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A common fix for that if you have a rat fur covered cab is a length of velcro (hook side) that straddles the head and fastens to the cab. There are plenty of easy variations on that method.A problem that I had when running the light-weight, semi-tiny Class D powered heads was with cabinets that vibrated enough to "bounce" the head off the cabinet (higher-end commercial light-weight cabs). Tried various types foam under the head, but the cabs had a duratex-style of exterior finish. The head simply wasn't heavy enough...the foam and the head would scoot around.
Lots of good lightweight speaker cabs.I am aware of the trend toward tiny, lightweight bass heads. That's all well and good, but what's the point if most speaker cabinets are just as large and heavy as they've always been. I am genuinely perplexed. Other than perhaps using a tiny bass head for practice (with headphones) or maybe the studio, what's the point of having it in a live setting?
I am aware of the trend toward tiny, lightweight bass heads. That's all well and good, but what's the point if most speaker cabinets are just as large and heavy as they've always been. I am genuinely perplexed. Other than perhaps using a tiny bass head for practice (with headphones) or maybe the studio, what's the point of having it in a live setting?
I have two 1x8 Michael Arnopol cabs that each weigh around 20 pounds each that sound amazing and can complete against 1x12s.
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I am aware of the trend toward tiny, lightweight bass heads. That's all well and good, but what's the point if most speaker cabinets are just as large and heavy as they've always been. I am genuinely perplexed. Other than perhaps using a tiny bass head for practice (with headphones) or maybe the studio, what's the point of having it in a live setting?
They are killer! I sold my other other non MAS cab and got two of these little guys. Very portable for what I need since I am in Chicago and take transit. My only other GAS list would be Bodai 28 or another one of his cabs.Nice rig! I've been looking at the MAS cabs for a while now. I like his 112 cab a lot. GAS!
I'm not really seeing how that's a "full stack."
Lol. I'm 49 and in the 80's I was playing through my sisters stereo and a speaker from one of those old console TV's, which for some reason were 15"s. Of course at the time, I also thought that the speaker magnet was for sticking it to your trunk.well..your profile says you are 48 years of age..so in the 80's..you must have been a very young boy with a bass rig that was seperate cab and head..?..
I am with you!I can understand the OP's original question. For example, I have a head and cabinet (Carvin BX1200 and CRX4x10 Neo) that are probably 8-10 years old. The head is one of the last ones before all the class D heads came out, so it's about 35 pounds. The Cabinet, because it has the neo speakers in it, is about 75 pounds. I could get a class D head and lose at least 20-25 pounds in head of my rig. However, I would still have to move the 75 pound cabinet, so I haven't bothered to make the change. Additionally, a lot of the neo options out there are disappearing as the price of magnets has increased, so in many cases, cabinets are getting heavier again. My cabinet would weigh about 20 pounds more if it didn't have the neo speakers in it. I have experimented with smaller cabs, but they haven't sounded as deep as my 4x10, so I literally carry on.
That's right, I forgot to mention that they gave me a little head.DID YOU JUST SAY I GOT A TINY HEAD?
Ever hear of neodymium?I am aware of the trend toward tiny, lightweight bass heads. That's all well and good, but what's the point if most speaker cabinets are just as large and heavy as they've always been. I am genuinely perplexed. Other than perhaps using a tiny bass head for practice (with headphones) or maybe the studio, what's the point of having it in a live setting?
I am aware of the trend toward tiny, lightweight bass heads. That's all well and good, but what's the point if most speaker cabinets are just as large and heavy as they've always been. I am genuinely perplexed. Other than perhaps using a tiny bass head for practice (with headphones) or maybe the studio, what's the point of having it in a live setting?