I play for free and play only originals, with and odd cover for fun. Mostly it’s only cover bands that get paid, and the rare bands that have a regular and somewhat reliable draw.Now, nobody will let you play for free unless you play covers.
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I play for free and play only originals, with and odd cover for fun. Mostly it’s only cover bands that get paid, and the rare bands that have a regular and somewhat reliable draw.Now, nobody will let you play for free unless you play covers.
Back in the 70’s when I was in high school- local rock radio only played the live version of “Frre Bird”. I remember being surprised when I first time I heard the studio version thinking how low energy it was-The home of great bass players.
He used a something of similar pattern on Prime Time by RCB, but it has a different feel. I stuck it in a song we do at church.
Story goes, Ronnie never cared for Ed's bass playing much and fired him from that and moved him to guitar and went and got Leon back in the band.
I was listening through their albums a few weeks ago (as going-to-sleep music), and it got me thinking that Tuesday's Gone from the live album might be my favorite bass song. It's also probably my second favorite guitar lead. For anyone who has only heard the studio versions of Freebird, Gimme, Tuesday's Gone—or really any of their songs—I strongly recommend checking out the live album versions, which far surpass the studio recordings. If you've only heard the studio versions, you're missing how these songs should sound and how they truly came alive in performance.
Ed was such an humble guy admiting that he was riding on Gary Rossington’s coattails when he came up with the iconic “Sweet Home Alabama” riff-The home of great bass players.
He used a something of similar pattern on Prime Time by RCB, but it has a different feel. I stuck it in a song we do at church.
Story goes, Ronnie never cared for Ed's bass playing much and fired him from that and moved him to guitar and went and got Leon back in the band.
I was listening through their albums a few weeks ago (as going-to-sleep music), and it got me thinking that Tuesday's Gone from the live album might be my favorite bass song. It's also probably my second favorite guitar lead. For anyone who has only heard the studio versions of Freebird, Gimme, Tuesday's Gone—or really any of their songs—I strongly recommend checking out the live album versions, which far surpass the studio recordings. If you've only heard the studio versions, you're missing how these songs should sound and how they truly came alive in performance.
He always did.Ed King stands out like a sore thumb....
So your own music wasn’t original. Huh.we used to stick out because we tried to avoid originals as much as possible and play our own music. Funny how people would ask "who did that song" and be surprised when we said we did.
There is a lot of that out there!So your own music wasn’t original. Huh.
Yes. The live versions are massively better. I never thought the early albums sounded all that great, overall. Not to mention on the live album is the best version of Crossroads that exists.Back in the 70’s when I was in high school- local rock radio only played the live version of “Frre Bird”. I remember being surprised when I first time I heard the studio version thinking how low energy it was-
Ed was such an humble guy admiting that he was riding on Gary Rossington’s coattails when he came up with the iconic “Sweet Home Alabama” riff-
No, once we did one we just covered ourselves.So your own music wasn’t original. Huh.
You're going about this wrong Andy. Ask for a Greco pickup so you can see the back.Does anyone have a picture of the back of one of the Greco Bird pickups they could share?
I could probably shoot a pic and post it tomorrow. I have a 1977 and a 1990 which one do you want a photo of?Does anyone have a picture of the back of one of the Greco Bird pickups they could share?
Whichever is easiest to get to. I was just hoping that someone had a pic of one out of their bass for a comparison.I could probably shoot a pic and post it tomorrow. I have a 1977 and a 1990 which one do you want a photo of?
I’m curious too.Whichever is easiest to get to. I was just hoping that someone had a pic of one out of their bass for a comparison.
some pay to play around here, different in Nashville, bands get up and do 4 hour non stop sets! Then the next one gets up and so on....in many cases the establishment pays somewhat of a fee but not always, all about tips which they all carry in big plastic paint cans they use for tip jars lol....boy do they hustle too...saw this young band get 100 bucks into the tip jar from different folks to play Freebird when someone jokingly requested it, (clearly a common occurrence) which they half azzed pulled of with one single electric guitar.....Now, nobody will let you play for free unless you play covers.
enjoyed doing that for awhile but it got old....I got paid to play for the first time at 15 and liked how that felt, I can read and have a (not to boast) fairly large repertoire that I can play in most keys, that right there, is marketable.....I feel lucky to have played internationally and made a living doing it ( often in places as an "illegal alien" where I didn't speak the language) playing for celebrities, being paid to record etc.... can't really compare the two imho...I'm not a song writer, I'm a player...I play for free and play only originals, with and odd cover for fun. Mostly it’s only cover bands that get paid, and the rare bands that have a regular and somewhat reliable draw.