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The Spaceman Club

Until I can get a full length demo together, here is an audio sample of the mercury and saturn. signal is a P bass into my Ashdown Little Bastard tube head into a darkglass element 2x12 cab sim, into my interface with no post-processing.

2 seconds in -clean bass
7.5 seconds in- mercury with harmonics 100%, boost at 0%
13.5 seconds in- saturn VI with drive at 50%
19 seconds in- saturn at 50% drive and mercury at 100% harmonics together.
 

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Thanks for the short demo.

I definitely hear an added presence with the mercury.

absolutely. It’s subtle for sure. Just gotta decide if it’s worth the cost… I do like the sound though. It’s more noticeable when you have a drive pedal in front of it. It’s truly a pedal enhancer for anything that comes before it. It sounds awesome after my Demon fuzz
 
So it leans more towards being a "tone enhancer", instead of a light drive like the S6?
That’s how I would describe it. It does add some very mild grit with the harmonics control, but nothing like the Saturn. More than anything, it just seems to liven my tone up. It just sounds clearer.
 
Both the Saturn V/VI and the Mercury IV could both be loosely thought of as boost-to-low/moderate OD pedals, but they differ in type/approach.

The M4 is transistor-based, basically a modified treble boost circuit to my ear, so its DNA will always put it a little more in the brash/crackly/crunchy camp versus warm/smooth. But the modifications make it so that you can run it as a very clean boost with almost no transistor artifacts. The “harmonics” are dialed in separately, not as much apparent “gain” (clipping) as some treble boosters would have (more sparkly like, say, the Aphelion), but massive output to push a tube amp into drive.

The beauty of the M4 is in the EQ switching. It’s like a range knob that is split into two sections that work independently. You can get a lot of really cool tonal variety from different switch combinations, either with the drive up or totally clean. For guitar, I liked the M4 best at the very end of the chain, as an enhancer type of thing. It’s also really great at running after fuzz where you may have a fuzz that just doesn’t punch through the mix well but you love the sound. Working the switches and such, you can make any fuzz punch through and sound just the way you want it to without neutering the character as many boosts and OD’s will do. I don’t have my M4 anymore, I have a 3-knob Arc Gamut that basically does all the same things and I had much more money sunk into the M4. (Decades long guitar player, I just picked up bass a little over a year ago, after the M4 was sold, so I have not tried it with bass.)

I’ve had both the Saturn V and VI, still have the VI (never tried the V with bass, I had/sold that one years ago). The Saturn is more of a warm, smooth boost or low gain OD with a bit of mild compression. There is some nice clarity - even in the midst of the drive, you can hear the strings. I like it OK, but it’s not really my favorite for either guitar or bass. The Polaris is much better to my ears, with the filtering there is a lot you can do, and it sounds great with both bass and guitar.

I’ve had most of the Spaceman pedals over the years, currently still have the Voyager, Nebula, Saturn VI, Polaris, Atlas, and Sputnik III.

Just purchased a used Delta, kind of excited about that one! :cool:
 
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I like it!

It was waiting for me Friday night after work, but I had to go out and party with friends. I leave for rehearsal Saturday morning around 10:30, but I had to make an unexpected visit to the tire store so no chance to test it out. I had time to Velcro it up and put it on my board for a trial by band fire. Spent two minutes dialing in a sound for one song. It worked, did a fuzzy thing.

All day today in the yard stringing lights, sweating profusely, and all I could think of was my Nebula, sitting patiently in the cool air conditioned house.

FINALLY, I got to spend 30 minutes, just me and my gear on a proper test drive.

This is a thinking mans fuzz. It’s not like some where you max the one or two knobs, and whoomph there it is. Lots of interactivity between the various parameters, resulting in many different types of sounds. Some traditional, many of them not so traditional, often not what I expected. The toggle in the infinity position offers up some cool fluctuations and travel in the decay of notes. I have a strong feeling about stacking this thing. So far it’s very cool before a wah and a phaser.

It’s as if Spaceman had run its course with “fuzz”, and wanted to stretch their creative limbs. I’m excited by what this has to offer.
 
Not sure if it’s a sign, but the email they sent has a picture of the Saturn V rocket.

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