Looks like there's going to be a Grand Slampegg v0.3, v0.2 isn't as cool as I wanted it to be. I had an idea to combine one of the coolest things about More (parallel gainstages) with some of the tonal aspects of Slampegg (tonestack, some of the gainstage component values) and use a 6SL7 to do it.
The good:
- IT SOUNDS INCREDIBLE. The tone is absolutely amazing. Smooth yet punchy, very responsive and dynamic.
- The tonestack makes it really flexible, it's like having a richer low end on a More but still being able to dial in some bite on the high end
- The combination of the rich low end and the switchable HPF is super useful, being able to get a punchy low end without being too much in the ultra-low frequencies
The bad:
- It's quiet. With the volume fully cranked and tonestack set flat the 1/4" output is only a couple dB above unity (haven't tried the XLR yet, but I expect it to be just a notch above a passive D.I. in volume). The baxandall/james tonestack is inherently lossy, I just never realized how lossy until I ran this with no makeup gain on the output.
That's it. It sounds really good (like REALLY good), but it's not loud enough. It has a lot of potential, but it needs some work.