• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

It was before Andy bought the Alembic. 1973 or 74. Pretty sure Andy & Steve were both playing Fenders, but that's all I've got on that. Sorry.

Don't be. You saw them that early...I'm speechless.
I wish there was more professionally filmed shows from the early days than just the Montreux gig from '78. Maybe there is.
 
Even with 228 people, they're prolly not as loud as RUSH.
For those haven't done marching band, and particularly halftime shows, it ain't easy.
Nothing about it ever looked easy to me. Just the marching patterns are amazing to watching. Can't imagine having to play at the same time. I'd be bouncing off people around me. But people would remember the halftime show.
 
The strings on the CP are definitely EBCF 45-105. I plan on changing the strings since these are likely 8 years old and I am going to do a setup from scratch. Is there any reason to consider a different gauge set?
If you are happy with them, then no. I just put 50-110 EBCF strings on the Flamingo. They still need a little playing time to settle in and sound like they should, but I'm expecting them to be what I want them to be.
 
In the Visconti breakdown of Heroes, he said Bowie deliberately was referencing the groove of "Waiting For My Man" - I never made that connection - but now that I know, it's pretty clear.



...so it didn't surprise me finding this



I never made that connection either. Now I can't not hear it.
 
The band director figures out what formations to do. It's also up to the director whether the band moves in lines between formations or 'scatters', which looks like everyone is moving randomly until just before it all comes together. Hopefully.
But their formations move too! My mind still boggles...

This is the level of choreography I can understand.

 
Last week I decided to buy myself a non-reverse, short scale six string T-bird alike.
Misty.jpg

Named her "Misty" after her Burgundy mist finish. I'm playing her all the time now.
 
Roto bass are nice strings. Their nickel plated steel without the silks. Same string according to someone from Rotosound that I once read. Roto NPS are often overlooked strings.

I have nickel Roto 66s my tobacco-burst bolt-on 'bird atm, they work pretty well with it :)

I have some felt picks - the thick red one I bought decades ago, like you when I was new to bass-playing - along with the green hard-rubber one. The blue & white one is vintage - I bought a couple more recently. I have used them occasionally and they have a very specific sound. I never heard them referred to as a jazz picks, but do know them to be called uke picks. After taking this pic, I've been playing with the blue & white one and it sounds really good. The red one is too thick/soft/floppy.

View attachment 4712868


I've actually not been able to find any quite like the ones I used to use, the music store guys were the ones calling them "jazz picks". Some are close, but ... :unsure:
 

I'd pretty much forgotten that the group I was in-on keys and woodwinds-in 71 used to do this live in concert. I played the synth part on a VOX Continental organ>a Leslie.
Our drummer-a big WHO fan-could've taken over for Keith Moon with about one week of rehearsal. He even looked like him. Nowadays he does mold remediation.
 
Last edited:
I have nickel Roto 66s my tobacco-burst bolt-on 'bird atm, they work pretty well with it :)
I've actually not been able to find any quite like the ones I used to use, the music store guys were the ones calling them "jazz picks". Some are close, but ... :unsure:

The blue/white one I have is bigger than a standard pick - 1 3/4"x 1"x 1/4". Actually a very controllable size/stiffness for articulation. The red one is bigger/mushier - maybe better for an upright...