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Thunderbird Club

good to hear Donnie! Ashdowns are fast and have a high damping factor, two attributes that further highlight the pluses of TBird pups…haven’t tried the 64 through mine but every other Bird sounds stellar though it…..
That's interesting about the Ash down and the 'Birds. Maybe I should go find some YouTube clips, there's probably something.
Another subject: I recall some chat about three point bridges, and that the Gibsons were made of actual steel while the Epis were made of pot metal. I'm just checking here to confirm that... I'm talking to a dude in the UK who's got one for sale.
Now, if this is true, would a Gibson fit into the stud/insert spacing on an Epiphone?
 
That's interesting about the Ash down and the 'Birds. Maybe I should go find some YouTube clips, there's probably something.
Another subject: I recall some chat about three point bridges, and that the Gibsons were made of actual steel while the Epis were made of pot metal. I'm just checking here to confirm that... I'm talking to a dude in the UK who's got one for sale.
Now, if this is true, would a Gibson fit into the stud/insert spacing on an Epiphone?
Epiphone use metric sized bolts / posts, Gibson does not. But you can mix and match I believe, if you already have the correct posts for your bass
 
Epiphone use metric sized bolts / posts, Gibson does not. But you can mix and match I believe, if you already have the correct posts for your bass
Thanks Geoff, after one of the Epi bridges' hooks snapped on me I'm wary of them now. If the Gibson is better metal then snagging the one in looking at is a happening.
Maybe I'll end up replacing the rest of them too...
 
Gee Marshall, that is a wild ride.
I hope all continues to be well
They’ve all been about twenty miles south where there’s a big outlet mall and where they’re building a big Indian Casino.
 
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Thanks Geoff, after one of the Epi bridges' hooks snapped on me I'm wary of them now. If the Gibson is better metal then snagging the one in looking at is a happening.
Maybe I'll end up replacing the rest of them too...
There's no ready info I've been able to find that the metal the Gibson bridges are made of is different than the Epiphones. Hm.
Ok another, related q... I can't remember what they're called, but you know those little metal bars with holes drilled for strings, at the same spacing that's on the three-point bridges? They're used as a spacer at the back of the bridge, specifically to keep the silk/wrapped end of the string from sitting on the bridge saddle.
Anybody know where to get those? Or do I have to make them myself... (fine...)

I should spend more of my online time allowance on this site...
 
My version of a Pedal board.
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Yikes! I'm 15mins away from our rehearsal space... sorry man.:sorry:

I did have to drive those kinds miles to rehearse at one point.., but it was always worth it. I hope you can say the same.
When I joined the community concert band, I lived maybe 6 miles from rehearsal. I moved. I stay with it 'cos I mostly enjoy it and it keeps my reading chops up to date. I used to go every other rehearsal, but I've been going to all of them for awhile. After this concert(8/20)I may go back to alternating weeks.
 
That's interesting about the Ash down and the 'Birds. Maybe I should go find some YouTube clips, there's probably something.
Another subject: I recall some chat about three point bridges, and that the Gibsons were made of actual steel while the Epis were made of pot metal. I'm just checking here to confirm that... I'm talking to a dude in the UK who's got one for sale.
Now, if this is true, would a Gibson fit into the stud/insert spacing on an Epiphone?
I don't know what you will find on YT that will be helpful (I really didn't), but can confirm I love my ABM head. Everything sounds to varying degrees great through it, and it sounds great with any of my 3 cabs. I used a '71 Jazz at rehearsal last night and it was the least impressive of everything I used thus far. I didn't go the the Ampeg head, but going from memory I think it likely sounded a tad better for that bass. May change strings on the Jazz or just use the Ampeg when I want to play it. This is not to say it didn't sound really good. I haven't played every bass though the ABM yet, but I can say I think I could be happy with just it as my main head. My best bass ('64 Thunderbird) sounded almost as good as through the Ampeg and the Ashdown "fixed" a few basses I was not happy with. So, yeah, I think I could live with it only. But won't and will use whichever head I'm in the mood for.
 
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That's interesting about the Ash down and the 'Birds. Maybe I should go find some YouTube clips, there's probably something.
Another subject: I recall some chat about three point bridges, and that the Gibsons were made of actual steel while the Epis were made of pot metal. I'm just checking here to confirm that... I'm talking to a dude in the UK who's got one for sale.
Now, if this is true, would a Gibson fit into the stud/insert spacing on an Epiphone?

There's no ready info I've been able to find that the metal the Gibson bridges are made of is different than the Epiphones. Hm.
Ok another, related q... I can't remember what they're called, but you know those little metal bars with holes drilled for strings, at the same spacing that's on the three-point bridges? They're used as a spacer at the back of the bridge, specifically to keep the silk/wrapped end of the string from sitting on the bridge saddle.
Anybody know where to get those? Or do I have to make them myself... (fine...)

I should spend more of my online time allowance on this site...
As RedVee mention, the posts are different between the Epi and Gibsons. The post inserts are also different from each builder. I do not believe that either bridge is a direct replacement for the other.

The Mod Bar is the extender for the 3 point bridges and can usually be found on eBay.
 

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