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The Sushi Box FX Secret Society

It will show up, you did indeed get the last one. I'll get it shipped out tomorrow.

I actually have two units that didn't pass testing so I removed them from the count, if I find time to figure out what's wrong with them they may show up at some point.
What is happening with the Cascade Tube Chorus??????????
FWIW you missed my birthday. :rollno:

I have been giving my Echosaurus pedals a work out for the sounds I am developing for a new synth project.
 
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What is happening with the Cascade Tube Chorus??????????
FWIW you missed my birthday. :rollno:

I have been giving my Echosaurus pedals a work out for the sounds I am developing for a new synth project.
Happy belated birthday, and I apologize for the absence of Cascade news. I've been busier than I planned and it got pushed aside. It's written on my whiteboard, so I see it over my workbench and I won't forget about it, but it keeps getting pushed.

I keep wondering if that Venus Z (if it’s real) might have a gain knob for some grit (like the Finally) or if it will be a clean only pedal. Hmm?
I WILL NOT DIVULGE MY SECRETS.



No gain knob, clean only.
 
I put this board together on a whim for one specific bass. I picked up a late 80’s Washburn/Status bass recently. The electronics are unusual. It is active, but basically it amounts to a really bright bass with an active tone control.

On my board, The octave, envelope, and chorus are all to give my some synth options. The Diamond is because I like those compressors. I have this one and an earlier, pre-SGFX one. (They are different, but I like them the same.)

The Sushi Box stuff was me knowing what I wanted and guessing what these pedals might sound like. I got the Slampegg Bee because every pedal setup I’ve been happy with has Ampeg-ish parts. I got the Nobelium thinking that what I really needed for the Status electronics was to beef up the bottom. I figured that would relegate the Slampegg to being an occasional use OD pedal.

I missed my guesses by a bit. The bass knob on the Nobelium is as-expected. I also like what the treble knob does on the Nobelium, and that wasn’t initially a consideration. The Slampegg may end up being an ”always on” pedal, because I like the way it can gently break up the bottom and leave the top crisp (I usually target the opposite of that), and despite the lack of a Mids knob, I like what it does to midrange frequencies.

It is all still new to me, but so far, I’m very happy.

IMG_4430.jpeg
 
Maybe there'll be an announcement on Monday with exciting news?
There will be an exciting announcement Saturday, but the only thing I'm announcing Monday is a sale. I don't feel like doing April Fool's jokes this year.

Venus Z announcement is out a little ways, maybe later in April.

I’m watching the Bassdude dwindle and getting an itchy finger. Maybe if there was a sound sample somewhere? :bassist:
I tried to get one before they went out, but it didn't go well. Maybe I'll try again this weekend.

Also if you're thinking about picking up a Bassdude, maybe wait until Monday...
 
So as a toob noob, what does that mean?
12AX7 has 5 times as much gain as 12AU7, which means with a 12AX7 installed and the gain turned up you can get a fair amount of overdrive. Some people like this, some people don't. With a 12AU7 installed the pedal becomes completely clean with no overdrive, and the Gain control becomes more of a "saturation" control.

Is this the announcement or are there more good things to come?

Finally v2 – With Bass In Mind Edition (preorder) – Sushi Box FX
Yup that was it. I've been talking with Philip about doing this for over a year, and after we met in person at NAMM we chatted some more and decided it was time to finally (lol) make it happen. He's been using my pedals for years and we've chatted quite a bit, and he is the nicest person you'll ever meet. Super excited to work with him.
 
12AX7 has 5 times as much gain as 12AU7, which means with a 12AX7 installed and the gain turned up you can get a fair amount of overdrive. Some people like this, some people don't. With a 12AU7 installed the pedal becomes completely clean with no overdrive, and the Gain control becomes more of a "saturation" control.
Interesting, thanks. So is this a short run, then back to the 12AX7?
 
12AX7 has 5 times as much gain as 12AU7, which means with a 12AX7 installed and the gain turned up you can get a fair amount of overdrive. Some people like this, some people don't. With a 12AU7 installed the pedal becomes completely clean with no overdrive, and the Gain control becomes more of a "saturation" control.


Yup that was it. I've been talking with Philip about doing this for over a year, and after we met in person at NAMM we chatted some more and decided it was time to finally (lol) make it happen. He's been using my pedals for years and we've chatted quite a bit, and he is the nicest person you'll ever meet. Super excited to work with him.


I'm excited to try my first Sushi Box and first tube pedal... if I wanted some tube goodness all the time, and a di, the finally seems great. What world work nice in front of it for occasional light distortion/grit? Thinking finally as my pre/di and something to build up with before.

Thanks!
 
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I'm excited to try my first Sushi Box and first tube pedal... if I wanted some tube goodness all the time, and a di, the finally seems great. What world work nice in front of it for occasional light distortion/grit? Thinking finally as my pre/di and something to build up with before.

Thanks!
The Elementary can dial in overdrive but also works as a nice preamp. Same with the UA, but you can switch the tonestack off and just use it as a clean or dirty boost (this may be what you're looking for). You can dial in some grit with the Slampegg too, but much easier with the Elementary and UA. Then beyond that, there's the Black Eye, Detective, and Dreamcatcher for actual distortion.
 
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The Elementary can dial in overdrive but also works as a nice preamp. Same with the UA, but you can switch the tonestack off and just use it as a clean or dirty boost (this may be what you're looking for). You can dial in some grit with the Slampegg too, but much easier with the Elementary and UA. Then beyond that, there's the Black Eye, Detective, and Dreamcatcher for actual distortion.
Thanks! To have an always on pre, and a switched drive would you do a combo of say an Elementary and a UA, or just one of them on front of a Finally?

Almost snagged the detective that was listed last week, but it was pulled before I could decide. There appears to be a smoke signal available that sounds like it would fill this need with a Finally added after.

I appreciate it!