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The Truth

Both have good tone and good time, plus they are band leaders, but I get the joke.

You're right: playing in tune with good tone and good time; those are the big three. There's a video of an interview with Ginger Baker where the interviewer asked him what he thought about Eric Clapton and Jack Bruce as musicians, clearly expecting him to say something about their virtuosity; instead, Baker said "They both have time."

The interviewer clearly didn't get what Baker meant or that he was giving Clapton and Bruce his highest compliment.
 
Both have good tone and good time, plus they are band leaders, but I get the joke.

I phrased it as a joke, but I was alluding to another truth.

Anyone who tells you "This is what you have to do to succeed" in the realm of art or many other things as well should be taken with a grain of salt. If everyone does what everyone else did before them the world becomes a very bland and monotonous place over time. So, yes. What he says is true. Tone trumps flashy licks 99% of the time in today's music.

However, the music of tomorrow will be different than the music of today. And it will be forged by musicians who are in that 1% who dared to do something different.

Also, not everyone defines success the same way. Not all bassists are looking to make a paycheck or keep a gig. For those who are, this guy gives great advice. Follow the herd. Follow conventional wisdom and do what great sidemen have done for years.

Artists and progressives are better off to take the road less traveled though. Be original. Find your thing and make it work.
 
I phrased it as a joke, but I was alluding to another truth.

Anyone who tells you "This is what you have to do to succeed" in the realm of art or many other things as well should be taken with a grain of salt. If everyone does what everyone else did before them the world becomes a very bland and monotonous place over time. So, yes. What he says is true. Tone trumps flashy licks 99% of the time in today's music.

However, the music of tomorrow will be different than the music of today. And it will be forged by musicians who are in that 1% who dared to do something different.

Also, not everyone defines success the same way. Not all bassists are looking to make a paycheck or keep a gig. For those who are, this guy gives great advice. Follow the herd. Follow conventional wisdom and do what great sidemen have done for years.

Artists and progressives are better off to take the road less traveled though. Be original. Find your thing and make it work.

I don't know as much about Les Claypool, but Victor Wooten always makes a point of saying he learned how to play traditionally and that he has played conventional bass parts many times on stage and the studio. He paid the bills playing conventionally before he got famous doing Wooten stuff. Claypool is a huge Geddy fan, and Geddy is very upfront, but more conventional than Claypool. Claypool learned how to hold it down first too.
 
Not to distract from this thread but to ad to it. Simple is best with the bass. "Walk don't run." Get the the basics correct first before shifting to a higher gear.

Victor Wooten gives similar and excellent advice for playing the bass. (Only 2 1/2 minutes long.)



____________________________________________________________

This Ray Brown video EXCELS!
 
Not to distract from this thread but to ad to it. Simple is best with the bass. "Walk don't run." Get the the basics correct first before shifting to a higher gear.

Victor Wooten gives similar and excellent advice for playing the bass. (Only 2 1/2 minutes long.)



____________________________________________________________

This Ray Brown video EXCELS!


Michael League always kills me being Mr. Humble when he is around players like Wooten or Marcus, but you don't get to share the stage with those legends unless you're are bringing real talent to the table yourself.
 
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I don't know as much about Les Claypool, but Victor Wooten always makes a point of saying he learned how to play traditionally and that he has played conventional bass parts many times on stage and the studio. He paid the bills playing conventionally before he got famous doing Wooten stuff. Claypool is a huge Geddy fan, and Geddy is very upfront, but more conventional than Claypool. Claypool learned how to hold it down first too.

Les cut his teeth playing three sets a night, five nights a week with a band that did Isley Brothers and Booker T. covers, and he always had guys tapping him on the shoulder asking him to play less. He may do things unconventionally, but he's never struck me as a "bass hero" type. He's a really fundamentally sound player who just likes to do things his own way, which is more apparent in his singing and songwriting than it is in his bass playing.

IMHO, YMMV, etc etc.
 

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