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Basically the same as More v1 but with a NOS 12AV7 in the "preamp" position and a switchable HPF. Still a sparkly enclosure, obviously.What's More V2? I missed that memo.
We actually tracked down some cyan LEDs that fit the color scheme beautifully, I'll have pictures of that later.Dang that's sweet. Love the artwork on it. Needs some blacklight LEDs. Or red and blue like Tron.
Yup, swap to a lower gain tube. You'll be able to use the knob range more. Maybe a 12AT7 for startersI love the tone I'm getting out of my UA, but I find it really difficult to dial in the edge of break up. I'd like to get less breakup, but still have it available if I dig in. I also have the gain quite low. My rig is set up with the Alembic'ed Starfire going stereo into an F2B, mono out into the UA for extra grit, especially since the F2B is so clean.
Still thinking about it, but it's not developed enough of an idea that a tentative design exists yet.I’ve been out of the loop for a minute. You still thinking about building a vocal preamp pedal? I bet you’d sell a ton if you could fit, say, a UA 610 into pedal form… (fingers tightly crossed)
I played a radio gig yesterday and the house engineer mixed the bass obnoxiously loud. Makes for a cool showcase of how good the Finally v3 sounds. The heavy radio compression totally squashed it, but you’ll still get the idea. P bass with flats straight into finally
I played a radio gig yesterday and the house engineer mixed the bass obnoxiously loud. Makes for a cool showcase of how good the Finally v3 sounds. The heavy radio compression totally squashed it, but you’ll still get the idea. P bass with flats straight into finally
I played a radio gig yesterday and the house engineer mixed the bass obnoxiously loud. Makes for a cool showcase of how good the Finally v3 sounds. The heavy radio compression totally squashed it, but you’ll still get the idea. P bass with flats straight into finally
I played a radio gig yesterday and the house engineer mixed the bass obnoxiously loud. Makes for a cool showcase of how good the Finally v3 sounds. The heavy radio compression totally squashed it, but you’ll still get the idea. P bass with flats straight into finally
A vocal preamp??! I'm getting into recording and production and at some point I will be looking for tracking preamps - the usual suspects are tranformer-flavoured like the Neve 1073s etc. Are you're thoughts on a pedal leaning to that side, or more of an effect? ThanksStill thinking about it, but it's not developed enough of an idea that a tentative design exists yet.
Leaning more towards a preamp, not looking at doing vocal effects processing.A vocal preamp??! I'm getting into recording and production and at some point I will be looking for tracking preamps - the usual suspects are tranformer-flavoured like the Neve 1073s etc. Are you're thoughts on a pedal leaning to that side, or more of an effect? Thanks
I have a JJ ECC803S (long plate ECC83, slightly less gain) in my UA and I like it a lot. It seems to saturate more gently than the original JJ ECC83S. I can set the gain knob a little higher than before, and it gives more of a compressed feel. It's a very "tubey" sound in front of another tube preamp (Arkham Zephyr) being run warm but clean, then into a solid state power amp that's kept well away from clipping (totally transparent).I love the tone I'm getting out of my UA, but I find it really difficult to dial in the edge of break up. I'd like to get less breakup, but still have it available if I dig in. I also have the gain quite low. My rig is set up with the Alembic'ed Starfire going stereo into an F2B, mono out into the UA for extra grit, especially since the F2B is so clean.
Did you get around to testing?The difference is that in The Watt I keep the HPF at the front before the compressor, whereas running the pedals separately puts the HPF between the compressor and the preamp. I'm thinking there may be something there, and I told Tom I'd do some testing at home (I obviously have both pedals) and see if I can figure out what's going on.