I hear what you're saying, but then again - if I had to choose between playing Rush in our basement or playing You May Be Right and Don't Stop Believing for a packed bar, I'll take the latter..
Regards
Mark
Regards
Mark
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Every band covers Sweet Home Alabama and Gimme Three Steps, but I've never seen anybody do Saturday Night Special or I Know A Little.
Country fans are touchy about the wrong kind of country music..
First, this is something you should have talked about before you even arranged an audition. But in any case, it can't hurt to say to the guy "watch the audience reaction next time we play that one," but most likely he's already decided that the crowd loves those songs and will see what he wants to see. Can't hurt to try, but this type of guy is set in his ways...guitarist (solo) is like imposing boring stuff like "Hotel California" or "La Bamba"...
How do you suggest I proceed with this guy ?
I commend your attempt to play something like Porcupine Tree, but even I will tell that would be terrible idea. Playing covers that are current or off the beaten path is one thing. Daring your audience to hate you be playing something that only prog heads would know is playing with fire.I'm having the problem with my actual band.
I go proposing tones of good rock classic pieces like "Child in time", "Echoes" or "Enter Sandman" or even less known stuff like TOOL or Porcupine tree, and 3 on 4 are usually up to the challenge, the 4th one, guitarist (solo) is like imposing boring stuff like "Hotel California" or "La Bamba"...
I'm the singer in this group of 5 musicians but I'm also the newest in the band so I don't want to impose...
I can't get a crowd's attention with songs I'm totally bored and numb with... he only sees that it's "technically" a Grand Classic so we "Must" play that overcooked song... He never looks at the crowd in concert... I got 20 yearsof band experience with allot of concerts with rare pieces balanced with more popular ones, with compositions.
How do you suggest I proceed with this guy ?
It would be a shame to loose the 3 others cause they are really cool.
Should I just let him lead the way he sees it ? He's quite sutburned on his positions and doesn't get the "atmospher / groove/ bubble with the public" I have to build with a public and that for it to work I need to "feel" what I'm singing not just technically know it...
Should I propose him to lead the public during the next concert ? I never look at my lyrics while I'm in concert, all my attention goes to the people watching us, wonder if he could "not look" at his guitar chords and keep a public attentive...
First, this is something you should have talked about before you even arranged an audition. But in any case, it can't hurt to say to the guy "watch the audience reaction next time we play that one," but most likely he's already decided that the crowd loves those songs and will see what he wants to see. Can't hurt to try, but this type of guy is set in his ways.
So you have two choices: live with it, or speak up. Either is fine but you have to commit to your choice. If you choose to live with it then accept that this is what you signed up for, the band had an identity when you joined and it is unreasonable to come in and try to change it. If you speak up, you could try talking to the other guys first and see if any of them feel the same way and see what they suggest. Maybe they will prefer that you go, maybe they will prefer that he goes, or maybe some will even want to leave with you and form a new band with an identity closer to what you want? Only you can make this choice.
Well, while I think you play what the folks want to hear, there is room for introducing new songs, and creating new lists of songs we tire of playingTo some degree, but there's some stuff that's very live band oriented that go over well with the younger crowd. Stuff like Mumford & Sons, the Lumineers, Grace Potter, Black Keys, etc.

Yeah, I had a guy offer me $100 to do Pantera at a country gig a few weeks ago. While I could have done it, the rest of the crowd would've hated it, and we'd probably have gotten fired. Which is exactly what I told the guy.

I'm so sorry to hear how you have so little voice in what happens in your life, and how you feel so powerless and disconnected.I don't know what it is like in Australia, but here in the US the Baby Boomers (our post WWII generation) still think they can run the culture and politics of our nation from their recliners and retirement homes. They think the world ended after the Beatles broke up and nothing will ever be as good as everything they ever did. My generation and my kids generation only exist to buy the crap the companies they built sell.
When they were 20 or even 40 did they want to hear their folks music? Were they dying to hear Perry Como?
No, but that doesn't matter to them because by their reckoning the focus of history follows them, they are the star of the movie and the rest of us are their props.
But as long as they dominate the conversation, bands will have to play the "good music" they like at the car shows, county fairs, or whatever venue has human mp3 players recycling 50 year old music because that's the only way to make money anymore. But trust me no one my age or my kids age is saying "Mustang Sally again! ALRIGHT!" or "I haven't heard nearly enough KC and the Sunshine band!"
I said literally none if that, but ok.I'm so sorry to hear how you have so little voice in what happens in your life, and how you feel so powerless and disconnected.
We'll all be dead soon enough. Your time will come.
Sorry for the off topic rant but I think we should all be happy to be able to still play some live gigs. I think our days are numbered and I can see DJ's or some other form of entertainment taking up our spots as the demographic ages.
Watch the audience. They will tell you 100x over what works and what doesn't. Seriously - take notes! If you aren't playing for them - welp might as well go back to your basement.
The way bands cover Aerosmith, Led Zeppelin, Beatles, Skynyrd, and other iconic Classic Rock Bands, you'd think they only had 2-3 hit songs. But they actually had a bunch of them, but too many bands gravitate towards the 1-2 easiest songs they do. And even though Steely Dan had a bunch of radio hits, very few bands play their material because it takes some effort to learn. Actually, there's lots of hit songs that would go over well that are left on the table because people won't bother learning it.