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Thunderbird Club

The 4005 used to be the other bass I wanted (apart from the 4001/3). Rare and expensive and no longer on my list. I left Ric Land and I'm never going back.
But you gotta admit, they’re cool looking!
98147C65-43DC-447E-8ED0-B60BFCB0F513.jpeg

Want rarer still, go all out on a double bound

Rickenbacker 4005WB 1967 Fireglo Pro Refin. w/OHSC Rickenbacker 4005WB 1967 Fireglo Pro Refin. w/OHSC
 
@dukeorock - great sound clips! Just got a chance to run them through my GK 210 practice rig. Surprising how similar the first two sound. All three sound great but the third (with the BB strings) is noticeably more laid back in the mix and slightly more mid focused where as the other two seem to have a broader tone with more top and slightly more bottom end (at least to my ears).

With that in mind I would think the Cataldo and older bird would be perfect for songs where you want the bassline to stand out a bit more, the BB strung bird may be a better fit for a more supportive background and less flash role.

Here's my golden standard for a very forward bassline. Keep in mind this is a David Gilmour song, which means people typically tune into it to hear David (not the bass player). The first time I heard it my initial thought was the bass is walking all over Gilmour, I'm surprised he let that happen - but I like it.

Would love to hear the Cataldo or your early bird on this song.


Well stated - to me that's how I want to sound in a mix. (level) As Jerry Wexler (the man who coined the term "R&B" and produced hits with Aretha Franklin and countless others) said when asked what he wanted written on his grave-stone, he replied; "more bass". I have a feeling if anyone would know where and how bass sits in a mix - it would be him.
 
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But you gotta admit, they’re cool looking!
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Want rarer still, go all out on a double bound

Rickenbacker 4005WB 1967 Fireglo Pro Refin. w/OHSC Rickenbacker 4005WB 1967 Fireglo Pro Refin. w/OHSC
Yes, they are. If I wanted a bass guitar to hang on the wall and look at, that would be the one. Probably not that one, since I think putting binding on the back side is silly and I'm not a fan of Mapleglo. But, I would happily take a Fireglo 4005 and hang it up somewhere to look at. It could be an unplayable Chinese copy, since it would never get played. The only flaw in this plan, aside from real cash dollars, is the lack of enthusiasm my wife has for guitars of any kind as a decorative theme through the house. She thinks they should all stay in the music room instead of leaking out to occupy every room. Sheesh! She doesn't have any bad habits I could use as leverage, either. It's the downside of marrying the perfect woman. So, no 4005 for me. Not even a fake.
 
Been playing around with the VP(that might become her name,VP, not sure yet) this thing has some serious tone that I havent heard from my other basses. Im really diggin her sonic abilities.

Side point:
I also ordered a epi bird cage for VP, the new design with the head a couple inches narrower that the tail. VP hits the end with the headstock! I sure wish when they designed this case they made the bleepimg thing one imce longer!
 
I do. The Gibson G3 RI is similar to a Ric as well.

I love G3’s...Sorry, Scot!
There’s one song on the Prayer Flags record that I used an ‘81 G3 on. Also used an ‘84 Peavey T-40 on some tunes, which can sound a lot like a Ric. Great tone for recording if you want the bass to be heard :)
 
Cool article with lots of ‘Bird content

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Interesting to see early EB-2s on the list. I didn't realize the early ones were more valuable, but that makes sense. Mine has an unbroken neck, but the wiring is modified and the pickguard is long gone, so it's no collector's item. It's got a wonderful warm thump that is backed off from what it would sound like with a mudbucker. It sounds like red-brown mahogany with a just sanded, unpolished quality. It's a more tactile sound than just about anything else.