Sounds incredible. And great playing.
Also matte LPB?! Take my money!
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Sounds incredible. And great playing.
Also matte LPB?! Take my money!

That wenge neck as opposed to the flame maple is very nice! Seriously considering going for one of these instead of my Wenge warmoth build that I've been speccing, slightly more expensive though. And the last few pages of this thread have me wondering a little about QC...And the last few pages of this thread have me wondering a little about QC...
I have three Maruszczyk basses without any issues as the ones described on the previous pages. Those were two cases of which we only know one side. Considering that Maruszczyk has already sold very many basses, I do not think you have to worry any more about QC than with other manufacturers.
Our club member @Pierre Ganseman is a dealer and can probably chime in.
I have three Maruszczyk basses without any issues as the ones described on the previous pages. Those were two cases of which we only know one side. Considering that Maruszczyk has already sold very many basses, I do not think you have to worry any more about QC than with other manufacturers.
Our club member @Pierre Ganseman is a dealer and can probably chime in.
Did a mock up of @TonyRo 's bass with the roasted flame maple neck... this is a hard choice for sure. I really like how dark the wenge is but I also wonder how much it'd cost to deviate from the configurator. Going to have to think long and hard about this but at this point, I think I'll be ordering something for sure.
Both look great!
My question would be whether the effect of the "roasting" is significant enough as the all wenge neck is indeed very purdy...
very hard to say. Some people say roasted necks are more stable.
I , myself , can't say for sure. i've seen roasted necks move and "normal" ones be stable as it gets.
My M245 Atelier Z still hasn't moved and i've had it 3 years.
It is not only about stability. Some people say the roasting has a significant effect on the sound as well, because the wood is so dry and "behaves" differently, comparable even to the neck of a vintage instrument.
Woah! Either your bridge choice, hard case and electronics are where the bulk of the cost difference is or that neck wasn't cheap. I do have it mostly stock however, most expensive things in my config currently are the roasted neck / board and the hipshot ultra lights, which bring the total to 1320 EUR, or about 1500 USD. I think passive electronics and no extra tonal choices shaves quite a bit off really. I guess the only way to to truly find out is shoot them an email.I might be a little biased, but I'd go with the Wenge.As far as being worried about the price, the two things that were not in the configurator were the Delano Times Square Pickups with the series/parallel/single coil 1/single coil 2 rotary switches, and the 3-piece wenge neck and fingerboard. I ended up around $2400 USD, so you can compare whatever you've currently got in the configurator to that cost if you'd like. And I left the Wenge matte, I am not a huge fan of gloss necks!
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Woah! Either your bridge choice, hard case and electronics are where the bulk of the cost difference is or that neck wasn't cheap. I do have it mostly stock however, most expensive things in my config currently are the roasted neck / board and the hipshot ultra lights, which bring the total to 1320 EUR, or about 1500 USD. I think passive electronics and no extra tonal choices shaves quite a bit off really. I guess the only way to to truly find out is shoot them an email.
I started looking at wenge necks about a weeks ago because I wanted to create another bass with similar woods to my Warwick that is a little more playable. I love the woods in the neck on my Warwick but damn it's heavy and one hell of a thick neck as well. I did some googling around and came across Warmoth and eventually this beautiful strat which inspired the configurator I did when I discovered Maruszczyk today
(You didn't happen to come across this as well did you?)
Oh and I must ask if you got the seafoam green or surf green, they look incredibly similar in the configurator and am hoping to find an image of each color on a Maruszczyk so I can decide..
I hope you don't mind if I end up ordering an incredibly similar bass.
Woah! Either your bridge choice, hard case and electronics are where the bulk of the cost difference is or that neck wasn't cheap. I do have it mostly stock however, most expensive things in my config currently are the roasted neck / board and the hipshot ultra lights, which bring the total to 1320 EUR, or about 1500 USD. I think passive electronics and no extra tonal choices shaves quite a bit off really. I guess the only way to to truly find out is shoot them an email.
I started looking at wenge necks about a weeks ago because I wanted to create another bass with similar woods to my Warwick that is a little more playable. I love the woods in the neck on my Warwick but damn it's heavy and one hell of a thick neck as well. I did some googling around and came across Warmoth and eventually this beautiful strat which inspired the configurator I did when I discovered Maruszczyk today
(You didn't happen to come across this as well did you?)
Oh and I must ask if you got the seafoam green or surf green, they look incredibly similar in the configurator and am hoping to find an image of each color on a Maruszczyk so I can decide..
I hope you don't mind if I end up ordering an incredibly similar bass.