- Jun 30, 2010
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- Disclosures
- musician/artist/owner - Gildaxe
Oh, I'm not disparaging Cream, they're one of my favorite groups, but live they would go in all sorts of directions, each soloing, and while I love Bruce's playing, idk if a solid foundation is what he did. His playing was very angular and he was frequently doing runs all over the board, with off-kilter fills and odd note choices, though on their studio output he certainly played it a lot ore straight. I mean it worked, and he was always "on-time" (though playing around the beat), but when I think solid bass foundation, I think JPJ. I think to understand Bruce's playing you really have to view it from a jazz perspective, especially when it comes to note choice and placement, as well as how Cream played off each other in their extended improvisational pieces (Spoonful, I'm So Glad, Sweet Wine). As bluesy as his playing was, live I think you can really hear the influence of Bebop, where he's playing something completely against the beat and melody and venturing into atonality.
You can hear some good examples on Wheels of Fire and here:
I agree - JB and the way the trio extrapolated was closer to jazz than rock in it's form. Volume made it rock. Can't really compare them to other rock groups of that time that 'jammed' rock - jamming in jazz is part of what jazz is supposed to be.

