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The Soundgear Club

Basses that don't make the pass thru quality get a S stamped on the back of the headstock of the bass or guitar and sold for a hefty discount. I've bought 2 and e dealer I got them from have been every but as good quality wise as the ones that I bought factory direct. That's how you will know if it's a what most belle call a B stock item.
 
Ordered myself an early present tonight... will be in my hands this weekend.

SR705_CN_1P_05_zpsdc3e319d.gif

SR705

4001, did you get this thing in yet? Tell us all about it man.
 
Good idea, that's what I was thinking too!

The SR800 is my only active bass with the kind of EQ adjustment available.

I admit I have not spent much time with the SR800 EQ wise...mainly set flat but wow, the bass and treble EQ seem very good/useable on the SR800.

I guess I would like to know what some of you folks fav strings are on the SR800 after trial and error with many sets?

I definitely plan on keeping this bass, so buying 2 more set of strings in addition to the EB rounds presently on the bass is something I look forward to actually!

I want to make sure I am getting the full variety of tones available with the active P/J setup and EQ adjustments.....then maybe settle on 1 set of strings?

I have extra light roundwounds on my SR800. A lot of the brightness I can tone down with the EQ. I put these strings on there because it's the bass I use for heavy slapping not popping (think Mark King). The strings make it so much easier for this and also for tapping.
 
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I have extra light roundwounds on my SR800. A lot of the brightness I can tone down with the EQ. I put these strings on there because it's the bass I use for heavy slapping not popping (think Mark King). The strings make it so much easier for this and also for tapping.
I agree the onboard EQ works wonders with the SR800...the EQ/active pickups are new to me.

I am fairly happy with the Ernie Ball rounds.....this is hands down my most versatile bass....just a matter of getting more familiar with amp settings together with the EQ on the bass itself.

I hear a LOT of great sounds and since I use a pick a lot, the EQ makes it especially versatile to vary pick attack.
 
Stevorebob
Could your explain in detail how the direction the "A" string's tuner faces affects the tension of the "B" string. :help:
Given the primary difference between 2/3 and 3/2 arrangement is the direction the tuner button of the "A" string faces, your explanation just doesn't make sense from a mechanical or musical standpoint. The overall length of all stings remains fix by the relationship of bridge to nut (commonly refereed to as scale length). I understand how pitch, scale length, and type/size of string can affect string tension. I currently own basses that are virtually identical except one is a 2/3 and one is a 3/2, the "B"string along with every other aspect of the playing experience is identical. Tone is different due to different electronics.:bassist:
Photos are NOT my basses but should provide clear examples of [This invalid link has been removed] vs 3/2.
Two-over-three tuners provide a slightly longer overall string length bridge anchor to tuner post for the B-string, and some claim -- including Ibanez -- that this additional length yeilds a less floppy B-string. I can't claim to understand the physics here; I'm merely reporting what I have heard.
 
OK, I picked up the SR705.

WOW!! This bass is pretty friggin' great!

Aside from buzz on the 8th fret (mainly D & G strings) that I will try to remove with a love tap or two, and the intonation needing to be set better, it's a really nice instrument all the way around. It comes with Elixers and they sound OK but soon the bass will be set up with Rotosound swing bass 45-130.

Lightweight, nice narrow spaced strings, the neck is super comfortable, it's balanced perfectly and the sound is incredible.:bassist:
This bass through my rig will knock down small buildings.
Too bad my camera is broke or I'd attach a pic or two.

The biggest problem I have is deciding the first tune to play on it. I'm thinking Metal Fatigue...
 
OK, I picked up the SR705.

WOW!! This bass is pretty friggin' great!

Aside from buzz on the 8th fret (mainly D & G strings) that I will try to remove with a love tap or two, and the intonation needing to be set better, it's a really nice instrument all the way around. It comes with Elixers and they sound OK but soon the bass will be set up with Rotosound swing bass 45-130.

Lightweight, nice narrow spaced strings, the neck is super comfortable, it's balanced perfectly and the sound is incredible.:bassist:
This bass through my rig will knock down small buildings.
Too bad my camera is broke or I'd attach a pic or two.

The biggest problem I have is deciding the first tune to play on it. I'm thinking Metal Fatigue...

Buzzing at the 8th - sounds like it may need a little more relief (loosen an 1/6 to a 1/4 turn) - it's real easy with an Ibby SR having the flip-open truss rod cover. You want about a business card or two for clearance at the 9th. You always re-check relief when changing string types/gauges.
Ibanez help & how to > [Invalid or Expired Link Removed]

Best advice - learn how to do it yourself - it's easy.
 
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Buzzing at the 8th - sounds like it may need a little more relief (loosen an 1/6 to a 1/4 turn) - it's real easy with an Ibby SR having the flip-open truss rod cover. You want about a business card or two for clearance at the 9th. You always re-check relief when changing string types/gauges.
Ibanez help & how to > [Invalid or Expired Link Removed]

Best advice - learn how to do it yourself - it's easy.


Oh, I've set up basses for over 30 years now. No problem.
This bass has really low action.
 
1/4 turn of relief and it's good, although there is a slight, and I mean slight, rise at the 8th as I sight down the neck.
Not a problem now though... and the first tune was.. "Metal Faitigue" by Allan Holdsworth.
The bass sounded great with this track.

It plays so well. This is a quality instrument.

:thumbsup:
 
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