I picked up a Markbass CMD 101, which is the smallest combo in the Marcus Miller lineup. It's one ten-inch speaker with 45 watts at 8 ohms. if paired up with another 8-ohm cabinet, then the power bumps up to a whopping 60 watts for both speakers. You also have the option of bypassing the internal speaker if you want. With XLR and headphone outs, an Aux-in, three-band EQ (big difference from my previous Micromark, which had only a VPF knob for tone), separate gain and volume controls, and a tweeter (which the 801 doesn't have either) (see pics 5-7).

How does it sound? Well, I admit I haven't had much time to really put it through its paces, but so far I love it. I know, honeymoon period and it may be, but there's way more bottom end to play with this time, the cab is larger but is still easy to schlep, the tone controls make an immediate impact upon turning left or right, and it sounds great with either the violin bass or the Precision, particularly all by their lonesome...no pedals involved. It's been so long since I plugged straight into an amp and liked what I heard. My short time with it was really fun. right now as you can see, it's sitting on top of the Rumbler 115 but I haven't tried the two together yet.

Finally, what do I plan on doing with it? Besides the PBJ, it's the only modern-sounding amp in the stable. I realized just how many combos I have that provide an old-school tone and I sought to balance the playing field a bit. I was also curious about this particular one because it's reviewed pretty decently and the MM line itself seems to be doing well. Also, GC used the power of the four-leaf clover and knocked a crisp Franklin off of the price. That didn't hurt any. I'll put some time in over the next few weeks and see how we get along, but at the outset, I'm thinking, for me, it's the best-sounding MB I've played yet and that's saying something.

Feel free to question or comment if you're around. I'll be checking in periodically over the weekend. M, hope you have safe travels wherever you're en-route to. Keep us posted if you find yourself in the middle of a gig!

Congrats and may it serve you well :bassist:.
 
Good late evening/early morning members. Seriously, this was the only posting for the entire Wednesday? No offense, M, and thanks for contributing, but not even one crazy combo entry...sheesh. Oh I know, I was AWOL too. But I had a good reason. I was doing...stuff. Offhand, I don't remember any of it, but I think there was some school junk mixed in with some musical junk, etc. Oh well, I'm here now and cranking out the first of what I hope will be dozens of great posts by the rank and file for this Thursday.

So Morrighan, are you heading to or departing from? I'm assuming you spent St. Patty's Day on the Emerald Island, correct? Or is this photo someone's fancy desktop wallpaper and you're really sitting in Schenectady, New York, waiting for the second coming of Charles Mingus? Proof you went or are there or we're calling it fishy.

As for me, a couple of days ago I hinted there was something combo-like coming to the abode and absolutely no one retorted with any interest or enthusiasm. Have you all become so jaded by my musical purchases that there's zero interest at all? Wow, what happened to me? I turned into a dud, that's what happened.

Regardless, the brown truck did pull up late in the afternoon on Wednesday and dropped off a box (see pic 1). To my surprise, it was a bass combo amp. One, three months ago, I would've never considered buying. But after one of our newer members, TheMickster, poignantly replied to an opinion I had about a certain brand, I realized he was right. The power is in the fingers and it shouldn't matter as much what you play through, though I still believe the right amp makes the player's skills shine through even more. So I thought to myself a week ago, maybe the third time is a charm (see pics 2-4).

I picked up a Markbass CMD 101, which is the smallest combo in the Marcus Miller lineup. It's one ten-inch speaker with 45 watts at 8 ohms. if paired up with another 8-ohm cabinet, then the power bumps up to a whopping 60 watts for both speakers. You also have the option of bypassing the internal speaker if you want. With XLR and headphone outs, an Aux-in, three-band EQ (big difference from my previous Micromark, which had only a VPF knob for tone), separate gain and volume controls, and a tweeter (which the 801 doesn't have either) (see pics 5-7).

How does it sound? Well, I admit I haven't had much time to really put it through its paces, but so far I love it. I know, honeymoon period and it may be, but there's way more bottom end to play with this time, the cab is larger but is still easy to schlep, the tone controls make an immediate impact upon turning left or right, and it sounds great with either the violin bass or the Precision, particularly all by their lonesome...no pedals involved. It's been so long since I plugged straight into an amp and liked what I heard. My short time with it was really fun. right now as you can see, it's sitting on top of the Rumbler 115 but I haven't tried the two together yet.

Finally, what do I plan on doing with it? Besides the PBJ, it's the only modern-sounding amp in the stable. I realized just how many combos I have that provide an old-school tone and I sought to balance the playing field a bit. I was also curious about this particular one because it's reviewed pretty decex1ntly and the MM line itself seems to be doing well. Also, GC used the power of the four-leaf clover and knocked a crisp Franklin off of the price. That didn't hurt any. I'll put some time in over the next few weeks and see how we get along, but at the outset, I'm thinking, for me, it's the best-sounding MB I've played yet and that's saying something.

Feel free to question or comment if you're around. I'll be checking in periodically over the weekend. M, hope you have safe travels wherever you're en-route to. Keep us posted if you find yourself in the middle of a gig!
That's a cute little combo there. I'm sure it's got plenty of punch. I tried a Players School 1x15 and I really liked it but it was big and more than I wanted to spend at that time. I've heard people on here describe the MarkBass tone as "dry", curious to know what you think about how it compares to your "vintage" combos
 
It's 0200 Friday as I read this. I'm away from the home base for a day and a half, but back tonight for a gig at one of our semi-steady haunts(Ft. Pierce, FL, American Legion)for fish and shrimp Friday.
Got a call tonight(Thursday)that we picked up a 1 hour sorta concert next Thursday at a rehab center. Easy little gig, appreciative folks, and it'll be the first time all 4 of us will have been on stage together in a little over a year.
Congrats on the new toy. Let us know how it works out after the 'new' wears off.

Fun times ahead for ya, GP, hope ya scored some shrimp! I have a soft spot for those unique places like the rehab center you're gonna play at next week. Never a more appreciative crowd of folks enjoying the music they may have grown up with. When I played in a duo a few years back we made nursing homes a priority, partially because of my dad being in one, but also because there was such a demand for free entertainment that brought back fun memories for so many. I aim to get back to that kind of gigging once the ship pulls into port and it's safe to venture into such establishments. Have fun!

As far as that famed honeymoon period you discuss, I've been through that time too often not to be wary. At the same time, I've gotten a lot faster at determining how much I like a product too. I'm keeping expectations within reason, but last night I did notice my Vox combo solicit its own CL ad for a new home. Interesting.
 
... for what in search of creeping normalcy

In combo news it's the BG-400 what might be the wearing of the green. This is the view my combo enjoyed in Ireland

View attachment 4208809

before rejoining me here in The States
for what appears to be a while yet
in search of creeping normalcy ...

Your PJB takes wonderful pics. Please let him know that for me...
 
Ireland is beautiful! Thanks for the pic!

However, you had much courage living in a house situated at the end of the world’s shortest landing strip.

Oh yes! Continuing with normalcy news:
Me, my Markbass Minimark and upright might try a “distanced” jam outside, weather permitting, this weekend.

rocco, good to hear from ya. Hope ya can get out there, socially distanced of course, and fill the air with beautiful acoustic bass tones!
 
I guess its a combo.... my recent purchase of new headphones and Vox AP2BS amPlug 2 arrived and I tested it out. So far only with my home made single cutaway JpdB. Nice to be able to wander more than a foot or so from the Rumble 200 when using headphones. Tone is different m, certainly functional for practicing, and just getting to play with the built in rhythm section. Yesterday I was out on a 5 hr motorcycle ride through the twisties to lunch near Sant Rosa de Lima, on the way to Guanajuato. Great day for a ride, I am by far the youngest at 65 and these guys were riding briskly, almost like a track day! FUN!

You whippersnappers are all the same on your motorbikes. Oh wait, you're still older than me. I have a feeling you're gonna have a fun summer. JPD.
 
Congrats and may it serve you well :bassist:.

Thank you, SR! All I need now is a practice venue, besides my music room, to try it out in. I just heard this morning that the CDC is now saying we can move our school desks to three feet, instead of the six-foot rule we've used since school began last August. Though we're still masked, can it be that far off before actual music, singing, and instrument playing) maybe once again heard from within our corridors? I can only hope so.

Be talking to you soon!
 
Thank you, SR! All I need now is a practice venue, besides my music room, to try it out in. I just heard this morning that the CDC is now saying we can move our school desks to three feet, instead of the six-foot rule we've used since school began last August. Though we're still masked, can it be that far off before actual music, singing, and instrument playing) maybe once again heard from within our corridors? I can only hope so.

Be talking to you soon!

Yes, and with restaurants and bars opening up a bit around here, I might be able to get into a jam or two. I am practicing and hoping...
 
That's a cute little combo there. I'm sure it's got plenty of punch. I tried a Players School 1x15 and I really liked it but it was big and more than I wanted to spend at that time. I've heard people on here describe the MarkBass tone as "dry", curious to know what you think about how it compares to your "vintage" combos

WBB, great question and you're right, the little guy has some punch. While I thought my Micromark was too shy with the bottom end (you're only gonna be able to churn out so much bass with an 8" speaker), the CMD 101 seems to have enough to make it more fun to listen to. Though I haven't played through the 15' Player's Special, I can only imagine it's similar. My feeling is this one uses the same amp as the Micromark, but with a slightly different preamp and speaker, it's a whole new vibe.

Yes, Markbass has always been known as a more modern-sounding combo where its neutrality was a selling point. You're not gonna get the baked-in goodies you'd find in a Fender or Ampeg, but I think it has its own flavor of mid-forward and a fairly flat bottom, IMHO. The highs are smooth overall, though which tweeter you have can make a difference (piezo vs horn). Mine's the piezo, which is on the famed 121P, and it was a ratty, buzzy noisemaker that I ultimately unhooked. This one, when I run my Ampeg SCR-DI through, exhibits that same brittleness in the highs, but with both basses directly into the combo, I found it better than I expected. We'll see how the long-term goes.

MB snagged me originally with the idea that it was a blank sketch pad from which you could create your own tone from. For some nutty reason, I feel this particular combo may allow me to do just that better than previous attempts. Besides working nicely with my current pedal lineup, the tone controls are ridiculously sensitive, unlike those where you have to dime the control to hear any difference. The closest thing I can compare to is Morrighan's VT Bass pedal's controls. Breathe on them and it alters your tone! As everyone knows, I'm into the versatility and my equipment has to be able to do lots of things all at once. This checks a lot of boxes, thus the reason I decided to give Markbass another shot. So far, so good.

Thanks for asking, I'll keep you all updated.
 
WBB, great question and you're right, the little guy has some punch. While I thought my Micromark was too shy with the bottom end (you're only gonna be able to churn out so much bass with an 8" speaker), the CMD 101 seems to have enough to make it more fun to listen to. Though I haven't played through the 15' Player's Special, I can only imagine it's similar. My feeling is this one uses the same amp as the Micromark, but with a slightly different preamp and speaker, it's a whole new vibe.

Yes, Markbass has always been known as a more modern-sounding combo where its neutrality was a selling point. You're not gonna get the baked-in goodies you'd find in a Fender or Ampeg, but I think it has its own flavor of mid-forward and a fairly flat bottom, IMHO. The highs are smooth overall, though which tweeter you have can make a difference (piezo vs horn). Mine's the piezo, which is on the famed 121P, and it was a ratty, buzzy noisemaker that I ultimately unhooked. This one, when I run my Ampeg SCR-DI through, exhibits that same brittleness in the highs, but with both basses directly into the combo, I found it better than I expected. We'll see how the long-term goes.

MB snagged me originally with the idea that it was a blank sketch pad from which you could create your own tone from. For some nutty reason, I feel this particular combo may allow me to do just that better than previous attempts. Besides working nicely with my current pedal lineup, the tone controls are ridiculously sensitive, unlike those where you have to dime the control to hear any difference. The closest thing I can compare to is Morrighan's VT Bass pedal's controls. Breathe on them and it alters your tone! As everyone knows, I'm into the versatility and my equipment has to be able to do lots of things all at once. This checks a lot of boxes, thus the reason I decided to give Markbass another shot. So far, so good.

Thanks for asking, I'll keep you all updated.
Wow great review.

I was attracted to Markbass initially because of their clean neutral tone. Their VLE control is supposed to add some fuzz or grit, but when I played with it I didn't really feel like it did anything.

The 15" player's school combo is a great choice if you want something that really brings the booty. It's also not as heavy as you would expect for its size despite the fact that it's even bigger than my Ampeg 115. It has no tweeter which they claim is a good thing? I don't quite grasp that. Maybe because it keeps the cost down and it's marketed to students?
 
Wow great review.

I was attracted to Markbass initially because of their clean neutral tone. Their VLE control is supposed to add some fuzz or grit, but when I played with it I didn't really feel like it did anything.

The 15" player's school combo is a great choice if you want something that really brings the booty. It's also not as heavy as you would expect for its size despite the fact that it's even bigger than my Ampeg 115. It has no tweeter which they claim is a good thing? I don't quite grasp that. Maybe because it keeps the cost down and it's marketed to students?

Westy, the VLE's primary job was to offer the modern-toned player a way to score some of that vintage vibe when needed. That knob controls roll off of the higher frequencies and that's about it. Gives it an old-school tone when that brightness isn't demanded. As far as I know, grit has never been mentioned before. MB that I remember doesn't overdrive regardless of the gain setting, and that's what sets this brand apart from say, Ampeg. You most likely have to add your own through pedals.

Interestingly, this 101 combo, according to a review I read after making the purchase, is that it will get raspier upon causing the clipping light to stay on. The reviewer said it wasn't even unpleasant and that the user shouldn't shudder when the light begins flashing. I've got others to do that lifting though and I want this to be clean and a little more modern-sounding.

Yeah, that Players 115 comes in a mammoth box! To me, it's too big to put on a stand (even though I've seen pics of them like that) and not tall enough to sit on the floor. I'd still take one if it was given to me!
 
Westy, the VLE's primary job was to offer the modern-toned player a way to score some of that vintage vibe when needed. That knob controls roll off of the higher frequencies and that's about it. Gives it an old-school tone when that brightness isn't demanded. As far as I know, grit has never been mentioned before. MB that I remember doesn't overdrive regardless of the gain setting, and that's what sets this brand apart from say, Ampeg. You most likely have to add your own through pedals.

Interestingly, this 101 combo, according to a review I read after making the purchase, is that it will get raspier upon causing the clipping light to stay on. The reviewer said it wasn't even unpleasant and that the user shouldn't shudder when the light begins flashing. I've got others to do that lifting though and I want this to be clean and a little more modern-sounding.

Yeah, that Players 115 comes in a mammoth box! To me, it's too big to put on a stand (even though I've seen pics of them like that) and not tall enough to sit on the floor. I'd still take one if it was given to me!
Oh is that what it does? With a name like Vintage Loudspeaker Emulator I figured it added some grit to emulate overdriven speakers and amps from the days when 100 watts was for people like John Entwhistle.
 
Oh is that what it does? With a name like Vintage Loudspeaker Emulator I figured it added some grit to emulate overdriven speakers and amps from the days when 100 watts was for people like John Entwhistle.

Nope. Markbass tone and the Ox tone are on opposite sides of the spectrum. Vintage meaning older like Motown would be more like it. Think Jamerson. Blame your sales rep!