I just purchased an RAH250SMX after abandoning it back in 1996. Really digging the Trace GP12SMX tone again after all these years. Wanted that tube input. I used to play one with two Trace 4-10 cabs using a Stingray5. That was a beautiful thing. Looking to maybe purchase a V type. Send me a tone sample of your Vtype if you would. There are no videos on the internet of them that I can find. Probably because they are a rare bird.
The V-Type is voiced different than the solid state TE preamps. The same preamp circuit is used in all of the original V-Types. This included the preamp, hybrid, the V-Type head, the V4, and the V6. I call these Mk1 V-Types. The later Mk2 V4 and V8 added a switching OD circuit and a compressor.
This video features the V-Type head. Lot's of talking and a short demo:
The Mk1s are a bit more mid-scooped than Mk2s with glassy highs and big focused lows. The Mk2s are less mid scooped with leaner, looser lows, but a bit more transparency. Too my ears the Mk2s have more of a rock sound.
All V-Types use a Fender tone stack with a few extra components added to form the Mid shift and Deep circuits. The Mid shift varies the upper cutoff frequency of the bass control. With the control pulled, the cutoff is moved further into the mids.
I would say the voicing is in the Fender tone universe, but not dead center. The Orange AD200B is much closer to the center.
Amps like the Sadowksy SA200, Aguilar DB359, Mesa D180, 400, and 400+ are different flavors in the Fender tone universe. None of them sound exactly like the V-Type.