When do we get the Suzi Quatro unboxing? I am especially looking forward to that.
Me too!
Soon...getting sooner every day!
...and from the backseat - Are we there yet? I'm hungry. I gotta go to the bathroom. Are we there yet?
I know I'm preaching to the choir here, but I had a chance to dig into my VPro today and ... whoa. Seriously the best brand new mass-produced bass I have ever played, from any manufacturer, produced anywhere. Setup, fit and finish, electronics, and hardware are all top-notch. Sounds and plays amazing. And all for $700. Makes me smdh when I think about all the other mass-produced basses I have ever played. Why the heck can't Fender or GIBSON or even Music Man do this (to be fair, many of the US-made Music Man basses I have played in stores have been as good, but they cost almost 3x what a brand new V Pro sells for). This thing is a real banger.
I bought one of the very early VP basses back about three years ago when they could be had new for about $600. At that time I yelled as loud as I could that this was quite possibly THE best new bass buy on the market under $1000. I still think that stands. It's a killer model in looks, quality, features, sound, feel, fit, finish and cost. IMHO you really need to currently look at spending $1000 plus dollars to find anything comparable in the new market.
Ok I'll wade in with a question that has probably been asked somewhere in these 8000-odd pages, what's everyone's favourite v-v-t settings for playing rock based music? Having only jammed for a couple of hours with mine I found that having the tone and bridge pup on max and the neck backed off a bit to maybe 7 or 8 gave me what I was looking for. Especially when I went up the neck a bit (ok I don't get past 5th fret that often!), the drummer said it sounded like a bell ringing out (in a good way of you know what I mean) it really did cut through the mix.
If you really want to cut through and have the bass demand attention you're absolutely correct, bridge full on, tone full on and neck backed off just a bit. And for added bliss use a pick, play over the bridge pup, and string it with Cobalt Flats.
I'm more of a pocket player, looking for a laid back, underlying and supportive sound, so I typically do just the opposite. Neck nearly on full, bridge backed way down, tone about half up and playing finger style over the neck pup. If you run across a song in your set list that needs that thick solid background reinforcement give this setting a try, it's equally amazing in the mix.
TBirds can be so much more than almost anyone (who hasn't played one) gives them credit for, a surprisingly flexible beast. I still kick myself for listening to nay sayers and completely overlooking them for countless years, never even giving them a chance. Im in my 60's now, so my best playing years are over but I'm certainly enjoying the heck out of all my birds and really love what they bring to the table sound wise.