I was in a bit of a strange musical place back then. I wasn’t a fan of hair/glam metal and while I’m not stupid enough to ignore the impact and importance of Van Halen, I didn’t own any of their albums. Nor was I into straight ahead punk when it was new and vibrant. Nor was I a big prog fan with the exception of Beat-era King Crimson. Besides consistently re-visiting the Allman Brothers’ Live at Fillmore East, the John Coltrane Quartet's Live at Birdland, and Miles Davis’s Pangaea, I really liked Keith Richards’ Talk is Cheap, Steve Earle’s Copperhead Road, Midnight Oil (punk influenced), INXS, GnR, and Iron Maiden (sort of a dual guitar substitute for the Allman Brothers + horror movie lyrics).
We were living in Japan from 1982-1991. One of the many great things about that was the availability of records that were out of print and largely unavailable in the US such as the entire discographies of the Ventures, the Meters, Booker T and the MGs, etc., so in many ways, I spent more time living in the musical past than the present.