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Thunderbird Club

The white one?
Yes, I noticed that too.
I was guessing rarity, but with a side thought that maybe the single pup was 'beefier' than the pups in the IV individually?

No, one down in Melbourne for $850.

Maybe, I haven't got a 2 pickup to compare. The pickup placement must be different, I think. Maybe one day I'll throw a pair of thunderbuckers in my Epi and compare.
 
My T-bird modifications are on hold until I get another job, sadly.

But here's the list of things I intend to do:
1. New chrome or naked brass bridge.
2. Thunderbucker pickups.
3. New brass pickguard with some cool designs by Link Removed
4. New tuners as close to the Imperial style as I can find
5. New truss rod cover maybe?
 
Today has turned out quite well. I have been teasing my brother and sister-in-law that I'm going to turn their son into a drummer. He's OK with it, but she's been less than enthusiastic. Every time my nephew comes over to visit, I let him bash my drum kit for a while. He's really angry when it's time to stop. Today, my brother has started asking for recommendations for a very small acoustic drum kit for the boy to play with and see if he's really a drummer or if it's just a phase. My work as an evil uncle is done! BWAHAHAHAHA!

I went through this with my youngest son, David. I bought him a Tama Imperialstar Acoustic Kit and it was great for him to learn on but we were prisoners to his drumming.

Might I suggest an electronic drum kit... headphones or an amp(turned down) sure has made living with a drummer more tolerable. Craigslist is just full of electronic drum kits often for much less than acoustic drums but it's important to know what you're buying as some of the entry level stuff is junk. Simmons, Alesis come to mind for the lower end stuff and Roland for the higher end.

Here's a couple of pics of my boy's setup.

image.jpeg
image.jpeg


The cool thing about having a kit built onto a tubular frame is that it can be adjusted to the size of the drummer. As my boy grows, I'll just adjust his kit for his longer reach.
 
So who (of brands) made/makes the 'best' Tbirds?
Gibson?
Orville?
Greco?
Epiphone?

I only ask because Greco & Orville get some considerable love. Or is that just because they are an ex-TBird brand?

I've only ever compared the Epi Classic IV Pro against the Gibson bird back to back, and I prefered the Classic IV every time. Grecos and Orvilles (of any kind) are almost mythological creatures to me, so I can't comment on those two.
 
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So who (of brands) made/makes the 'best' Tbirds?
Gibson?
Orville?
Greco?
Epiphone?

I only ask because Greco & Orville get some considerable love. Or is that just because they are an ex-TBird brand?


I don't think there's a good answer here - way too many differences between each of these, they look alike but most of the similarity ends right there. They are as individuals all good basses, with good or maybe better points, like cost, playability. Plus there are really nice Thunderbirds from other builders, i.e. Lull, Cataldo, Hotwire etc.

I'll probably always like my Gibsons best especially the '76s, they aren't always held in the highest regard by some, just my sentmental faves.
 
So who (of brands) made/makes the 'best' Tbirds?
Gibson?
Orville?
Greco?
Epiphone?

I only ask because Greco & Orville get some considerable love. Or is that just because they are an ex-TBird brand?

Gee, that is a thread all in itself. There are threads every other day in the general population on who makes the best P Bass or Jazz. They often end up in flame wars and get closed. The fact that we can discuss TBirds without any of that behaviour is a testament to this club and a sign of the maturity of the members.
Firstly I would probably add the Cataldo, Mike Lull and Shecter TBirds to the list. There are no doubt others.
Gibson has made a number of discrete and quite different incarnations of the TBird at times over the last 50 years or so (several long periods when they didn't make them)- 60s, 70s and more modern- which include a big change in 2015. The pickups have changed at various times along the way and the pickup position is different in the more modern ones. Even a short scale and a studio model at one point. The vintage ones are expensive but so are all vintage basses and some models and colours are not around in the numbers that some of the sought after Fenders are. The more recent Gibsons have been criticised for quality issues arising from poor QC. I have a 2008 and it is a wonderful bass.
There were MIJ Epi branded TBirds from the Elitist Range- very high quality, spec and with US pickups, I think. There is also a plethora of more recent Epiphone models at various price points- some with considerable differences, in construction, pickups and neck specs. Some of these virtually indistinguishable from a US Gibson at a lower price.

As you have asked specifically, the older (late 70s to 90s) MIJ TBirds, notably Greco and Orville (by Gibson) are generally great basses in their own right- high quality build, reasonably authentic vintage look with fantastic pickups IMO. The late 70s Greco TB II in particular is a beast and a wonderfully simple and effective gigging TBird.

Which are best? Really a matter of personal preference and what you are looking for from a bass. Budget is also usually a consideration.
 
I don't think there's a good answer here - way too many differences between each of these, they look alike but most of the similarity ends right there. They are as individuals all good basses, with good or maybe better points, like cost, playability. Plus there are really nice Thunderbirds from other builders, i.e. Lull, Cataldo, Hotwire etc.

I'll probably always like my Gibsons best especially the '76s, they aren't always held in the highest regard by some, just my sentmental faves.

Ha! You posted while I was typing my response. Great minds thinking alike across the planet at the same time.
 
One reason I have so many different Thunderbirds is that I enjoy their differences - They're all cool looking :)
Mine all look about the same, but they are all different in their own ways. I can't describe what's different about them in words, but they all sound different, hang a little different, and feel different. Except the two Epis. One is fretless and the other has a bolt-on baseball bat neck. Those differences are easy to describe. It's great being able to do different things with them while still retaining the 'Bird-ness they have.
 

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