I had not thought about Lace Alumitone pickups with a preamp. They are about as transparent as pickups get. You don't get coloration, just what your hands do and where they are on the string. They sound modern. You might call them sterile sounding. I think they are interesting to play with, though. That's what's in the fretless 'Bird.
Brooks did a 12 string Alumitone bird IIRC, so I’m less inclined to go that route. Looking for something that probably hasn’t been done on a bird. I’ve listened to a lot of Alumitone equipped basses and most seemed to lack the thick bottom end I like. That’s why I was considering an active preamp, but I have to admit I’ve never heard an active Alumitone set up before, so it might be really cool.
I'm very curious about Serek's LZN-B90 pickups, which he sells separately. They're his bass version of the P-100, which is a humbucker version of the P-90.
Full and warm with a touch of single-coil bite, the B90 will hold its own in any single-pickup bass.
serekbasses.com
Interesting pickups. I haven’t researched them at all but the cream ones with cream trim rings might be an interesting look on a blonde bird. I’ll have to try and find some sound clips.
Grabber sliding pickup system.
Never played a Grabber before but the concept always seemed interesting. Not sure if the Grabber pup positions have a major impact on the sound or if its just more nuance. Unfortunately it’ll eat up a lot of flame top real estate on the bass and may be better suited to the flat top NR vs the raised center reverse.
If I went grabber that’s the route I’d go.
The Ric, Outlaw, and Stingray/Mudbucker combo all sound intriguing.
I agree. I’d have to double check the dimensions on the Ric horseshoe pickup to see if it would even fit on the raised center section of the reverse. The Outlaw tribute was my original plan but the more I look into it the more I think the MPC cartridges could get pretty finicky, they don’t seem like a particularly robust design. But as a non pedal player it looks kinda fun to be able access flanger, overdrive, octave and other effects without being tied to a pedal board. The stingray/mudbucker arrangement would offer some very interesting opposing sounds the might be very cool blended through a two or three band preamp.
I always loved that design. Doesn't look great but liked the flexibility. Used a Grabber way back for a while. However, in this case I would want to not take away any more from the beautiful wood as possible. Otherwise, completely I agree.
I agree, and as I noted, it’s already been done, so I’m less likely to go this route.
I thought Lakland had the right idea with their preamps in that you could set the mid freqs in many different positions.
Nordy Big Singles would sound good. I have one (J bridge position), in the Modern take of a '55 Pbass along with the normal pup. I like Nordstrand from my experience with that bass. Their 2-Band pre is nice as well. Very minimal color added.
Big Single 4
Nordy has some great stuff. I have their Zen blades in my pink sparkle NR. Sounds great with the East preamp.
And an Alumitone bird as well. Both came out great.
My first inclination is to say Ric pickups, but that might be better with a 32 or 33” scale.
I like the idea of a Mudbucker and another pickup with both into a preamp to allow for balancing/blending without loading interactions.
Love the sound of a Mudbucker. Love the sound of a Stingray. Combining the two might be too much of a good thing or it might be pure bliss. I have a test mule and a spare stingray pickup and preamps, I’d just need to buy a vintage Mudbucker to see how the combo sounds. I know the Mudbucker can be pretty overpowering so it would be interesting to find out how well it blends with the Ray pup, an active preamp would be essential for the loading or possibly a dedicated volume and bass treble stack for each pickup. Years ago I worked with John East to build a similar custom preamp for a stingray/P bass build I did. It came out great.