All original ?
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I wouldn't change out the yellowing pickguard. That's where all the good tone is coming from. That's SCIENCE!!!![]()
Maybe. The bridge PU cover/can is very old chrome not the nickle everywhere else. I don't know if it's just the can or the whole PU. Scott got a good look at it and thought the PU is most likely from a 60s nonreverse or it very possibly came from the factory like that. The Epi Embassy's (same PUs chrome cans), were made in the same factory so it's possible they grabbed one from there. I think it's likely from a nonreverse and that the original might have died and that was all that could be had at the time. It's been in there since about 1981/2 when I bought it. It sounds so good I wouldn't change the PU if I found a sure fire original. (I am thinking of running it over to RS Guitar Works and have them but a nickle can on the PU.) It's also have the obligatory headstock/neck repair. Never been an issue.All original ?
Yup, I was thinking about doing the same for my Epi Pro 5er, the stock bridge seems to be adequate although the tuners most definitely need to be replaced. From what I understand "Leo Quan" was supposed to have made the bridges for that series, don't Know it true or not, speaking of them, it sure is a shame that no one picked up the torch after Leo's passing IMHO nothing sounds like a "Bad Ass "Wanna see that !
(...) It's also have the obligatory headstock/neck repair. Never been an issue.
I don't know of any solid data to go on. Many, maybe more than half of the old (60s anyway) have had a repair I would think, given what you see forsale. I would like to think that the newer Thunderbirds are maybe a little less susceptible and some tweaking has been done to strengthen that thin area around the nut. But I'm not sure about that. All are prone to it, largely due to the headstock leaning back and the neck just being thin like a Jazz. Lay one down without support and the headstock with bear the weight and apply unintended pressure on that thin neck around the nut area. Not a real problem, but drop one flat or bang it hard on something and it's more likely to crack than most other basses it seems. Fender's are flat and require a string retainer, doesn't look as nice, but they don't have the rash of headstocks breaking either.Is this applicable to all Birds or only the early ones ?
That's a Thunderbird for ya! That is great to hear. I've used TIs on my '76 and they sound really, really, good as well.Stumbled accidentally into the bass tone that’s been in my head for my current band (rock‘n’ roll w/ a punk edge) the other day while on holiday...
2019 Gibson Thunderbird, TI jazz flat strings, Fender Rumble 200v3 amp w/ all EQ set flat, “vintage” voicing. Wow. This thing growls! My cheapest (and lightest weight) amp sounds better than my expensive Phil Jones rig? Hmmm...
View attachment 3645967
Rumbles are amazing amps, very underrated.Stumbled accidentally into the bass tone that’s been in my head for my current band (rock‘n’ roll w/ a punk edge) the other day while on holiday...
2019 Gibson Thunderbird, TI jazz flat strings, Fender Rumble 200v3 amp w/ all EQ set flat, “vintage” voicing. Wow. This thing growls! My cheapest (and lightest weight) amp sounds better than my expensive Phil Jones rig? Hmmm...
View attachment 3645967
Totally agreeRumbles are amazing amps, very underrated.
I’m going to try one of these:Shopping Gibson straps.... seriously, 150$ CDN ?!?
Your 7ender amp looks rather Vox-y...Stumbled accidentally into the bass tone that’s been in my head for my current band (rock‘n’ roll w/ a punk edge) the other day while on holiday...
2019 Gibson Thunderbird, TI jazz flat strings, Fender Rumble 200v3 amp w/ all EQ set flat, “vintage” voicing. Wow. This thing growls! My cheapest (and lightest weight) amp sounds better than my expensive Phil Jones rig? Hmmm...
View attachment 3645967
Good eye, as always!Your 7ender amp looks rather Vox-y...
I've never been quite happy with the "bounce" from neoprene straps for some reason.I’m going to try one of these:
Walker & Williams NP-53 XXL Neoprene Padded Airflow Strap Super Long Up To 68" | eBay
I'm curious... what's the TBird holy grail ?
Even though thunderbird necks tend to break...I think that mahogany necks with that straight grain may be less prone to warping or twisting and tend to stay true. This has been my experience. I have had two maple necks go wonky over the years. The cool thing about the zebrabird edition is that the mahogany neck/centerboard is unfinished...an has it's natural almost orange/red color and . I think the natural epi pro may be unfinished as well, not sure...I don't know of any solid data to go on. Many, maybe more than half of the old (60s anyway) have had a repair I would think, given what you see forsale....
And Mt. Rainier, a potentially VERY dangerous volcano. Hope it doesn't blow anytime soon.![]()
My theory is the number of detached headstocks on Thunderbirds is inversely proportional to the number of players that use guitar stands for their Thunderbirds.Is this applicable to all Birds or only the early ones ?
I'd lean to the very first Non Reverse single pup TBird made in the rarest color.I'm curious... what's the TBird holy grail ?
Aim for confusing. Put a Marshall logo on it.Good eye, as always!
The silver-face has a bit too much sparkle for my taste (for my current project), so I've been playing with the grill cloth off (which looks pretty punk rock), but wanted to have some protection for the speakers, in case some idiot (me) accidentally backs up and jams a heel into a speaker (I tend to dance a bit while I play). I got some Vox black diamond grill cloth, and *ta-da*
Not trying to fool anyone, so you won't see white piping nor a Vox logo added (though North Coast Music has everything).