Can't play a cowbell and tambourine at the same time.
Sure you can.
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Can't play a cowbell and tambourine at the same time.
Can't play a cowbell and tambourine at the same time. Plus, that's the 'percussionists' job.![]()
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I have one word for your singer - tambourine![]()
Better movie, too.unquestionably a better soundtrack than on any of John Wayne's westerns..
Had Tannoy dual concentric hifi speakers for a long time now. Once you go dual concentric, there's no going back.
A singer I played with disappeared into the audience at one point. She was good and lit, which is another story, but when it was getting on time for her to come back in, I looked at the drummer, she looked at me, and we both looked at the guitarist, all deciding what we would do if she was not around. She materialized somehow just in time. That was only one thing she did during a performance that could have been a complete disaster but miraculously wasn't. She's given up drinking now. That's good.That's the point.
My drummer admonished me -- 'you can't have the singer hanging around for 32 bars'. Why not? She should think of something to do. Crawl into the audience and bite them or something.
I also made a bunch of records in the 90’s at a particular studio in Chicago that had a massive pair of Tannoy mid/far fields that were quite nice. Weighed about as much as a Toyota and twice as expensive, but they were nice speakers.
I wouldn't know just yet. I have been living with a pair of Klipsch Heresy speakers for close to 40 years. The place where the record player (yep, records) is these days doesn't lend itself to ideal sound. I'm thinking about taking the Klipschs into the basement and using them with a smallish power amp to replace the truly crappy speakers that sit on my desk next to the computer. I can't say that listening to recordings we make is much fun on those. It's not conducive to doing anything useful with the recordings, either.Had Tannoy dual concentric hifi speakers for a long time now. Once you go dual concentric, there's no going back.
Listen to a pair of Barefoot MM27’s and tell me there’s no going back to dual concentric
I love some of the older Tannoys. First studio monitors I was ever blown away by, in fact. But that was in the early 80’s and I I had very little to compare them to, in retrospect. I also made a bunch of records in the 90’s at a particular studio in Chicago that had a massive pair of Tannoy mid/far fields that were quite nice. Weighed about as much as a Toyota and twice as expensive, but they were nice speakers.
In 2019, based on what I’ve heard, my list of heavy hitters these days would be
Barefoot
ATC
Focal
Adam/HEDD
Possibly in that order
A lot. A whole lot. Except it was tuners, not the bridge. Tuners are safe for inhalation.Prop 65
"The bottom line: We believe that our hardware is very safe provided you don't inhale large quantities of it."
Sound (sic) advice, indeed.
What's the largest amount of Hipshot bridge you have personally inhaled?
A lot. A whole lot. Except it was tuners, not the bridge. Tuners are safe for inhalation.

Two tambourines. Rhythmically shake them and on a downbeat-- correction, on an upbeat, slam them together... repeat... all kinds of good gags for tambourines.I have one word for your singer - tambourine![]()
Two tambourines. Rhythmically shake them and on a downbeat slam them together... repeat... all kinds of good gags for tambourines.
Read a good description of the percussion on the Jean Genie recently = 'rattlesnake percussion'. I want rattlesnake percussion.
And if you're not the bass player, while on a small stage with a Thunderbird nearby, more likely to inhale.
That's always a challenge. Welcome to my world. At that gig that Jeff came to, I was battling it out with a speaker shelf, though.I'm claiming stage left as my domain -- keep ppl away from the Birds. The session we had with the left handed guitarist had a few nervous moments when she walked towards the Orville.