masters....these guys....way old school..I love playing reggae but really suck at it. Seems with reggae (more so than other genres) it’s all about the notes you DON’T play. I really have to focus on laying back, relaxing, and holding back.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
masters....these guys....way old school..I love playing reggae but really suck at it. Seems with reggae (more so than other genres) it’s all about the notes you DON’T play. I really have to focus on laying back, relaxing, and holding back.
Oh my!Here's a nice blue Lull
![]()
They were around for several years. Fugly headstocks IMO, in different shapes depending on the years.I don't believe I had heard of the Epi Accu Bass before today. It's basically a Fender Precision Bass, hence the name. A P-Bass with a great bridge, from what I have read / can see. Anyone here play one? Just curious how similar to a P it feels and plays. Do you feel like you P'd?
I’m thinking of buying this Tokyo Thunderbird, what are your thoughts on if this is worth the money?
www.facebook.com
I'd want to know what pickups those are and whether a preamp has been installed. Otherwise why are there push-pull pots?I’m thinking of buying this Tokyo Thunderbird, what are your thoughts on if this is worth the money?
www.facebook.com
Appear to be the EMG TBTW.I'd want to know what pickups those are and whether a preamp has been installed. Otherwise why are there push-pull pots?
So blue indeed.
I so love that song!
Well we’re on the subject of the Jayhawks, here’s another one from them. Well sort of anyway; it’s actually from the Golden Smog side project, but they’ve featured it live many times.
Nikki worked for them for a time.I interned at Rykodisc in the mid-'90s. I remember Golden Smog from then. But the Jayhawks were a favorite among some of my friends from there.
Nikki worked for them for a time.
Band I was in crashed at a house shared by members of the Jyhawks and Dave Pirner (Soul Aslyum). Our "roadie" took a bunch of mushrooms and stood in the street firing roman candles at passing traffic.I interned at Rykodisc in the mid-'90s. I remember Golden Smog from then. But the Jayhawks were a favorite among some of my friends from there.
L.A. I believe she worked on boxed sets IIRC.Salem or Minneapolis? I was in Salem.
I think they are plywood (not that there’s anything wrong with that), some have the old Epi 4 inline headstock and some have the Explorer style headstock.I don't believe I had heard of the Epi Accu Bass before today. It's basically a Fender Precision Bass, hence the name. A P-Bass with a great bridge, from what I have read / can see. Anyone here play one? Just curious how similar to a P it feels and plays. Do you feel like you P'd?
P bass with a funky headstock. Basic, p-like axe. Not remarkable in any way that I notedI don't believe I had heard of the Epi Accu Bass before today. It's basically a Fender Precision Bass, hence the name. A P-Bass with a great bridge, from what I have read / can see. Anyone here play one? Just curious how similar to a P it feels and plays. Do you feel like you P'd?
Good point. Learning "not" to play is something that I don't think comes very naturally and must be developed, so most anyway. I know I have to think about it and where the nothing might actually sound better.It’s a good exercise to not play notes.
Grooving in reggae also depends on the interplay with the drummer.