That 322 is just a beast in every sense of the word! I’d bet Jim Bergantino has killed more cab related GAS than just about any cab builder out there. Seems like once you get one you realize that it just isn’t gonna get any better.
Agreed George!!!
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That 322 is just a beast in every sense of the word! I’d bet Jim Bergantino has killed more cab related GAS than just about any cab builder out there. Seems like once you get one you realize that it just isn’t gonna get any better.
If I could sit in as an apprentice for one full year under any bass player that has ever lived it would be McVie. His style and sound has always been exactly what I’ve been after. My very distant second choice would be Duck Dunn.One of the first songs I ever learned! As I’ve said before, McVie was my “teacher.” Fleetwood Mac was huge in Santa Barbara from early on. I played along with The Pious Bird and Then Play On. Drop and lift the stylus over and over….it’s so much easier now.
But could you pull off the pipe look like Dunn?If I could sit in as an apprentice for one full year under any bass blazer that has ever lived it would be McVie. His style and sound has always been exactly what I’ve been after. My very distant second choice would be Duck Dunn.
You need to compare notes with @MCFAgreed George!!!
Depends upon what’s in it!
You need to compare notes with @MCF
IIRC He’s running his Mesa amp through my old Berg NV610. Nothing punches quite like a 10” cone, and six of them in a very efficient cab is pure punch heaven. His amp/cab combination would probably blow the windows out of the house if cranked. Of course he has my old SVT head as well, for that sound that only an Ampeg can get. Saw Marshall in the club earlier today, hopefully he’s getting at least a small breather from work.
Enjoying that new bass?Way back I used to really be into the whole mix and match thing.
I’m happy with one rig that can do it all.
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Enjoying that new bass?
I reviewed records & concerts for the Technique (Georgia Tech newspaper) and worked at WREK (the radio station). Between the two, I saw a lot of lesser known stuff. Some went on to be better known (like Kansas). Many (like Brahman) didn't.
I won an album in high school from a local radio station. I went to pick it up and they pointed me to bins of albums they didn't want. I picked Steel River's "A Better Road" strictly because they looked most like a rock band. I wasn't whelmed with it. "Joyful Judy" and maybe one other song were decent (in my book), but that was it. Then again, another time I won a copy of "The History of Eric Clapton" because I knew all about 43 man squamish. That was a cool album.
I had (maybe still have) The History of Eric Clapton, I think it introduced me to 'Eric Clapton and The Powerhouse' who unfortunate only recorded three tunes.
If I could sit in as an apprentice for one full year under any bass player that has ever lived it would be McVie. His style and sound has always been exactly what I’ve been after. My very distant second choice would be Duck Dunn.
Two of my fav songs off that album.
LOL - It was a free concert, on the beach, in the evening, in Santa Cruz - could have been a high school band and it would have been great.
Seriously, they sounded pretty good, Grace is Grace and nobody else is, but her replacement did a damn good job on every song. You be the judge, a cheap phone recording posted on YouTube from that concert in 2018…
I had young parents so I was exposed to Fleetwood Mac early, like 4th grade. Love them. An all time favorite, “Hypnotized” is a song that I feel was way ahead of its time.
I confess to never clicking with any of their music. But did love the one song that didn't sound like Jeff Starship. Even used to cover that one.Other than having a hard time getting into the draggy feel of White Rabbit, it sounds great!
Looks safe to me....Before I throw the switch and risk smoking some good chit...I mean vintage amps, can I get a verification that what I understood last time is correct?
Bass into input 1 on my Music Man Sixty-five (connected to both the MM 115rh and Trace Elliot 2103h)
Input 2 on my Music Man Sixty-five into my Zoom B3n
Zoom B3n into the input on my Sunn Concert Bass (connected to the 215m)
The only thing extra is I put the Zoom in the loop as it is my plug in tuner and could also give me some sound options on the 215m cabinet.
View attachment 4885955
Phase 3 was using the B3n to split the signal into both amps. That worked very well but dang did that get really loud. Individually, I have everything at 5 across the board and the same on the neck pickup on my IV or CP. With both amps running, I had to turn my IV down to 1. 3 15s, 2 10s, and a horn can definitely rattle your fillings.Before I throw the switch and risk smoking some good chit...I mean vintage amps, can I get a verification that what I understood last time is correct?
Bass into input 1 on my Music Man Sixty-five (connected to both the MM 115rh and Trace Elliot 2103h)
Input 2 on my Music Man Sixty-five into my Zoom B3n
Zoom B3n into the input on my Sunn Concert Bass (connected to the 215m)
The only thing extra is I put the Zoom in the loop as it is my plug in tuner and could also give me some sound options on the 215m cabinet.
View attachment 4885955
That looks like a Carvin.Looks safe to me....
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