Yeesh! Was this Walter Becker's Precision???I did something like that 50 years ago. Just volume for each pick up and a phase switch each for the jazz and p pick ups.
View attachment 5338554
The "tone" came from blending the pick ups or not.
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Yeesh! Was this Walter Becker's Precision???I did something like that 50 years ago. Just volume for each pick up and a phase switch each for the jazz and p pick ups.
View attachment 5338554
The "tone" came from blending the pick ups or not.
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I'm waiting for the guy who's such a purist he forgoes tone controls, volume controls, and the output jack. Anyone that brave?
There were guitars with built in wireless at one point - Nady was involved, I think. The challenge with that ius that wireless tech (and the bands where you can use them) change every few years - if you hogged out your '59 Les Paul for a wireless the first year you could do that, you'd have changed the transmitter a dozen times since then - the thing would be a compete hack job by now.
I did something like that 50 years ago. Just volume for each pick up and a phase switch each for the jazz and p pick ups.
View attachment 5338554
The "tone" came from blending the pick ups or not.
![]()
Brave enough to go permanently without tones that I like?Is there anybody else out there brave enough to go volume-only?
Sixx can also easily ditch the strings....Love it. My ideal bass would be like Nikki Sixx's signature - no volume, no tone, just an on/off switch.
Below are two of my basses that I've modified greatly. The first is a G&L SB-2, which comes without a tone control (or used to, anyway). I modified it to use only a single volume control which is also a push/pull switch so I can run the pickups in parallel or series with one another. Once I established that I liked that arrangement, I had a new pickguard made for it. The second is a radically modded NS Design WAV4. It started its life as an active bass. I converted it to passive by stripping all the marginal-sounding electronics out of it, putting in a Lace Alumibar pickup (no affiliation), and simply using a volume control only. I have GHS Pressurewound strings on both basses, and both sound amazing. (Please forgive the oddly-sized pics.) Is there anybody else out there brave enough to go volume-only?
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View attachment 5338374
Two (soon to be three) of my basses have a switch that, when engaged, bypasses the volume and tone controls and makes the signal go from the pickup selector straight to the output jack. I usually just use the switch on.Below are two of my basses that I've modified greatly. The first is a G&L SB-2, which comes without a tone control (or used to, anyway). I modified it to use only a single volume control which is also a push/pull switch so I can run the pickups in parallel or series with one another. Once I established that I liked that arrangement, I had a new pickguard made for it. The second is a radically modded NS Design WAV4. It started its life as an active bass. I converted it to passive by stripping all the marginal-sounding electronics out of it, putting in a Lace Alumibar pickup (no affiliation), and simply using a volume control only. I have GHS Pressurewound strings on both basses, and both sound amazing. (Please forgive the oddly-sized pics.) Is there anybody else out there brave enough to go volume-only?
View attachment 5338372
View attachment 5338374
Two (soon to be three) of my basses have a switch that, when engaged, bypasses the volume and tone controls and makes the signal go from the pickup selector straight to the output jack. I usually just use the switch on.
my first encounter with a yamaha attitude bass turned me on to the value of no-tone basses.
i just recently had one removed from one of my 6 strings. one big old humbucker, a series/single/parallel switch, and volume.
i like it very much.
Well, besides the two basses I pictured at the beginning of this thread, I also own a G&L MJ-4, which standard has five pots (volume-blend-active 3-band EQ) and a G&L L2500, which has three pots and three switches standard. On it, I changed out two of the pots to add two additional push/pull switches for individual single coil options to each pickup. So that's three pots and five switches. While it's fun to play, it doesn't sound any better (or worse) than my basses with only volumes, but at least I'm not just a one-trick pony!On the other hand, there are basses that have 5 knobs and three micro switches that would make my head spin off
How about photos of basses with the MOST knobs?
That's a great question that I can't answer. My SB-2 had no tone control from the factory and my WAV4 was an active bass with so-so electronics in it before I converted it to its current state. I've heard it said that Timothy B. Schmit considered a tone control a tone suck, but I got that info at least second hand, so I take it with a grain of salt. Plus, he's back to playing a regular Jazz Bass. My guess is that a passive tone control can't help but affect the tone even when wide open. Electricity flows like water. If you put an elbow into a water pipe, it affects the water flow. If you add any pot that alters the flow of an electrical current into a circuit, it would change something. Now the question is, Is that change beneficial or detrimental?I leave the volume and tone controls wide open on my P bass, and have since I bought it 50 years ago.
My question is whether the bass sounds different with the tone control removed than it does installed, yet unused? Is their any sonic benefit to physically removing the tone control from the wiring harness?
I have two GrassRoots basses that came with this as a factory feature, and I recently got a third bass that I'm going to add this to. I'd probably add it to all my basses. It's really useful.I need this