Whats interesting is the bass, even with its very extreme pickup positions, still sounds quite like a Ric...
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Whats interesting is the bass, even with its very extreme pickup positions, still sounds quite like a Ric...
Good description. Yep, it's certainly more versatile than you'd think.Got the fender flats on, sounds good! One thing I noticed was how responsive the truss rod is. Seriously the neck was bowed quite a bit, yet with a simple quarter turn the neck was with perfect relief. Whats interesting is the bass, even with its very extreme pickup positions, still sounds quite like a Ric, and I find myself messing around with the 5th knob quite a bit. Best way I can describe it is think if a Jazz Bass and a 4003 had a child. Super cool and different, just what I was looking for.
I'm still probably gonna try TI's on it though.

Perfect examples, Jeff!
That ROS jack was there when I bought the bass in '73. I made a ROS box in the early '80s (not sure if it's still around) and did use it a couple of times just to check it out, but that's all I ever did with it.Hey! I just noticed there's a jack where the blend knob would have been on your '67. Did you modify the bass, or was it this way when you bought it?

I bet it sounds a lot better/nicer, though.I'm noticing the 4005 is a lot quieter than my fenders… maybe a boost pedal is in order?
@Bass4ThePublic - I run mine through the JHS Punchline bass station. Believe me, this was the tool I never knew I needed.I'm noticing the 4005 is a lot quieter than my fenders… maybe a boost pedal is in order?
It was actually a gift that I thought I would return, but man, after playing through this thing I was hooked. It's easy to use (it took me 5 minutes to get a killer tone, and I haven't changed my settings since.) I've had this since June, and have played indoor and outdoor gigs ranging from 100 people to 4,000 people. My sound on stage and through the FOH has never been better. @Bass4ThePublic - I run mine through the JHS Punchline bass station. Believe me, this was the tool I never knew I needed.It was actually a gift that I thought I would return, but man, after playing through this thing I was hooked. It's easy to use (it took me 5 minutes to get a killer tone, and I haven't changed my settings since.) I've had this since June, and have played indoor and outdoor gigs ranging from 100 people to 4,000 people. My sound on stage and through the FOH has never been better.
I'll tell you how good this is - over the past few months, 6 of my friends (most are TB members) + my son (who plays 125+ gigs a year in 4 bands) have all bought one and now swear by it.
In a nutshell, it emulates the signal chain used in the studio by The Wrecking Crew. It includes a simple preamp/EQ, Amp Simulator, Drive, Compressor and a D.I. It's a limited run item (only 1,000 made) exclusive to Sweetwater. They're almost sold out, so don't wait if you're interested.
Check out these videos to see (and hear) for yourself:
You can thank me later!![]()
I bet it sounds a lot better/nicer, though.![]()
I have owned more 7enders and CLF related basses (G&L, EBMM) that one can shake a stick at (I think one of my grandfathers used to say that); these days I do without, though.
It sounds very nice for sure. Very unique and while not a 4001/3, very Ric-ish sound. I'd say the sound compliments my arsenal of Fenders very well. It sounds different is all I can really say. My Fenders sound like Fenders, my Ric sounds like a Ric. Both are very welcome in my bass lineup
Glad you like the JFs. I felt the same way when after a few years with XLs on my fretless Martin Keith Elfin 5 I finally put the JFs on it. Great combination. I've been using JFs and JRs since the mid '00s on several other basses.Ti's are on…. I should've put these on from the get-go. Whata lovely combo. What are yall setting the neck relief to? I put these flats and and still have quite a bit of buzz. I set the neck relief to about 10 thousandths of an inch.
I'm glad you like them as well! Yeah, TI's are hard to beat.Ti's are on…. I should've put these on from the get-go. Whata lovely combo. What are yall setting the neck relief to? I put these flats and and still have quite a bit of buzz. I set the neck relief to about 10 thousandths of an inch.
What Jeff states here is right on the money. Set it up the best you can, then leave it to settle in for a day. Make any final adjustments the next day as required.Glad you like the JFs. I felt the same way when after a few years with XLs on my fretless Martin Keith Elfin 5 I finally put the JFs on it. Great combination. I've been using JFs and JRs since the mid '00s on several other basses.
As to relief, set the neck to what you like, but you may need to raise the action a bit to compensate for the strings' lower tension. Don't worry, they'll still feel and sound fantastic.
Perhaps your ideal action/relief is too optimistic for very low tension strings? I have them on my SNG 4004L and they action is quite low (for my preference) and no buzzing unless I am more aggressive than I normally am (my playing, not me, personallyYeah… still a lot of buzz from these TI's. I think I'm going to try OPTIMA RB or maybe labellas if these dont settle down here in a week or so. It's a ric, it's gonna buzz a little right, but I can't have my entire bass tone taken over by an annoying zzzzzzzzzzz sound.
).Where on the neck is it buzzing? Close to the nut, only on high frets, evenly everywhere up and down?Well, I've played with the relief in both directions, making the neck curved and straight. Right now I have the action at 3/32" at the 12th fret with the neck almost flat, probably about 8-10 thousandths of an inch. A little high but I can't get all of the buzz out, lol.
New flats are typically pretty buzzy, so are new rounds. Plus, I really didnt play Ricks until I got this, so It's likely my technique. It usually takes me a month or so of constantly playing for me and my hand to totally get used to an instrument.