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Thunderbird Club

Well in keeping with the car association, I think I found the powder blue I'm looking for:

Mustang Brittany Blue
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Although Indian Fire Metallic and Lime Gold are also pretty sweet:

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What can I say, there's something I really love about pale metallics.
I think any of those colors would be a weener!
 
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Adding to the rash of inquiries about pups, etc here...
So far the Deep Sixx pups in my Blackbird seem a tad woofy, not so very tight and nimble. This is after a few more gigs, and comparisons with my previously regular dub-gigger. That may be due on part to the old (maybe a good 10 years now) LaBella 760-FL flats on it. But, I am considering mod options:
1) DiMarzio Model one at the bridge position, as I kinda like a little woof at the sweet-spot, and more snap from the bridge. Probably because I'm used to a P/J setup...
2) Pair of TB+, w/ black covers. This is the "What the hell, let's full-on 'Bird already!"

Open to thoughts... of course I'm going to change strings first- that may put the issue to rest without further mucking about...
 
Is it just cost that has stopped the chrome hardware? It still seems that most people would rather have it than the black

I doubt it's a cost issue, more likely laziness on Gibson's part. Many of the basses they've reissued over the 3-4 years had chrome hardware, i.e. the G-3.
 
If I wasn't changing out the pups on my 'Bird at 0800hrs on a Saturday morning, what else would I be doing?

The two replacement pups are in phase and it makes a hell of a difference. Some minor height adjustments are needed, otherwise this particular saga is over.
Had to order the rings and spacers myself, since Thunderbuckers are way less tall than the stock pickups.
 
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New addition to the flock! I like my Artic White one so much I bought a Tobacco Sunburst from Sweetwater. Really nice grain on this one, it's nice you can pick from a number of basses at SW. It will get the chrome treatment of course.
 
Adding to the rash of inquiries about pups, etc here...
So far the Deep Sixx pups in my Blackbird seem a tad woofy, not so very tight and nimble. This is after a few more gigs, and comparisons with my previously regular dub-gigger. That may be due on part to the old (maybe a good 10 years now) LaBella 760-FL flats on it. But, I am considering mod options:
1) DiMarzio Model one at the bridge position, as I kinda like a little woof at the sweet-spot, and more snap from the bridge. Probably because I'm used to a P/J setup...
2) Pair of TB+, w/ black covers. This is the "What the hell, let's full-on 'Bird already!"

Open to thoughts... of course I'm going to change strings first- that may put the issue to rest without further mucking about...

Changing strings is the easiest/fastest/cheapest mod you can start with.
 
Changing strings is the easiest/fastest/cheapest mod you can start with.
Indeed.

Honestly, people on talkbass seem to love flats, but I've never been able to get into them. Maybe I just don't have an ear for the tonal subtleties, but to me they just sounded like the dead rounds I'd just taken off when I tried them.
 
Indeed.

Honestly, people on talkbass seem to love flats, but I've never been able to get into them. Maybe I just don't have an ear for the tonal subtleties, but to me they just sounded like the dead rounds I'd just taken off when I tried them.
Can't explain it but to say that I THINK I get a simpler, easier-to-pronounce note with bass emphasis with flats. It also may be the way one hits a string. I tend to be fairly percussive when I hit a string, and I like to play up toward the neck as opposed to playing by the bridge.

I just came up from the basement, throwing around on the Bird, and on my preamp I had the bass knob pulled down quite a bit, down around the 7-8 o:clock position, mids up a bit, treble around 1 o'clock... mid sweep around 1.5K I think... whatever... but the sound opened right up when I pulled the bass down and the mids up... and that's when I appreciate what flats do. I still get a nice touch up top- in fact it's almost kind of brittle sounding in the top end of the note. Then down low it's fat and plain. The whole thing comes off as a little "woody" sounding, and very concise. Super tight for funky passages, still breaks up nice when you drive it hard.
It ain't dead if you can put life into it.