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The Warwick Influence! J/MM Sadowsky Metro

This is the nut that I had on my Warwick’s
View attachment 4633284

ah, mine were not spinning, just two screws, one raises from the bass side, one from treble. and they don't rotate by themselves. they call it Just-a-nut III (or I had the II? IDK). they make it both in tedur and brass and they look like this:

11576194_800.jpg


p.s. this design also allows adjusting them without loosening or taking off your strings
 
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ah, mine were not spinning, just two screws, one raises from the bass side, one from treble. and they don't rotate by themselves. they call it Just-a-nut III (or I had the II? IDK). they make it both in tedur and brass and they look like this:

View attachment 4633289

p.s. this design also allows adjusting them without loosening or taking off your strings
The plastic just-a- nut II was widely known as a poor application that had many failures.
The reintroduced brass J.a.n. 3, as shown in your pic is an improvement that addresses the earlier issues
 
The plastic just-a- nut II was widely known as a poor application that had many failures.
The reintroduced brass J.a.n. 3, as shown in your pic is an improvement that addresses the earlier issues

I recall upgrading the 2 to 3 at my ~2006 bass, but didn't know the gen. 1 was rotating.
it might have been a long time ago since they stopped making it like this?

I believe, the Warwick/Sadowsky modern design (that was discussed initially in this thread) should be closer to 3 than to 1, as it's very recent.
 
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I recall upgrading the 2 to 3 at my ~2006 bass, but didn't know the gen. 1 was rotating.
it might have been a long time ago since they stopped making it like this?

I believe, the Warwick/Sadowsky modern design (that was discussed initially in this thread) should be closer to 3 than to 1, as it's very recent.
My previous Warwicks, at least the ones I held onto for any length of time, were a 94 streamer stage 2, a 98 Dolphin pro 1 .
They both had the spinners
 
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One thing I don't understand with the Warwick made Sadowskys is why Sadowsky signed off on them building the master built basses. I can understand them producing metro basses on the team built level, but doesn't a master built more directly compete with an NYC Sadowsky as far as price point and quality? Unless this is a way to get higher level Sadowsky basses to players in Europe without them having to pay horrendous import taxes on the NYC basses. That's the only thing I can think of.
 
I haven't seen it mentioned here, but this particular model also deviates from the normal Sadowsky 5-string specs regarding string spacing - this one is 18mm at the bridge vs the standard 19mm- and the nut width is 1.77" vs the standard 1.875" (or even 1.75" on the Will Lee 5).
 
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I haven't seen it mentioned here, but this particular model also deviates from the normal Sadowsky 5-string specs regarding string spacing - this one is 18mm at the bridge vs the standard 19mm- and the nut width is 1.77" vs the standard 1.875" (or even 1.75" on the Will Lee 5).

Interesting about the string spacing, I did not see that or failed to notice it.
 
One thing I don't understand with the Warwick made Sadowskys is why Sadowsky signed off on them building the master built basses. I can understand them producing metro basses on the team built level, but doesn't a master built more directly compete with an NYC Sadowsky as far as price point and quality? Unless this is a way to get higher level Sadowsky basses to players in Europe without them having to pay horrendous import taxes on the NYC basses. That's the only thing I can think of.
You need to check out current NYC prices. They do nothing under $5K anymore and most $6K or better. The other point is that under the arrangement with Warwick, the NYC shop can only build 15 basses a month. Sadowsky is making more archtop guitars than basses these days.
 
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