3 more ribbon mics to test! This is going to be a fun day![]()
Sounds like a tragedy Mark. I feel for you, really I do.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
3 more ribbon mics to test! This is going to be a fun day![]()
There is a certain amount of rivalry amoungst any two Ontario-based teams - such as the rivalry between the Toronto Argos and the Hamilton Tigercats (Canadian football, which is like American football, but complicated by the metric system). But like 99% of Canadians, I didn't even know that there was Rugby League here. His challenges far exceed any local rivalry. In professional lacrosse, of which at least 50% of the population is aware, tickets are dirt cheap. So as a business venture, start up sports leagues and their teams (and perhaps established leagues and teams for that matter) are more vanity projects than investments.
Cool!Thanks, I saw that and that's where I'm going always wanted one and I prefer the 2018 with the Babicz bridge and it's over a grand cheaper.
Somebody has to be the ribbon mic crash test dummy. Somebody else has to do the other stunts.Sounds like a tragedy Mark. I feel for you, really I do.
Great buy for a new Gibsin with the Babicz factory installed. Enjoy it and welcome to the club!Thanks, I saw that and that's where I'm going always wanted one and I prefer the 2018 with the Babicz bridge and it's over a grand cheaper.
RIP Scott Walker
That's a pretty amazing little tool.A few weeks ago I asked the GenPop for advice on a small, portable wav player for triggering samples and loops. The concensus was 'use a laptop or a tablet' which really weren't the solutions I was seeking and I walked away pretty quickly.
Ribbon mic and Bird enthusiasts, I give you the Roland SPD One Wav pad - 12/24 selectable wav files in a small form factor, operable by drumstick, hand or foot. Clamp on to a mic stand or on the drum kit and you have instant amazeballs!
Invalid Link Removed
That's a pretty amazing little tool.
could your interpretation of 'smear' be brake up? overdrive?Ok, did a quick voice/speech test on 6 different ribbon mics. 3 of them are vintage Shure 330’s. With decent earbuds or headphones, the differences should be apparent
[Invalid or Expired Link Removed]
My takeaway
1. Shure 330 ‘Uni-Ron’ ($500ish)- very smooth and even. Not a ton of low end. Could be a really nice drum overhead.
2. Shure 330 ‘Uni-Tron’ ($500ish)- very similar to the ‘Uni-Ron.’ Nice mic!
3. Shure 330 ‘Uni-Tron’ ($500ish)- VERY different from the other two. Has more of an SM57 kinda vibe
4. AEA R84 ($1,100 new)- very classic ribbon thing. Big lows, muted highs. Probably the darkest sounding of the bunch, but not in a bad way. Vintage RCA vibe.
5. Avantone CR-14 ($260 new)- the only Chinese made mic in this test. Highest output next to the Stager. I actually like this mic a lot and am tempted to grab a second one for stereo stuff and drum overheads. Nitpicking, I’d say the mids are less articulate and sometimes sound a bit ‘smeared’ compared to the others, but a fantastic value and really nice mic.
6. Stager SR-3 ($1,500 new)- the Stager starts with the RCA 44 concept, but shaved off a lot of low end and adds presence to the original design. Incredibly well made too!
For voiceover work, my favorite would possibly be the Stager, depending on the voice. The Shure 330 ‘Uni-Ron’ would be my second, followed by the Avantone for most voices. I still think the AEA has a certain ‘authoritative’ quality over the others, but that’s not always what’s needed
could your interpretation of 'smear' be brake up? overdrive?
or...Take your pick:
Ahem!
Or
That's what she said.
@dukeorock, you should hit up the OPR bloke for a demo Rocket.
1. sounds very warm, but just right in all areas. This would be reallly nice for a podcast or an ebook.Ok, did a quick voice/speech test on 6 different ribbon mics. 3 of them are vintage Shure 330’s. With decent earbuds or headphones, the differences should be apparent
[Invalid or Expired Link Removed]
My takeaway
1. Shure 330 ‘Uni-Ron’ ($500ish)- very smooth and even. Not a ton of low end. Could be a really nice drum overhead.
2. Shure 330 ‘Uni-Tron’ ($500ish)- very similar to the ‘Uni-Ron.’ Nice mic!
3. Shure 330 ‘Uni-Tron’ ($500ish)- VERY different from the other two. Has more of an SM57 kinda vibe
4. AEA R84 ($1,100 new)- very classic ribbon thing. Big lows, muted highs. Probably the darkest sounding of the bunch, but not in a bad way. Vintage RCA vibe.
5. Avantone CR-14 ($260 new)- the only Chinese made mic in this test. Highest output next to the Stager. I actually like this mic a lot and am tempted to grab a second one for stereo stuff and drum overheads. Nitpicking, I’d say the mids are less articulate and sometimes sound a bit ‘smeared’ compared to the others, but a fantastic value and really nice mic.
6. Stager SR-3 ($1,500 new)- the Stager starts with the RCA 44 concept, but shaved off a lot of low end and adds presence to the original design. Incredibly well made too!
For voiceover work, my favorite would possibly be the Stager, depending on the voice. The Shure 330 ‘Uni-Ron’ would be my second, followed by the Avantone for most voices. I still think the AEA has a certain ‘authoritative’ quality over the others, but that’s not always what’s needed