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The Ibanez Club (Part 4)

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I've added a couple ATK's to the arsenal...but the 700 may probably go on the block. They've impressed me, but y'all know how it is......so many basses to own - so little time :p
 

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I was thinking about putting a Nordstrand pu on my SRX. But the pu shapes are different which would require a pickguard to cover the holes. And then if you're going that far you might as well paint for a more interesting color.
So I tried it in Photoshop and wound up with this Ibbycaster.
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Can I get a number for an imaginary instrument? :D

P.S. to Ibanez. If you'd like to make me a signature bass - here it is. :)
 
Yes that's what I meant. And it is awesome still

And I still love mine.

It took me a bit to figure out the electronics, though. The pickups are "passive," but the bass does have an active EQ, so technically it's "active" but has a pretty low gain on it so I use the passive input on my amp.

I might not do that if I was boosting the treb or bass, though. Those nested knobs boost and cut, not just cut. So "flat" is running them in the middle where you feel the notch.

Also, the mid-sweeper is pretty cool, but I had to learn where the flattest part of that sweep is so I could set the knob there when I want the EQ flat--which is most of the time. I guess it's about halfway through the twist. There's no notch to feel for, so you have to just estimate.

Twisting that sucker all the way up is a really scooped sound, suitable for slapping. Twisting it back gives you a middy sound for Jaco-style finger work.
 
Zezjek said:
Methinks Ibanez should...ya know...do this. lol

If someone is handy with photoshop, I think an SR neck on an Iceman body (vintage sunburst) would be cool. I played one of those Icemans the other day, and loved the slim and sleek body- but the neck felt thick and awkward. Kept thinking an SR neck would be soo much better, and give the bass a more "Thunderbird" feel with the thin neck.
 
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