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Thunderbird Club

Been quiet on here all weekend so thought I would bump the thread with a pic of my newest flock member. I picked up this Epi sunburst TBird on Saturday. Wasn't planning to buy anything, just sort of happened. I really liked how dark the burst was compared to a lot of others I have seen. Some tend to have more of an orange tint to the finish. This looks nice and dark in person and the black guard sets it off nicely IMO. Someone added a kill switch, but you have to keep it pressed for it to kill the signal. That will get sorted out with a proper switch at some point. I have a Dimarzio Model 1 that I might use to replace the neck pickup. Been wanting to use that pickup in something for a while.

P1010188_zpsb0ba1fdd.jpg
 
Been quiet on here all weekend so thought I would bump the thread with a pic of my newest flock member. I picked up this Epi sunburst TBird on Saturday. Wasn't planning to buy anything, just sort of happened. I really liked how dark the burst was compared to a lot of others I have seen. Some tend to have more of an orange tint to the finish. This looks nice and dark in person and the black guard sets it off nicely IMO. Someone added a kill switch, but you have to keep it pressed for it to kill the signal. That will get sorted out with a proper switch at some point. I have a Dimarzio Model 1 that I might use to replace the neck pickup. Been wanting to use that pickup in something for a while.

P1010188_zpsb0ba1fdd.jpg

Nice vintage burst... Is that a regular bolt on Epi?
 
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The one I have on layaway is a little darker, too. Not as dark as yours, though; that one's unique!

I'm thinking my Goff, TBurt, needs to be wired master volume, blend, and tone. Turning off two volumes is a pain in the butt. Or could I accomplish that with a volume pedal?

Personally I would go with the master volume on the bass over a pedal. Seems less cumbersome overall than another pedal. It's all about the setup you are used to tho.

You like the strings on it or are you thinking about changing them?

It's used and the strings sound pretty dead so I will be replacing them. No clue what strings are on it as there are no color windings on them to identify them.
 
Personally I would go with the master volume on the bass over a pedal. Seems less Proe overall than another pedal. It's all about the setup you are used to tho.

It's used and the strings sound pretty dead so I will be replacing them. No clue what strings are on it as there are no color windings on them to identify them.

I put DR Red Devils on my black Thunderbird and flatwounds on my Pro IV although I sometimes think about putting Black Beauties on instead, but maybe I'll just have to buy a Thunderbird Classic Pro in white and put Black Beauties on that.
 
What's Epiphone use as the factory strings, anyway?
I played a bolt-on epiphone T-bird at Guitar Center Seattle, about two years ago. New, on the wall. It had some nickel plated strings with red silks. Could have been GHS boomers. But I think Epiphone has branded strings that are probably made for them by GHS or daddario or something. Anyway, with the right amp, those bolt-on epis sound pretty damn sweet. I played it on an Ampeg micro-cl stack and could not believe how awesome it sounded. I almost bought the whole setup. bass, amp, and cab. I couldn't stand the discomfort of the t-bird shape, however. So I buried it in my mind and didn't buy it.

I still think about it >_>


*I've found that basses with striped mahogany nearly always sound pretty good, if not great. I've got a schecter ultra bass (it's like a cross between a tele and a t-bird) with striped mahogany wings and that thing sounds super sweet. I can't get rid of it, despite some idiotic design issues. It does balance super well, however!
 
That Ultra Bass is cool lookin'. What are the design issues?

The fretboard is 16" radius, but I'm pretty sure the tun-o-matic bridge is radiused to 12 or 14 (see: no individual height adjustment). So you can't get a perfect setup. However, Fodera strings (balanced tension and flexible round core) have mostly stepped around the issue. Although the A and D string still feel a little too high, the balanced properties of the fodera strings minimize the setup issues.

and the headstock is not angled enough. So you have to string it up with as much string as possible, maxing out the tuning pegs, to get as much downforce as possible. Otherwise the strings vibrate in the nut. Most especially, the E string.

A string tree would fix this, but I haven't done it yet.

although the frets are level, they are not rounded. They are more like a rhombus shape.

It is a very cool bass. I really like the way it looks (especially in the vintage burst and I'm not normally a vintage burst fan), it balances well, the stock emg pickups are actually pretty darn good and don't sound like I'm used to EMGs sounding. and the Tune-o-matic bridge gives a very interesting response to the strings when you play them. It won't win any sustain awards, but I think that's part of why it works. It has some sort of natural sustain muting properties which somehow translates into predicable, controllable 'punch', at your finger tips. In a way that I can't get on my other basses.

* I will get a couple of pics sometime soon.
 
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I put DR Red Devils on my black Thunderbird and flatwounds on my Pro IV although I sometimes think about putting Black Beauties on instead, but maybe I'll just have to buy a Thunderbird Classic Pro in white and put Black Beauties on that.

That's what i did - put Black Beauties on my white Classic Pro - Looks and sounds amazing! :)
 
I use the .73 too, they hold up pretty well but then I'll look at the one I've been using and it'll be all rounded off.......
 

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