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The Ibanez Club (Part 5)

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Got my SR500 home today. They (Sam Ash) did a really nice set up on it, intonation is right on (which I've heard can be hard on these), action is nice and low with no buzz.

I could probably be happier, but I don't know what it would take!

Oh, yeah I do- being able to play it better!

Congrats brother!:hyper: The SR500 is, in my mind, the beginning level of no excuses bass guitars. I own, or have owned, virtually every Ibanez from that model UP and with few exceptions, they don't really sound THAT much better and certainly don't bring anything to the table in terms of feel and playability that the SR500 doesn't possess. I think the key to Ibanez is this: Many are sold new in big box stores and places like GC. Many of those places don't really do a very good job on intonation and setup. Yes, there are amazing exceptions (a few GC's have techs that rival my own full time tech/luthier!!).

I own basses that cost as much as nice new cars. If I were able to sell my whole collection, the proceeds could easily buy a very nice large home in most major metro areas. However, when I am thinking about a song (either writing the bass part or thinking about how I would play it if I got called to cover for someone), I'm imagining and hearing my results, generally from one of three basses, two of which are Ibanez. So, the next time someone wants to down our brand, understand that other person's experience is either 1. Non existant (bass snob/wannabe) or 2. Based on experience with an improperly set up instrument. Hey guess what? When my Series II Alembic is out of whack, it sounds and plays bad too!:hmm:
 
I think the manufacturer or store should set these basses better. Most Ibby's I've played have been set pretty good and very playable. All the Fenders I've tried either buzz like crazy or have REALLY high action. I was looking at a J bass the other day that I may have actually liked, but the setup was so bad it was unplayable. How do they expect you to spend $600 or more for a guitar that you can't even really try out before buying it and setting it up?
 
I've been puzzled by the nominally mint condition neck-through fretless "Ibanez Musician" bass now up on eBay, serial number C880068. It doesn't seem to correspond to anything I know about the Musician series and the serial number doesn't seem to make sense. The headstock label, the tuners and the bridge are all odd too. The pickups are P-J configuration with while Ibanez labels and red Regulated Lo-Z labels. That said, it's a nice looking rig. Anybody know the story on this bass?

http://www.ebay.com/itm/Ibanez-Musi...-Real-Mint-Condition-wHard-case-/151096705332
 
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Congrats on the SR500 Osonu!

And speaking of SR500s, has anyone seen this new one at GC? That's a nice finish, definitely more appealing than the standard Mahogany Brown. Kinda looks closer to the SR600 which I have GAS for.

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Congrats on the SR500 Osonu!

And speaking of SR500s, has anyone seen this new one at GC? That's a nice finish, definitely more appealing than the standard Mahogany Brown. Kinda looks closer to the SR600 which I have GAS for.

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That's the 500 series with a Koa top!! Love the look. Was trying to find one and call numerous GC stores. One guy gave me numbers to all the stores that should have a SR505 with the koa top. Nobody had one. MF didn't have them in stock. Now they're showing up as in stock. :rollno:

I'm happy with my SR505 with spalted/flame maple top. But too bad about the koa. Would be overkill to have both, but that's what GAS is all about. :D
 
I've been puzzled by the nominally mint condition neck-through fretless "Ibanez Musician" bass now up on eBay, serial number C880068. It doesn't seem to correspond to anything I know about the Musician series and the serial number doesn't seem to make sense. The headstock label, the tuners and the bridge are all odd too. The pickups are P-J configuration with while Ibanez labels and red Regulated Lo-Z labels. That said, it's a nice looking rig. Anybody know the story on this bass?

http://www.ebay.com/itm/Ibanez-Musi...-Real-Mint-Condition-wHard-case-/151096705332

Pretty sure that's what the Musician finally morphed into just before the release of the Soundgear line.
 
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Thanks all for the comments. I was lucky on the set-up in that I had kind of made friends with the salesman- who is a bass player. When it came time for the set-up, the tech said "Do the best you can and I'll take it from there.

The salesman did what looked (and felt) to me like a great job, but did have trouble on getting the intonation right, so all the tech had to do was iron that out. Came out much better than the set-up I got on the 200 at GC. Plus I got to watch so I learned a lot.

What do I need to do to take care of the finish/wood on the 500? I wipe it down with a micro-fiber cloth after practice, but I'm guessing all the guitar cleaners and polishes are meant for the shiny finishes, no?
 
Is anyone else experiencing a lack of definition from their lower E and B strings on their SR 505 pre mid switch basses?

I get the string twang you'd expect from a month old set of D'Addario Pro Steels XL on all other strings but the bottom ones sound a bit boomy and clacky from the low action

Any ideas?
 
That sounds more like a pickup height adjustment issue rather than EQ...

Anyway, I use only Elixir (factory) strings on my Ibbys SR because IMO they really help in adding more clarity and compression to the the instrument's tone. I've tried other brands and different gauges but nothing sounded quite as good as Elixirs.
 
I use Elixirs too but for different reasons - they have a smoother top end and they last a very long time. Only down side of playing a coated string is, if you're playing in a room with a bad ground you're not grounding the bass when you touch the strings as you would with typical uncoated strings. When I play, I'll occasionally touch the pole piece of the pickups and there will be a crackle noise as I ground and unground. It's a non issue in any room with decent grounding or any pickups without exposed pole pieces or anyone who doesn't play with their hand over the pickups. I'm OK with that trade off for 4X longer string life - just lettin' everyone know as it took me awhile to figure out what the problem was.
 
Only down side of playing a coated string is, if you're playing in a room with a bad ground you're not grounding the bass when you touch the strings as you would with typical uncoated strings.

And again, may seem like semantics, but an important distinction; when you touch your strings, you are not grounding your bass. You are grounding yourself through your bass.

-Alex
 
Okie dokie. I'll admit that I know nothing about electronics. I guess what I shoulda said is when I touch the pole pieces a ground related noise is generated - something people might want to know about when thinking of using coated strings. It's not enough to make me give up a string I like. But I think it's good knowledge to share so that others can make an informed decision for themselves. :)
 
I'm a big fan of Ibanez as they are my go to workhorse basses. My main one is a prestige 5 string BTB5crw mahagony body, rosewood top. I also have another early prestige BTB 5 string with a mahogany body and flame maple top. In addition I also have a soundgear sr650 poplar burl top 4 string in amber finish.
 
Great news! :hyper: Do you have some pictures for us?

I'm a big fan of Ibanez as they are my go to workhorse basses. My main one is a prestige 5 string BTB5crw mahagony body, rosewood top. I also have another early prestige BTB 5 string with a mahogany body and flame maple top. In addition I also have a soundgear sr650 poplar burl top 4 string in amber finish.
 
Two more shots, and yes, I'll take a number.
 

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