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The dream P-Bass thread.

Here's my dream P. Super P that is....


Super P fiesta Red w Maple.PNG
 
and another dream P -

b01c3694-6dca-44d5-b81d-9af1c89a3582_zpslzrsmhvd.jpg


Looking like b&b necks and MM bridge pickups are the new 'burst and tort.
I haven't seen the p+mm combo outside of TB, much less in the wild. What's it like?

The MM bridge pu deliver's the 'beef' to the more nasally P, a nice blend for a fretless
 
Ha! I noticed that, too. Normally, I get weirded out by conformities of such, but this one makes me giddy for some reason! I've only had experience with it at Chicago Music Exchange testing a beautiful Sandberg California VM4. It was easily the best sounding of the many I played there. It was a very versatile bass, blending between the two, and it was able to get very aggressive sounding.. which I love.

The MM bridge pu deliver's the 'beef' to the more nasally P, a nice blend for a fretless

I've been wondering if it was an alternative to a J bridge pickup that was a better fit volume wise or an attempt at 2 great tastes in 1 candy bar. The former makes sense and the latter seems doomed.
 
I have been wanting an A neck (Jazz Bass) size P bass for some time as I usually play a Jazz Bass. My bass tech built this for another client, who then sold it to me. It has a very aggressive 70s P bass sound to it, but plays like my 73 J bass. It's all together different than my 68 Precision which has that traditional soft thuddy P bass vibe.

P%20jazz_zpsop4p3i9o.jpg
 
I have been wanting an A neck (Jazz Bass) size P bass for some time as I usually play a Jazz Bass. My bass tech built this for another client, who then sold it to me. It has a very aggressive 70s P bass sound to it, but plays like my 73 J bass. It's all together different than my 68 Precision which has that traditional soft thuddy P bass vibe.

P%20jazz_zpsop4p3i9o.jpg

Usually P-pu's in a J are higher (toward the neck) than a P-bass pu location. Since yours is custom, maybe he compensated for a lower P location (looks to be the case).
 
I've been wondering if it was an alternative to a J bridge pickup that was a better fit volume wise or an attempt at 2 great tastes in 1 candy bar. The former makes sense and the latter seems doomed.

It's darker and fuller than a J, so in some respects (depending on tastes) it is better, and also very tasty! :thumbsup:
 
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If the P+MM combo is a new useful flavor of its own, that's cool. By 2 great tastes in 1 and doomed not to deliver I meant expecting to have both P and Stingray sounds at the flick of a switch or twirl of a knob.

To begin with, at least in my case - the P (Bill Lawrence) has less output than the (Wilkinson) MM. Having not owned/played a Stingray, I can't attest to the comparison. I installed a blend pot originally but went to a 3-way switch instead. With a switch it favors one or the other or both. I know there's a whole backstory why a standalone P sounds different than a multi-setup…. out of my jurisdiction. ;)
 

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