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Thunderbird Club

Same....:(

That video of her playing Hysteria (Muse) live at like 9/10.....I waffle between just giving up, & trying harder :unsure:
Nothing wrong with noticing our weaknesses in playing. But...you can't give up--unless you're trying to be a session player! In some ways I play better than I did in the 80s and other ways not. Hard to describe. But I try to do a good job, get no complaints other than those I make myself, and I try to enjoy playing. If it becomes like work I'll stop. I enjoy learning new things and ways to play, but I figure if it becomes a chore, I'm doing something wrong.
 
The premier club on talk bass is the princess fingers club.

View attachment 4640022

You know that's right. (Also known as the Cobalt Freedom Society)
princess-fingers-gif.gif
 
Oh, I think the original bridge should stay, but I'm curious if saddles made from a less-dead material would benefit the sound/tone. I've replaced plastic nuts with bone which resulted in a noticeable improvement.
An easy test would be to swap bridges with an earlier EBO (if one was available)
Those bridges were all metal. I can’t recall anyone saying the tone changed with the switch to the 2 point adjustable bridge.
 
Nothing wrong with noticing our weaknesses in playing. But...you can't give up--unless you're trying to be a session player! In some ways I play better than I did in the 80s and other ways not. Hard to describe. But I try to do a good job, get no complaints other than those I make myself, and I try to enjoy playing. If it becomes like work I'll stop. I enjoy learning new things and ways to play, but I figure if it becomes a chore, I'm doing something wrong.
Jamerson played with one finger…
 
An easy test would be to swap bridges with an earlier EBO (if one was available)
Those bridges were all metal. I can’t recall anyone saying the tone changed with the switch to the 2 point adjustable bridge.

The debate about bridges is all over the map - high-mass vs otherwise, aluminum vs brass vs steel, individual saddles vs two saddle-bar (early P-bass), individual-string bridge vs standard/combined, and what the saddles are made of (metal, brass, wood, or plastic). Then there is top-load vs string-thru and imbedded anchor plate/flanges vs standard flush-mount. They all work if installed correctly and offer the required saddle travel. The rest is nuance and individual preference based on ones ear and finally, aesthetics.
 
I use picks (singularly and stacked) as 'feeler gauges'. Luckily considering my playing style, I don't go for super low action. So I can always get the action acceptable without getting excessively fussy. I was assuming he has a standard 3-post Gibson/Epi bridge.
Yes, that's what's on there. I don't go for that low an action, either, since most of my playing is on upright, or has been recently.
 
The debate about bridges is all over the map - high-mass vs otherwise, aluminum vs brass vs steel, individual saddles vs two saddle-bar (early P-bass), individual-string bridge vs standard/combined, and what the saddles are made of (metal, brass, wood, or plastic). Then there is top-load vs string-thru and imbedded anchor plate/flanges vs standard flush-mount. They all work if installed correctly and offer the required saddle travel. The rest is nuance and individual preference based on ones ear and finally, aesthetics.
This is all that need be said!
 
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