Congrats! The adventure begins! You'll want another one before long.Just got my new 2020 Gibson Thunderbird on Sunday!!!View attachment 3915995
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Congrats! The adventure begins! You'll want another one before long.Just got my new 2020 Gibson Thunderbird on Sunday!!!View attachment 3915995
Here's a little clip to hear my Bird!!!
2 Epi’s and a “Gibson?”Third Thunderbird Thursday..
I’ve put the word out that I was looking for another VP Thunderbird in white..Well I found one and worked out a trade with a fellow member of the FB Thunderbird page..The one on the left will be a “Project”for this winter..even though it’s in mint condition.
It was a little poetic..The Thunderbird arrived via UPS just moments before a massive Thunderstorm hit..Cheers and happy TB Thursday.View attachment 3915886 View attachment 3915887
Interesting. That used to be the case with me but over the last 10 years or so I’ve gone over to favour the studio.
just to confuse things, I really like live DVDs. AC/DC at River Plate... wow.
Of course it is a compliment. What else could it be?But he's going to take it as a well deserved compliment.
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A little Thursday left...
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I have never really thought about the studio vs live question and I have never had a clear preference. But as I noodled it a bit this afternoon, I wonder if the preference stems from two unrelated parts. First, in effect, live albums are a best of. So, you are getting the best songs without the filler that can go onto an album. Second, by removing the studio wizardry, you are getting different, less polished but more raw version of songs. That raw energy may have some appeal.
Although I have not had a preference for live/studio albums, I too have a number of live DVDs/BlueRays. In part because I know that some of these bands will not play live again or at some point will not be able to through death/disability (wow am I glad I have a bunch of Rush BlueRays). And these are the line ups I want to see.
Turn it up and play us a tune!
Not a Gibson of course..it came like that to me in trade..2 Epi’s and a “Gibson?”
Congrats! I love the smell of fresh nitro in the morning.Just got my new 2020 Gibson Thunderbird on Sunday!!!View attachment 3915995
LOVE that stadium..Interesting. That used to be the case with me but over the last 10 years or so I’ve gone over to favour the studio.
just to confuse things, I really like live DVDs. AC/DC at River Plate... wow.
Wonder no more. This is it, at least for me.Second, by removing the studio wizardry, you are getting different, less polished but more raw version of songs. That raw energy may have some appeal.
didn’t know they still made 741s..I was asked to dumb it down. I went for sandbox level.
You don't really want to discuss 1st, 2nd, 3rd, ... , nth order filters and their relative cutoffs in dB/decade and the conversion to db/octave, do you? Me neither.
But I am now thinking about breadboarding a combination adjustable high-pass and low-pass filter. Pretty simple - a few 741 opamps, a couple of potentiometers, some resistors and capacitors...
Maybe if I have a beer the thought will go away.
Thank you. It's my $397 (w/case) Guitar Center deal. '17 Epi VP. Someone here pointed it out and it was too good of a deal to pass up. Not sure what the mystery wood is, but I like the dark better than the light (which is on my white VP).Wow, what model is that burst one? Looks like an ebony fretboard?
None of you wanna hear my mess.
Besides, i listen to this kinda stuff.
Next you are going to tell me that you can't get 555 timers anymore.didn’t know they still made 741s..
Thank you. I had a kCongrats! The adventure begins! You'll want another one before long.
Thank you. The way the Thunderbird growled made me think of playing that song!Love it. Sounding great, sir! And excellent song choice as well as bass choice.
Thank you. That is what all that number stuff was trying to explain, right?BZZZZT! It cuts freqs below that but on a slope (seen clearly in the o-scope image farther down the Wikipedia page). It doesn't actually just cut them hard at the cutoff frequency. Rather, the farter below that frequency, the more they are cut. The slope of the cut is determined by the circuit. In audio, it's typically given as some number of db / octave.