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Thunderbird Club

$2 shaging 99? There goes the moratorium on spending… I need one.. who makes it? Where do I get it?

I got to hold a Geezer style Armstrong in GC Hollywood when I had no munny… before the price insanity.

I also got to play a Thunders/Kramer owned black lucite dc, but the owner wouldn’t even give me a price… and I was willing to spend… only 2 black lucite ever made…

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Who's that?
 
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IDK "unnecessary", but the blk/gold looks classier.
@JIO
GEO made this exquisite black one….hard for me to decide…..luv’em both…..
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Oh, god, not this clown again...

They are admittedly super bass geeks - but both are also super players and extremely versed in music theory and technique. I never slag players who are far superior as players. Aside from that, I have always found both of them to be insightful, instructive and very entertaining as teachers.

Back in the day, a lot of people couldn't stand Jaco's ego - but discounting his immense talent and unique innovation on the electric bass is a sign of someone who has a very limited ability to appreciate greatness... or simply is just jealous. And claiming to "not know" about him is willful ignorance. It's like "not knowing" about James Jamerson, Charles Mingus and that guy who played bass with The Who. lame.
 
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I got Black Sabbath Vol4 when I was about 13. I assumed Geezer always played a Dan Armstrong for many years until I read how he ended up playing one in that picture. I can see why he wouldn’t like a short scale given how he digs in over the neck.

But still he ended up playing short scales for the rest of the seventies excepting that brief fling with Geezer's Rickenbacker*.
GeezerButler_BlackSabbath@MusicRadar_20170405_04.jpg


*The Ric is on the Hammersmith Odeon gig that was filmed for video and according to Geezer it was only as he had forgotten his usual stage bass and even stage clothes.
 
........ And claiming to "not know" about him is willful ignorance. It's like "not knowing" about James Jamerson, Charles Mingus and that guy who played bass with The Who. lame.

I'd never heard of Jaco, or Jamerson, until probably Scott Devine mentioned them in his YouTube videos that I watched, maybe 3-4 years ago. And Charles Mingus, I had to look him up just now :sorry:

It's just that where and when I grew up, and the kind of music that exposed me too, those guys were so far out side of that .... Jamerson would be the only one I'd even heard in passing. Even Entwistle....I'd heard a couple of The Who songs, but only what played on the radio by the late 80s, and I didn't know him by name until probably the last decade or so.

I didn't get into music at all before the mid 80s, when I was able to move to stay with my dad, and as a new teenager, if it wasn't some kind of rock or metal, I didn't have much to do with it until probably the late 90s? I guess. Then it was country & alternative rock for a while, then (modern) rock & metal.

Then I started hanging out with you guys :p

So now I've heard of those guys, and listened to some of their music, but really not my cup of tea for the most part....:bag:
 
They are admittedly super bass geeks - but both are also super players and extremely versed in music theory and technique. I never slag players who are far superior as players. Aside from that, I have always found both of them to be insightful, instructive and very entertaining as teachers.

Back in the day, a lot of people couldn't stand Jaco's ego - but discounting his immense talent and unique innovation on the electric bass is a sign of someone who has a very limited ability to appreciate greatness... or simply is just jealous. And claiming to "not know" about him is willful ignorance. It's like "not knowing" about James Jamerson, Charles Mingus and that guy who played bass with The Who. lame.
I'm not dissing or making fun of his talent as a musician (which I admit he has plenty of it) All I'm saying is that I can't stand him. No need to call me ignorant or lame, don't know what I did for you to say that to me...
 
Hi guys, today I offer you an unedited comparison between the Fender Meteora Bass and the Epiphone Thunderbird Classic Pro. A modern sounding bass against a more vintage sounding bass both with humbucker pick up.

I prefer the Tbird, but they sound pretty similar through AirPods. The Fender sounds surprisingly (at least to me) good.
 
I wonder how much of the sound difference is the strings. Fender strings can be bright like the Meteora sounds. Slinkies are a little tamer, like the Thunderbird sounds.
SIT Power Steels or the stainless Dunlop Marcus Miller Superbrights open up Tbird Plus pickups quite nicely. But nothing wrong with EBCFs. I’d like to hear the difference between the two played between the bridge and neck pickups.