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The Combo Club

I’ve had this since day one. 1997 played many little shows with it.

Hey there, D, thanks for showing off some true vintage gear here at the club! that's an original, folks, not a Fenderized version. Let me know if you'd like a membership number to our little hideaway here for combo lovers. You've already done what one must to be a member; post a pic. I haven't given out a number lately so I hope you'll consider it. Thanks again for stopping by!
 

Okay, after I finished giggling at my own terrific brand of humor, I realized that, besides the fact I love the Ampeg museum pieces that still bring it, you got yourself a beautiful redhead. Grrr! There are more knobs and switches on that thing than a jet fighter. I hope you go through each one of them to make sure they work. Looks pretty nice overall, but please, my OCD is begging you to get the vac out and pull up all the stuff tangled in the rat fur!

Great picture, by the way.
 
The actual series of events that lead to the discovery of the R100 started with preparing to record my video for our Music Theory for the Bass Player cohort. In my futzing around, the nut to the jack on my bass worked free. I've no proper spanner to put this back together, and it's a rather bit of a pain with the jack knocking about inside a semi-hollowbody. An hour before the shop opens ...

Is a long time without a bass. Bass number 1 is in the same shop, awaiting parts, and bass number 3 is in the luthier's queue.

With no need to supervise the repair, I wander about. No used basses. Plenty of new Ibanez and Yamaha basses. Fours and fives. No short scales. There is a set of medium scale strings, and I am so totally set on strings right now. First thing I do when I find the R100 is lift it (of course) and I know this is a useful little amp. It's half the weight of my combo.

In my mind's eye I look to see how, or where I can fit a Rumble into this home studio

:: shakes head ::

A great amp to have, but not one I need right now.

Back with a bass repaired at no cost, I cut my video. Two combos clearly visible ... but no instrument cable seen as today's take is from the DI on the
Elf
because in two years I've never recorded with it until now

View attachment 4245651

And...how'd it do? Or do you suggest I continue reading downwards since I was tardy today?
 
Took a little trip to my brother in laws this weekend. The van was a bit full for the full rig so I grabbed this little combo instead. I understand why Carole Kaye liked guitar amps now. Maybe a bit underpowered for a real gig but perfect for playing along with an acoustic guitar. And the OD on this thing sounds better than my pedal!

WBB, I wanna believe you so badly, but part of my brain, the realistic part, is saying, "What?" to itself. Volume I can see, but you actually got some bass out of that pipsqueak? The OD I can believe because the amp was probably hanging by a thread and it was screaming for you to stop!

Please change my mind, sir! ;)
 
And...how'd it do? Or do you suggest I continue reading downwards since I was tardy today?

The Rumble 100 didn't come home with me. I do return to the shop [some time] to pick up my Stingray [when the parts ship — mostly replacement bits for the bridge, I trust]. The Kodak moment is the realization I just pulled off a bar of tuplets of descending tritones on a whole tone scale. The oh wow I did that right moment.
 
WBB, I wanna believe you so badly, but part of my brain, the realistic part, is saying, "What?" to itself. Volume I can see, but you actually got some bass out of that pipsqueak? The OD I can believe because the amp was probably hanging by a thread and it was screaming for you to stop!

Please change my mind, sir! ;)
Let’s discuss some of the finer points. The OD sounds delicious at low volumes. Turn it past 3 and it immediately sends out a horrible screeching sound. This is true whether it’s bass or guitar.

Played at low volume with my SS Stingray it’s got a pleasant bass sound and can keep up with a single acoustic guitar. That’s all I can vouch for. I would never bring this to a gig unless it was to do something weird like mic it up for some unusual effect. Which may actually end up being awesome now that I think about it. Maybe add some reverb and delay? I did just buy a Keely Canyons last night.
 
Great job to the guy who never listened to the song's bass line before! You had a lot more movement than the original recording did. If I remember, it was pretty much a four-on-the-floor, 1-4-5. Yours had some bounce to it, GP. To me, there's where your previous musical training really pays off, especially if you're not trying to copy the original. Anyway, wearing those nifty Hawaiian shirts pretty much rules you out of being a down-to-the-note tribute band unless it's dedicated to Jimmy Buffett.

BTW, Foggy Mountain Breakdown was excellent too! I'm too young for Wagon Wheel though...:whistle:
The others come up when all I wanted to post was the one song. I guess it just picks up from wherever I started. Old Time R&R was through the Kasino; the others-different day-were through the Kustom 150 that went away after I got the R200c.