Thanks! Yeah, it's pretty hard to beat figured maple for spectacular-ness. Takes dye and clear-coat really well in my experience.
So I got the wiring fixed and buttoned up, then was able to install the knobs - the final bit of hardware! Yay, it's a real bass now!
Been playing it the last couple of days and getting to know it. The three-piece maple neck is very stiff, even though it's not particularly fat; it's actually a bit slimmer than most of my other builds, yet very comfortable. In fact, the whole instrument is comfy. I've gotten so used to playing the RayBird and the OctoBird that a "normal" bass with an upper horn feels cumbersome in comparison. Weird, huh? I tend to wear all of my basses fairly low, so the upper horn usually winds up around the middle of my belly, whereas the 'birds sit nicely just a bit off to the side. The contouring helps a lot here too. Ergonomics are so personal and so varied from player to player…
Do I like the Big Splits? Yes. Mostly. I think. They have a lot of upper mid content ("zingy" is how another reviewer described them), which is altogether different than the dual-coils that are on the other 'birds. They seem to be missing that thick fatness that the SGD Neos do so well. When I play the OctoBird I can leave the BTC completely flat and get a nice thick tone with plenty of top-end. With the Big Splits on the PentaBird I'm finding that I have to roll in a good amount of bass boost on the BTS to get anything close. But strings may be a factor here - the OctoBird has nice thick
Circle K Kalium nickel strings, while the PentaBird is wearing a secondhand set of Ken Smith stainless rounds, in gauges that are likely a bit too small for a 33" scale. So today I ordered a matching five-string set of
Circle K Kaliums. That should help some. In the end, though, there are lots of other choices in the EMG40 size, so I might try something different. Still, I love the
idea of the Big Splits, and I love that twisted-polepiece aesthetic.
