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Thunderbird Club

Thanks for the reply . Yea the only info I could get suggested the TB+ humbuckers . My other main bass is an 18v active monster that totally blows away my pbass in terms of overall volume . I was pleasantly surprised by the output and sound of them , they are pretty loud and sound great . By rolling of either bridge or neck pup and messing with the tone , I can get quite a few sounds from it . I had some bridge issues but from what I can gather , its common of that type of bridge . All sorted now though
I have this exact bass and am loving it. I just changed DR Sunbeams out on it for D'Addario Pro Steel light guage and whoah did the sound brighten up! I cannot believe the zing I can get on what previously was a fairly dark sounding bass. It is also very sensitive to where you play on the strings of course... but I am finding a lot of tones from just two volumes and a tone control.. and I have the set up on it with really low action and no fret buzz... it's a great bass. I own some other fairly high end basses but I love this LE Epiphone T-Bird.
 
Did the rear studs pull out of the body?

You can avoid this by lowering the rear studs, and raise the front stud slightly higher...

Yes the one on the bass side . I took it out and put a little slither of hardwood either side and tapped it back home . Then I adjusted it to what you suggested , that I also saw online and hey presto , all good . Ive got a new Neotech strap and good gig bag coming for it and itll all be good .
 
I have this exact bass and am loving it. I just changed DR Sunbeams out on it for D'Addario Pro Steel light guage and whoah did the sound brighten up! I cannot believe the zing I can get on what previously was a fairly dark sounding bass. It is also very sensitive to where you play on the strings of course... but I am finding a lot of tones from just two volumes and a tone control.. and I have the set up on it with really low action and no fret buzz... it's a great bass. I own some other fairly high end basses but I love this LE Epiphone T-Bird.
C


Cheers . Mine had Rotos on it but they were kinda done so I changed them for a set of Ernie Ball lights as that was all the local shop had . I intend to put a set of D'Addario black tapes on it eventually as im not a huge rounds fan , but as you say its quite zingy and theres loads of resonance out of that body .
 
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Kat, your attitude is getting out and stomping around! :roflmao:

Thought that was quite subtle - only insulting if you know it is.

As was said, much of the 'problem' is an obsession with 'cutting through' a mix, rather than blending into a seamless whole - musicians should serve the music, the music ain't there to serve the musicians, and anyone who thinks otherwise is likely a very high score on the bell-end scale.

One thing people never seem to talk about much - and a word you never hear these days - is *taste*. Probably my favourite guitarist (apart from that honorary son of the Geordie Nation J M Hendrix, who like D G Bradman - that's cricket you barbarians - really needs to be in a category all by himself) is Mike Campbell. And one of the highest accolades one can give Campbell is he's never played an *unnecessary* note.

There are ('famous') bass players who are idolised on TB (not mentioning any names) about whom the same cannot be said - ie they peddle the worst in clanky soulless, empty, narcissistic 'lead bass' bollox, and frankly are fvcking sh1te.

Just saying like.
 
I imagine that was a rough ride for a while, it can't of been easy getting to the point of being a must see band. Being a bloody good band must have helped of course :roflmao:

And I thought you were going to comment on my slate floor since it's laid on 45 degrees :roflmao:

I have no idea *** I was playing here, anything past the moneys is usually "the undiscovered country"

TacomaPride36of48.jpg



7CedarsMarch201241of100.jpg
 
And I thought you were going to comment on my slate floor since it's laid on 45 degrees :roflmao:

I have no idea *** I was playing here, anything past the moneys is usually "the undiscovered country"

TacomaPride36of48.jpg



7CedarsMarch201241of100.jpg

I like the 45 degrees.
As for that far up the neck- I usually only go there very briefly or for specific riffs that are committed to muscle memory. Safer that way.
 
Thought that was quite subtle - only insulting if you know it is.

As was said, much of the 'problem' is an obsession with 'cutting through' a mix, rather than blending into a seamless whole - musicians should serve the music, the music ain't there to serve the musicians, and anyone who thinks otherwise is likely a very high score on the bell-end scale.

One thing people never seem to talk about much - and a word you never hear these days - is *taste*. Probably my favourite guitarist (apart from that honorary son of the Geordie Nation J M Hendrix, who like D G Bradman - that's cricket you barbarians - really needs to be in a category all by himself) is Mike Campbell. And one of the highest accolades one can give Campbell is he's never played an *unnecessary* note.

There are ('famous') bass players who are idolised on TB (not mentioning any names) about whom the same cannot be said - ie they peddle the worst in clanky soulless, empty, narcissistic 'lead bass' bollox, and frankly are fvcking sh1te.

Just saying like.

Yep.
Being another Aussie, I know of this Bradman fellow- streets ahead of any other batsman before or since.
I agree with your comments regarding taste and I too love Mr Campbell's work. I even love the guitar work of that other Campbell fellow.;)
I was playing rock around Sydney in the second half of the 70s, when some of these "virtuosos" became cool. I still play many of those pub rock songs BTW and some newer ones in pubs and clubs.
When I first heard those bass "virtuosos" in the 70s to which I am pretty sure you are referring, my reaction was pretty much the same as yours and still is.
Guys would play Jaco and Stanley Clarke stuff to me and go "Wow"- I would reply "Why?"
When I wanted to listen to a bass player playing lots of notes in impossible timings, I would listen to John Wetton's playing in King Crimson.
I could listen to Prakhash John from Lou Reed's great band all day- he is what I considered a virtuoso with taste. I loved Gary Thain's playing with Uriah Heap as well.
 
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And the bass is quite good too....
@kat888, did you ever get your VT DI pedal? I assume that it is the Tech 21 model, correct? I would be interested to hear what you (or others) thought about the "tone shaping" (?). I was eyeing their VT pedal (not the DI), which I believe has some of the same features. I was wondering whether it could simulate Ampeg tone, for use in recording.
 
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@kat888, did you ever get your VT DI pedal? I assume that it is the Tech 21 model, correct? I would be interested to hear what you (or others) thought about the tone shaping (?). I was eyeing their VT pedal (not the DI), which I believe has some of the same features.

Finally received an update last night (only 9 days after it supposedly departed Dubai) that it had been processed through Sydney airport (not sure if that means it's cleared customs or whatever). Hopefully it will arrive today or tomorrow. No bloody idea where the TC Corona Chorus pedal has escaped to (what was I saying about taste, or the lack thereof?). Maybe they'll arrive together.

I'm hoping it cops a reasonable SVT tone.

Stay tuned.