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A cool winter project may come of all this... a distressed grille thing is easy enough to build a frame for, got a wood shop I can go use almost any time.Or you could remove the existing grills and make some black or relic 'd ones.
That way you're not doing anything permanent.
Besides, spray painting grills never works, they always get chipped, unless they're powder coated.
Does Warmoth do a bird body? If so I bet they'd send you one unfinished, maybe even with the raised center... I'd ask them.Ive wondered for a while now, how it would look to take a bird blank(before any routing is done. Flip it over so the lower bout is on top. And essentially rout the pups and neck out of what is normally the back of the bass.
Has anyone done this before?? I can't be the first! My Google Fu has not generated even one picture of one...
Then, where would a guy secure an unrouted blank?
I like it. Life and everything is all about the f-holes. Just saying.
Ive wondered for a while now, how it would look to take a bird blank(before any routing is done. Flip it over so the lower bout is on top. And essentially rout the pups and neck out of what is normally the back of the bass.
Has anyone done this before?? I can't be the first! My Google Fu has not generated even one picture of one...
Then, where would a guy secure an unrouted blank?
I play an upright more than just about anything else, and my only bass guitar was an EB-2 for more than 30 years. Plus, my favorite six string guitbox is an archtop with f-holes. Saying f-holes makes my inner immature little boy giggle, too. Is there any more to say about it?I started out as a 'cellist - f holes and sound post...
It's chambered, not fully hollow.The central string spacing is a little off but I'm scared to monkey with the bridge saddles as I don't know how they connect to the piezo.
The piezos are part of the saddles. There's a tiny wire from each piezo that goes thru the body to the pre. It's not that easy to damage them if you're careful.@Gaolee - I started out as a 'cellist - f holes and sound post...
It's chambered, not fully hollow.The central string spacing is a little off but I'm scared to monkey with the bridge saddles as I don't know how they connect to the piezo.
I started on bass at 17 too. I'm kind of thinking that perhaps it saved my life. Kinda really did, I felt like living as soon as I started. True story.My mother tried to interest me in the piano but I wasn't having any of it. Started cello @ 11, then bass @ 17 (plus a bit of guitar and drums) then gave it all up in my late 30s. Apart from bass I fully intend to go back to cello ... and I'm messing about with an EMS VCS3 synth emulation on my iPad.
Well, you do play a Thunderbird, so that means being contained isn't a priority. I had a long hiatus when my son was growing up and I was spending all my time making money to pay the bills associated with raising a kid, paying the mortgage, etc. There's probably a lot of us like that, and it makes it somehow sweeter to be able to play now.My mother tried to interest me in the piano but I wasn't having any of it. Started cello @ 11, then bass @ 17 (plus a bit of guitar and drums) then gave it all up in my late 30s. Apart from bass I fully intend to go back to cello ... and I'm messing about with an EMS VCS3 synth emulation on my iPad.
I went trombone -> bass -> bass viol. Learning double bass definitely helped by left hand technique a lot. Even though it's not necessary, I still use it on electric.I play an upright more than just about anything else, and my only bass guitar was an EB-2 for more than 30 years. Plus, my favorite six string guitbox is an archtop with f-holes. Saying f-holes makes my inner immature little boy giggle, too. Is there any more to say about it?
My son was in the jazz band in middle school and high school, and I noticed that bass players become bass players from two directions. The female bass players generally moved from cello. The male bass players generally progressed from guitar. That's not a hard and fast rule, but it was consistent enough to be a recognizable pattern. Way back in the 1970s, I moved from piano to guitar to bass, so I conform to the pattern. As a former cellist, you do as well unless you got to cello from guitar or something, even though you are in a completely different hemisphere. It's one of those great mysteries.
Another pattern I have noticed over the years is that bass guitar players divide into those who gravitate back to six string guitars and those who gravitate eventually to playing double bass. It's less consistent, and I play both six string and DB, so there's an immediate exception to the rule. But it is notable.
I play the big fat violin completely different from how I play a bass guitar, and that's completely different from how I play a guitar. Left hand and right hand both.I went trombone -> bass -> bass viol. Learning double bass definitely helped by left hand technique a lot. Even though it's not necessary, I still use it on electric.
I play guitar a bit, too, but it's kinda boring after a while for me.
There's probably a lot of us like that, and it makes it somehow sweeter to be able to play now.
My brother (Marial around here) has gone off on the synth tangent. He's a 7ender Jazz guy, and I just can't seem to get him to come over to the side of truth, light, and angry pianos.
Well, since I don't use a bow on electric, that rules out using the same right hand technique. My hands aren't particularly big, though, so I actually found that using the bass viol left hand technique on electric helped me massively.I play the big fat violin completely different from how I play a bass guitar, and that's completely different from how I play a guitar. Left hand and right hand both.