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Thunderbird Club

My Thunderbird just arrived and played it all day.
I was prepared the sound will be weaker in my taste, than my recent bass of the past 5 years.
And yeah at the first play i had to turn up the input gain on my recorder 'cause i couldn't hear the bass out of the song. After some play i started to mess with the EQ on Cubase, and i was surprised by a lot. I could get almost any sound what i wanted from deep punchy lows, to crispy highs (at least on PC). Such and exciting experiment and thinking about what can i do with it tomorrow and in the future.
By the way, my shoulders are dead, i really have to get used to it's balance.
First step: fixing dents, scratches and paint crackings.

View attachment 1023779

That's a beauty! :)
 
Posted on that.

Everytime I read one of those threads I am struck by the assertion that a P Bass is perfect. Then you need to change the bridge, pickups, tuners... Must not be so precise.
I've always thought the pickup is backwards, personally.

I do like a rolled fret board
What's a rolled fretboard?

I just completed this project bass and it sorta fits here. The body is from a mid 60's (MIJ) Teisco Del Rey, Silvertone, St George or any number of brand names used then for the exact same product made in the Matsumoku factory. It was a very long (as long as my '64 T-bird) short scale (30") bass and I converted it to a 34" scale using an Epi 'Goth' neck. It has a Guild RI Darkstar single & 500k V/T pots. It's thin (1-1/4" thick) light (8.3lbs) is well balanced and sounds pretty righteous.

If interested in the project from start to finish; Teiscobird project

IMG_0897_zpsh3p4jg6z.jpg


IMG_0898_zpsrptwq6l0.jpg


IMG_0891_zpswtrc9the.jpg


Here's the 'Teiscobird' (pre addition of fret markers) with it's same year cousin - my '65 Teisco Del Rey. Even at the redefined 34" scale it's shorter than the Del Rey!
IMG_0893_zpsmpoecsdg.jpg
Looks awesome. Soundclips?

Would have just moving the bridge back (without the neck) have given you a 34" DelRay ?
The frets would be in all the wrong positions. It wouldn't intonate.

What if you play a precision and you are a fictional bass player?
View attachment 1024418
Doesn't look like a P-bass to me.

I do think you need another Thunderbird... :)
Maybe.
 
I bought a couple of the Ernie Ball polypro straps and finally have straps long enough to get the Bird into a comfortable playing position when standing. I'll be happier after I get some Loctite threadlocker and gum up the strap locks. You can't play rock&roll sitting on your arse (valid medical reasons excepted).
What are those straps like?

The strap button on my T-bird is on the neck heel, which balances well, but means it sits several inches higher than my Rickenbackers with the same length of strap. I'm kind of... large... so finding a strap long enough to lower the bass into a more natural position is difficult.
 
What are those straps like?

The strap button on my T-bird is on the neck heel, which balances well, but means it sits several inches higher than my Rickenbackers with the same length of strap. I'm kind of... large... so finding a strap long enough to lower the bass into a more natural position is difficult.

They're basically seatbelt webbing. Obviously slippier than leather, but actually very comfortable on the shoulder and much lighter. If the slippiness was too annoying, it wouldn't be difficult to fit some sort of shoulder pad. The buckle thingy is solid, so when it's adjusted to your preferred length it will stay there. They have a gold Ernie Ball logo but that's easy enough to cover/paint over. They're cheap enough that if you like 'em, you can have one per bass. I wouldn't trust them without a strap lock though.

When standing I play with my right arm at full stretch and there's still a bit of length left in the strap yet. With the old strap, it was let all the way out and I was still chafing my wrist and playing at an awkward angle and consequently sitting all the time.

 
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They're basically seatbelt webbing. Obviously slippier than leather, but actually very comfortable on the shoulder and much lighter. If the slippiness was too annoying, it wouldn't be difficult to fit some sort of shoulder pad. The buckle thingy is solid, so when it's adjusted to your prefererred length it will stay there. They have a gold Ernie Ball logo but that's easy enough to cover/paint over. They're cheap enough that if you like 'em, you can have one per bass. I wouldn't trust them without a strap lock though.

When standing I play with my right arm at full stretch and there's still a bit of length left in the strap yet. With the old strap, it was let all the way out and I was still chafing my wrist and playing at an awkward angle and consequently sitting all the time.

Kat - an interesting perspective from Pete Way on the proper wearing of a Thunderbird...
Link Removed
Phil Mogg bought Pete his first Thunderbird. “I had an old Fender Precision at first. And then I saw someone playing a Thunderbird and I knew I had to have one. It just looked so shaging cool, you know? You couldn’t get them in the UK. Phil went to America to do some interviews and I said: ‘If you see one of those Thunderbirds, get me one’. And he did. He bought one in New York.”

That was it. It was a marriage made in rock heaven. For the next 20 years, that’s virtually all he played. Few bassists did more to elevate the profile of the Thunderbird than Pete Way. “I used to hear people saying, ‘Oh, the neck is too thin’. Man, I loved that thin neck. I never got neck dive either. If you get neck dive, it’s your bass telling you that you need a longer strap. You’ve got play it down there.”
 
Kat - an interesting perspective from Pete Way on the proper wearing of a Thunderbird...
Link Removed
Phil Mogg bought Pete his first Thunderbird. “I had an old Fender Precision at first. And then I saw someone playing a Thunderbird and I knew I had to have one. It just looked so shaging cool, you know? You couldn’t get them in the UK. Phil went to America to do some interviews and I said: ‘If you see one of those Thunderbirds, get me one’. And he did. He bought one in New York.”

That was it. It was a marriage made in rock heaven. For the next 20 years, that’s virtually all he played. Few bassists did more to elevate the profile of the Thunderbird than Pete Way. “I used to hear people saying, ‘Oh, the neck is too thin’. Man, I loved that thin neck. I never got neck dive either. If you get neck dive, it’s your bass telling you that you need a longer strap. You’ve got play it down there.”

Yes, that looks about the right height.
 
Kat - an interesting perspective from Pete Way on the proper wearing of a Thunderbird...
Link Removed
Phil Mogg bought Pete his first Thunderbird. “I had an old Fender Precision at first. And then I saw someone playing a Thunderbird and I knew I had to have one. It just looked so shaging cool, you know? You couldn’t get them in the UK. Phil went to America to do some interviews and I said: ‘If you see one of those Thunderbirds, get me one’. And he did. He bought one in New York.”

That was it. It was a marriage made in rock heaven. For the next 20 years, that’s virtually all he played. Few bassists did more to elevate the profile of the Thunderbird than Pete Way. “I used to hear people saying, ‘Oh, the neck is too thin’. Man, I loved that thin neck. I never got neck dive either. If you get neck dive, it’s your bass telling you that you need a longer strap. You’ve got play it down there.”


When I tried out the one I just bought, the strap in the case was about that long! I shortened it up about 2 feet and it fit me about right. Now, I might have to go back to that length because it does look rather rocking cool!
 
Kat - an interesting perspective from Pete Way on the proper wearing of a Thunderbird...
Link Removed
Phil Mogg bought Pete his first Thunderbird. “I had an old Fender Precision at first. And then I saw someone playing a Thunderbird and I knew I had to have one. It just looked so shaging cool, you know? You couldn’t get them in the UK. Phil went to America to do some interviews and I said: ‘If you see one of those Thunderbirds, get me one’. And he did. He bought one in New York.”

That was it. It was a marriage made in rock heaven. For the next 20 years, that’s virtually all he played. Few bassists did more to elevate the profile of the Thunderbird than Pete Way. “I used to hear people saying, ‘Oh, the neck is too thin’. Man, I loved that thin neck. I never got neck dive either. If you get neck dive, it’s your bass telling you that you need a longer strap. You’ve got play it down there.”

Gotta wonder why Pete was playing an Epi in that shot?
 
Maybe he just likes them.

It seems it might just be that simple.

From Wikipedia:

_______________________________________________________________________
Way now commonly uses Gibson Thunderbird basses which are renowned for the hard edged rock tone; however he recently commented that he has been using an Epiphone Thunderbird as he found it seemed to have a fatter tone. ______________________________________________________________________


Fatter tone is very subjective of course.
 
It seems it might just be that simple.

From Wikipedia:

_______________________________________________________________________
Way now commonly uses Gibson Thunderbird basses which are renowned for the hard edged rock tone; however he recently commented that he has been using an Epiphone Thunderbird as he found it seemed to have a fatter tone. ______________________________________________________________________


Fatter tone is very subjective of course.

You beat me to it Larry! :)
 

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