Less expensive than a Noble.
What am I missing here as it's not a preamp or a DI is it? Not sure why you would compare the 2.
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Less expensive than a Noble.
What am I missing here as it's not a preamp or a DI is it? Not sure why you would compare the 2.
Hmm. It is a fully discrete class A audio path. I see a Mic level balanced xlr output and Hi impedance input. I see defeat-able onboard EQ.
Looks like a pretty good preamp/DI to me.
Hmm. It is a fully discrete class A audio path. I see a Mic level balanced xlr output and Hi impedance input. I see defeat-able onboard EQ.
Looks like a pretty good preamp/DI to me.
I've been MIA here for a few days working on a recording project that had already started and can't incorporate the Edison... le sigh. I have been using it to warm up and down in the morning and evening, however, and my initial happiness isn't diminshed any. I completely agree with this assessment... I had a moment to record it against a dry signal and found that it is functioning to add just a bit of smoothing on the attack and lift on the decay... probably what was common in anything with a tube back in the day and why old school guys (T Lev excluded) never seemed to be so obsessed with compression as we are now (it's making me wonder if I even need to keep thinking about it at all, or at very least if what I've been wanting isn't just a very simple LA2A tube comp, so feel free to make suggestions....)It is like getting a little extra "tube" character, which I know is a wildly abused marketing term. It's not a 12AX7, so it may be a little different from what similar devices might add. There's probably a bit of compression adding some midrange presence. It's subtle and you won't need to adjust your EQ for the difference between on/off. Otherwise it's reasonably close to the signal going in, with no grit or distortion.
I think some of the character, like many devices, depends where you put it in the signal chain. I've got it as the first thing in my chain, followed by a Volt Thrower and an OCSD and then some delay effects. With it on it makes the VT feel a bit more amp-like.
It's a good, solid traditional foundation for bass guitar tone. It adds a little extra snap and life.
Honestly, it's been part of my signal chain so long it's a little hard for me to explain because I'm not listening for the on/off differences. I went through a phase of trying a few configurations and settling on my current one. I've found a few settings with some basses when I prefer it off. But generally it's on.


I think I mentioned it before, but I definitely hear the super deep lows being cut, but mostly on the P pickup of my short scale Mustang PJ.It is definitely either trimming some subterranean stuff or just fooling you into thinking it isn't there by boosting whatever it is boosting.
Oddly, I actually tend to prefer it off when using my Mustang and Ric more often than with my longer scale basses. YMMVshort scale,
Here's a novel idea... Someone should make IRs of the Noble, Oracle, and P-15. Then we load them in the NuX and see what we get.
Obviously, any given IR would be snapshot of the particular settings of the given unit. And, it won't capture the non-linearities.
- John
Here's a novel idea... Someone should make IRs of the Noble, Oracle, and P-15. Then we load them in the NuX and see what we get.
Obviously, any given IR would be snapshot of the particular settings of the given unit. And, it won't capture the non-linearities.
- John
Sooo it's the same size as my THDI, the drive set up works like the AGS should have, it can sound like my THDI, and many other preamps in time...NuX has said that they will be adding more preamp modelers to their software in the future though (currently there are two, MLD and Aguilar Tonehammer).
I've seen this. Certainly an affordable option. I'd love to hear some sound clips of what it sounds like on bass.I've said it before and will say it again: Triode Pedals Beelzebub.
Grit to taste and tube warmth. Sounds great and won't break the bank.
And as an added bonus you can tube roll.
Alright boys and girls (and those in between)...
A sound clip of the Oracle and Nux. So here's the deal. I used the same sound clip I posted of the Oracle, but I overdubbed a some of the Nux in the clip. The same bass, the same signal path, even the same cables. Obviously I am not running through the Oracle or RNDI for the Nux clip...using the Nux DI out.
The Nux is the first bass part you hear, then if you listen closely you can here where the splice in the track is and that's the Oracle.
Listen and form your own opinion, but I think both sound good, and with a little more EQ tweaking I could probably get the Nux even better...I literally spent maybe 2 minutes messing with the EQ. I found a tone I liked pretty quickly.
In my opinion, the Oracle sounds warmer and rounder, and to be fair, the Nux has the "drive" engaged and slightly blended in to give it some "tube" sound. Remember folks...the Nux is under $200 brand spankin new.
Dropbox - Oracle v Nux Demo - Oh Girl - 5:22:20, 7.51 PM.wav - Simplify your life
I've said it before and will say it again: Triode Pedals Beelzebub.
Grit to taste and tube warmth. Sounds great and won't break the bank.
And as an added bonus you can tube roll.
If I'm not mistaken an impulse response is better at capturing a speaker cabinet because the "snapshot" doesn't really change. I have not heard of an "amp" IR but rather, amp "modelers."
NuX has said that they will be adding more preamp modelers to their software in the future though (currently there are two, MLD and Aguilar Tonehammer). I'm sure one will be an SVT (because that is a given I would assume) but not sure about others.